Sentences with phrase «generations of artists use»

In this presentation, two generations of artists use their individual methods and experience to demonstrate the complexity of seemingly simple cultural ideas.

Double Take is an exhibition which looks at the theme of appropriation and how it has been explored by different generations of artists using photography.

Instead of looking at the already historicized and analyzed period of the 1960s and 1970s, the exhibition highlights how a recent generation of artists use publishing as a productive tool for their practice.

Not exact matches

That means the make - up artist's mom is taking home a $ 250 Target gift card and a whole mess of Seventh Generation cleaning products, just in case her son decides the bathroom floor could really use a fresh coat of mascara.

When Ford launched the first generation of Sync in 2007, it was revolutionary, letting drivers use voice command to makes calls from a Bluetooth - paired phone by contact name and request music from a USB - connected drive by album, artist and track name.

With a five - star average rating, the award - winning Madefire platform celebrates creativity, supporting the next generation of comic book talent via a dedicated Indie Channel that allows artists to create and publish their own comics using powerful creation tools.

Each piece is handmade using natural materials and rare skills that were passed down from generation to generation within each of the artists» families.

Procedural generation taken at its face value, is simply the use of computing procedures to magnify the input of an artist.»

Calligraphy, miniature painting, Sufi mysticism, and other traditions are the starting point for a new generation of artists from the Islamic world who are using the language of contemporary art to inflect their work with multiple layers of meaning.

Their work has emboldened a new generation of artists to engage with painting, many of whom don't use any paint whatsoever.

He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head - on using fragments of its own visual culture.

For generations, artists have used text and books to challenge the purveyors of knowledge and to trouble the certainty of facts.

«Coming To Power» pays homage to the first generation of women artists who pioneered a new artistic genre in the mid 60s and early 70s using explicit sexual imagery.

The use and depiction of everyday items allowed Pop artists to challenge the nature of marketing, explore identity representation and counter the heavy - handed emotional intensity of previous generations, such as the Abstract Expressionists.

Noland's provocative exploration of the more nefarious aspects of American culture paved the way for a generation of artists who also use methods of appropriation in their critique of culture, including Anne Collier, Leslie Hewitt, and Lorna Simpson.

With this comes a critical redefinition of pattern: These artists explore iterative generation of form, using a framework more akin to a mathematical pattern or a computer pattern than to a purely visual process focused on decoration or ornamentation.

Many of his works play with the forms of utilitarian objects and take a «finish fetish» approach to commercial and industrial materials not typically used by artists of his generation.

The American sculptor John Chamberlain, known for using parts of wrecked automobiles in his volumetric, abstract work, is widely considered one of the most important artists of the 60s generation.

Keeping with its aim of promoting a new generation of Asian artists, Galerie Paris - Beijing celebrates the creative energy of the Land of the Calm Morning with works that combine the use of traditional materials such as wood, metal or charcoal, and the exploration of highly innovative techniques.

«I feel like a lackey of the contemporary art establishment forced to repeatedly apologise to my board for failing to beat the Chisenhale Gallery in showcasing an entire younger generation of post-Internet artists who jokily yet unnervingly use a cut - and - paste, horizontally - dispersed aesthetic in a dilettante fashion.»

This exhibition showcased works from the leading artists of a generation, who have used the city walls as a channel for their creative energies.

Currently living and working in Beijing, the spirit of his work resonates with a new generation of emerging Chinese artists using photography as an instrument to capture human encounters with a rapidly developing China.

Strategies that emerged earlier in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,» photography as a form of literary pointing — adopted by the artists in this exhibition have subsequently been absorbed by the contemporary generation using photography as conceptual art, from Gabriel Orozco to Hank Willis Thomas.

Connection, Reflection is an exhibition curated by Nikki Pressley that features emerging artists based in Los Angeles using a range of media and approaches to explore ideas surrounding the reality and generation of personal and cultural narratives.

Throughout his career, he has sustained his use of found materials and chance - based processes, transforming the conventions of painting and opening the door for a new generation of young artists.

This panel explores the politics and legacy of African American artists, both of Charles Gaines's generation and after, who use strategies of conceptual art to investigate identity, representation, and American culture.

Others were «Take It or Leave It: Institution, Image, Ideology» at the Hammer Museum (2014), which surveyed the use of appropriation and institutional critique in art from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.»

The concept of The Pictures Generation was used on a group of artists who recycled existing images from media and advertisement.

