Sentences with phrase «generations of artists respond»

How do younger generations of artists respond to this legacy?

The Vogels began collecting art in the 1960s, a time that saw a new generation of artists respond to the abstract expressionist movement.

Feeling that Abstract Expressionism with its rejection of representation was a dead end, a younger generation of artists responded by using common objects and industrial materials in their creative process, both as subject matter and as medium.

Then a new generation of artists responded to our 2004 collection campaign including Damien Hirst, Antony Gormley, Louise Bourgeois and Richard Long.

Not exact matches

The 28 - year - old Swedish director, Niclas Gillis, represents a new generation of artists and filmmakers responding to inequality and social misery.

Responding to «the generalization of the political» at the 1993 Whitney Biennial, Meyer gathered together an emerging generation of artists engaged in critical practices around institutions, including, but not limited to, museums.

New York poets from several generations respond to the atmosphere of camaraderie among artists and poets downtown from 1955 to the present.

Yet Diebenkorn, responding to the American landscape's emotional pull in an inherently modern way, comes from a generation of artists who rejected tradition.

It is certainly interesting to observe the trajectories of two prominent artists from the same generation, as they emerge from two divergent geopolitical environs and how their practices respond to socio - economic change decade by decade.

Against this backdrop, a new generation of black and Asian artists, writers and curators began to respond to the political, social and sexual issues of the day, getting together to create exhibitions and develop subversive strategies, and to produce art, film and literature that reflected their diverse identities and experiences.

Aftermath: Art in the Wake of World War One at Tate Britain explores how artists responded to Europe's physical and psychological scars, while Generation Hope: Life after the First World War at IWM London takes visitors from 1918 to the heart of the «roaring» twenties, showcasing developments in art, literature, film, fashion and technology as people tried to shape a new world.

A critical mass of artists emerging in the»70s whose work responded to image saturation in the media and everyday life — among them Cindy Sherman, Sherrie Levine and Richard Prince — came to be known as the Pictures Generation... read more

The artists selected for show are the voice of a new generation, who are responding directly to the outside world, to the vanity of social media and to the socio - political backdrop that informs our culture today.

Pieter Vermeersch, (1973 ---RRB-, one of the younger generation of artists here, responds to ideas explored by artists like Piet Mondrian and Ad Reinhardt, both acknowledged influences on Tuymans himself, by testing the very nature of painting itself.

The artists selected for this show are the voice of a new generation, who are responding directly to the outside world, to the vanity of social media and to the socio - political backdrop that informs our culture today.

In the 1950s and 1960s, a generation of artists led by Eduardo Paolozzi, Richard Hamilton and Peter Blake responded to a radical cultural shift in Britain, addressing the rise of mass media, the cult of celebrity, questions of identity and prevalent political issues — all concerns still relevant today.

Today, however, Net - savvy artists are responding to renewed encouragement generated by new - media and digital - art festivals, such as ZERO1, which will mount its second biennial in San Jose in June; contemporary museums actively building collections, including the Walker Art Center in Minneapolis and New York's New Museum of Contemporary Art; and even long - established institutions like the Museum of Modern Art, which brought together work by a half - dozen first - generation Web artists in last year's «Automatic Update» exhibition.

The first time America elected a politically conservative television star, a generation of East Village artists responded with a subversive group show that took aim at the intersection of mass media, politics, commercialization, and the dawn of the information age.

Consider how artists view, absorb, and respond to works from previous generations and how the stakes of modernist aesthetics have changed over time.

Yet the artist is vigilant in his desire to respond to the world around him, and refuses to retreat into a formal world of mark, splatter, and structure (as so many painters of his generation did) in order to address the ever - present weight of the political.

This catalogue presents a new generation of young artists who respond to «anonymous» materials of the 21st century, such as 3D - printed objects, body scans and stock photos.

Across the gallery, you are invited to explore how artists from different generations have responded to and experimented with the pervasive influence of mass and broadcast media.

Entitled, Making Things Public, visitors will explore how artists from different generations have responded to and experimented with the pervasive influence of mass and broadcast media.

It was a place for artists of all generations and inclinations to see and learn and respond to their predecessors, peers, teachers and students.

She was a leading figure in a generation of British artists who were responding to the latest international developments in Paris and New York, including the work of American Abstract Expressionists.

Castelli and Sonnabend were responding to a strong engagement with film and video by a new generation of post-Minimalist artists that included Bruce Nauman, Richard Serra, Ed Ruscha, Robert Morris, Claes Oldenburg, John Chamberlain, Vito Acconci, Lawrence Weiner, Yvonne Rainer, Joan Jonas, Robert Smithson, Nancy Holt, and William Wegman, among others.