Sentences with phrase «generations of abstract painters»

Having exhibited her work for over six decades (early 1950s until 2011), she spanned several generations of abstract painters while continuing to produce vital and ever - changing new work.

His practice spans through different abstract art techniques and styles that would later be used by generations of abstract painters.

Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

Deininger is one of a new generation of abstract painters, aware of the rich history of abstraction, yet creating complex canvases originating from her sophisticated, knowledgeable and intuitive response to process, imagery, and materials.

Quaytman was part of a solid generation of abstract painters who took their cue not just from the Suprematists and the neo-plasticism of Mondrian but also from the color theories of Albers and Matisse, correlating volume and effect.

For a new generation of abstract painters, the process of making an artwork often becomes an indispensable part of showing the work as well.

July 15 — August 31, 2011 Jered Sprecher is at the forefront of a new generation of abstract painters who are revitalizing the practice.

She belonged to a generation of abstract painters, but always retained a sense of her own special qualities.

I studied painting with Howard Buchwald, who came out of the generation of abstract painters working in the 1970s through the 1990s, when that language had moved out of the center.

Not exact matches

She wrote that Mueller and a number of other painters were the «generation that essentially reinvented American abstract painting in the 1970s and»80s.»

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

Contemporary abstract painting lacks credibility because its success depends on the suppression of a generation of lyrical painters, censored since the mid seventies.

Greenbaum is among a generation of women painters — Carrie Moyer and Amy Sillman are others — reclaiming abstract expressionism.

Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..

For generations, artists such as Mark Rothko, Yves Klein and Kazimir Malevich have attempted to locate and convey a certain ethereal quality within a space of visual absence, one that abstract painter Peter Halley defined as a «serenity or radiance».

Guston achieved fame in the 1950s as a part of the first generation of abstract expressionists, although the painter himself preferred the term New York School.

Callum Innes has emerged as one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group shows worldwide.

Signed LL Theorodos Stamos is heralded as one of the few abstract painters who bridged the New York School's first and second generations.

Callum Innes is one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group exhibitions worldwide.

These are impressively adept paintings with a confident sense of scale, but they do not have a distinctive character compared to contemporary works by artists such as Helen Frankenthaler, Grace Hartigan, or Joan Mitchell, to reference only the most noted women abstract painters of Schapiro's generation.

A recent spell in Bali has affected John Hoyland, prompting violent clashes and disturbances, a use of acrylics that mocks the controlled slippages and seepages of younger generation abstract painters.

Installation view February 26 — May 15, 2011 Marius Lut, Jan van der Ploeg, Esther Tielemans and Evi Vingerling How does the most recent generation of Dutch painters relate to the tradition — now stretching back a hundred years — of abstract painting?

The picture plane here though is an arena quite different to the one set up by Harold Rosenberg for the previous generation of American abstract painters.

«I am honored to represent William T. Williams, one of the most significant abstract painters of his generation.

She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.

Amid the leaden self - importance of the abstract expressionist generation of painters, Baldessari played the ingenue, seeing what would happen, as he puts it, if he took art at its word: «If it really was all about communication, why not really try to communicate, with things that everyone could understand?

Works by the earlier generation of artists represented in the show can be loosely situated within geometric abstraction and abstract constructivism, influenced by artists such as Piet Mondrian (1872 — 1944) and groups such as De Stijl (founded 1917) and the ZERO movement of the 1950s and 60s, as well as the American Colour Field painters.

Hoyland is considered by many to be one of the greatest abstract painters of his generation.

The pendulum has now swung away from the cool, abstract and geometric art of Noland's generation and the Minimalist painters who followed them, and toward expressive figuration practiced by such artits as Julian Schnabel (MATRIX 52), Francesco Clemente (MATRIX 46) and Georg Baselitz (MATRIX 70).

Entitled Drip, Drape, Draft, the show presents works by Robert Davis, a close friend of Johnson for more than a decade; Angel Otero, who he has known for some six years; and Sam Gilliam, an older artist from what Johnson refers to as «an almost lost generation of black abstract painters», with whom he recently struck up a mutually significant friendship.

Helen Frankenthaler was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.

In 1962, Greenberg was guest critic at the Emma Lake Artists» Workshops, where he introduced the work of second - generation American abstract painters Morris Louis, Jules Olitski and Kenneth Noland to a Canadian audience, stimulated Andrew Hudson as a critic, and had a significant impact on painters Kenneth Lochhead, Dorothy Knowles and Ernest Lindner.

Her pioneering, immediate approach widened the practices of abstract expressionists and went on to inspire Color Field abstract painters such as Morris Louis and Kenneth Noland and generations of future artists.

Nozkowski has become one of the most original and celebrated abstract painters of his generation.

Kitaj has been associated with the «School of London» generation, a label that never referred to a specific group or style, but was used in connection with a number of painters preoccupied with the figurative aspect of painting at a time when abstract art had dominated the art scene for a long time.

Stella is considered to be a pioneer within the minimalist art movement and one of the most influential painters of his generation, a generation moving from abstract expressionism towards minimalism.

And his play with abstraction connects his work wittily with the abstract painters and sculptors of his time and generation.

On view are ink paintings by the late David Slivka, a sculptor and painter who was part of the first generation of abstract expressionists.

One of the most celebrated abstract painters of his generation, Innes responds to the landscape and architecture of Château la Coste with a series of three monochromatic wall paintings.

Since then he has emerged as one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group exhibitions worldwide.

Otto Freundlich — theoretician, political activist, painter, and sculptor — belonged to the first generation of abstract artists, working alongside Braque and Picasso; Len Lye, a multi-disciplinary artist from New Zealand, was a pioneer of animated film - making; Brazilian painter and installation artist Lygia Clark created innovative interactive works; and Blinky Palermo was known for his «fabric paintings.»

These artists used familiar scenes to engage a wide range of audiences with fine art, in contrast to the popularity of European trends in abstract painting among other American painters of their generation.

«The ambition, intelligence and originality of these more recent paintings established [Hoyland] without question,» writes Gooding, «as one of the 2 or 3 best abstract painters of his generation anywhere in the world.»

And although the next generation of American artists, notably Robert Rauschenberg, reacted against the «nature painters» with work that saw the spectacle of the mediated world itself as a form of second nature, they knew that the stage on which they stood had been created by the abstract expressionist painters.

Robert Arthur Goodnough was an American abstract expressionist painter, and one of the last of the original generation of the New York School...

The painting scene in San Francisco in the»40s centered around a small, tight - knit group of teachers and serious students at the California School of Fine Arts (renamed the San Francisco Art Institute in 1961), who were influenced by Clyfford Still (1904 - 1980), a major first - generation abstract expressionist painter, who taught at CSFA from 1946 until the early»50s when he moved to New York.

Mary Heilmann (born 1940 in San Francisco) is one of the most influential abstract painters of her generation and considered as a «painter's painter».

Moon was one of a generation of British abstract painters that emerged in the early 1960s and included Robyn Denny (born 1930) and John Hoyland (born 1934).

Over the past 20 years, Edinburgh born Callum Innes has emerged as one of the leading abstract painters of his generation, making work which stands defiantly against the tide of the quick fix that has dominated the sensibility of so many of his contemporaries.

One of the preeminent abstract painters of his generation in Beijing, Wang's work is rooted in questions of painting's temporality and the canvas as a vessel of labour and marker of time.