Steinkamp is one of the most important video and new media artists of her generation, and she brings a heightened focus on human sensory experience through her phenomenological installations, using light, motion, and sound to dematerialize and activate space, setting her oeuvre apart from that of her peers.

This two - parted exhibition will both trace the history of Sol LeWitt's relationship with NMSU, as well as show the extent of his influence on a new generation of artists who use the surface of the wall as their canvas.

His poetic use of found materials, printed and reproducible images, his unconventional and inventive mark - making, and his embrace of chance operations (whether dragging a canvas on the ground, allowing a drop cloth to absorb stains of nature and of the studio, or exposing the paintings to the forces of weather) can be seen echoed within Schnabel's entire body of work as well as in the work of a subsequent generation of artists.

His revolutionary use of electronics, video, robotics and computers foretold society's complete dependence on digital devices, inspiring a new generation of artists as well as informing pop culture with his installations.

Coming of age during the 1968 student protests, which swept across Yugoslav cities, Iveković belongs to the New Art Practice (NAP), a generation of artists whose conceptual practices gravitated toward the use of public space, breaking away from institutional infrastructures.

Polke's influence on the generation of painters that first rose to prominence in the 1980s was profound, with his stylistic experimentations and use of found imagery echoed in the work of artists as disparate as Albert Oehlen, Rosemarie Trockel, the late Martin Kippenberger and the Americans Julian Schnabel, David Salle and Richard Prince.

While some Pop artists use photography to react to consumer culture, Robert Heineken repurposes found magazine imagery to talk about the media's role in objectifying women, Richard Prince and Sarah Charlesworth of the Pictures Generation push the boundaries of image appropriation, Christopher Williams talks about means of image production and contemporary artist Lucas Blalock confuses subject and backdrop through Photoshop.

Lives and works New York) Cheryl Donegan's work demonstrates the concerns and modes of a generation of artists, many of them women, who began to use conceptual strategies in the early 1990s to question the hegemony of canonized artists, many of them male.

The exhibition aims to contrast an earlier generation of artists who use shock in their work with a younger generation of contemporary artists who use shock to different ends.

We, as the new generation of feminist artists, need to keep being visible, using all the digital tools to make these works available to a wider audience for the next generations to come, and on an international level.

The Glo - Pods body of work, meticulously created through a proprietary fabrication process of blow - molding and layering acrylic, mark Colon as part of the next generation of Southern Californian artists using light as an exploratory medium.

He wants to subvert the standards of judgment integral to our understanding of abstract painting, while being committed to the act of making... He is interested in — to use his own words — perversely cultivating the tenuous relationship between «creative seeing» and the randomness of nature without becoming explicit... By finding ways to foreground his conflicts about painting, while also expanding its definition, Burckhardt has become one of the most interesting artists of his generation.»

His generation of Chinese artists are not only better known in the West than many older ones, but are also more used to the gallery system here, said Mr. Maupin.

The Glo - Pods body of work — meticulously created through a proprietary fabrication process of blow - molding and layering acrylic — mark Colón as part of the next generation of southern California artists using light as exploratory media.

Her use of weaving claims a relationship to the reassertion of «women's work» by an earlier generation of feminist artists amplifying the tradition of stitchcraft.

His poetic use of found materials and his embrace of chance operations (whether dragging a canvas on the ground, allowing a drop cloth to absorb the environmental stains of the studio, or exposing the paintings to the forces of weather) can be seen echoed in the work of a subsequent generation of artists, including Joe Bradley, Dan Colen, Urs Fischer, Wade Guyton, and Nate Lowman, among others.

Since then, there have been many artists who've used photo collage, like Pictures Generation artists John Baldessari and Barbara Kruger, as a means for expressing the ubiquity of images and bold feminist statements, respectively.

Curated by Anika Meier, the show explores the contemporary generation of women artists who use new media to explore gender, sexuality and identity in the digital age.

Feminism in the art world resulted in a much larger presence for women artists in the 1970s and 1980s, and the «Pictures» generation — those who arrived on the New York City art scene in the late 1970s (many from California Institute of the Arts or Buffalo State College) and experimented radically with using borrowed images — may be the first group of artists associated with a particular movement in which there are as many (or more) high - profile women as there are men.

In the early 1980s Dokoupil emerged as a leading champion of a new generation of international artists who, in opposition to the minimal and conceptual art of the 1970s, rediscovered painting and the use of figurative, expressionist images.

Iranian - born, London - based Shirazeh Houshiary does not belong to the older generation of artists included in that show, but her work reflects the Persian tradition of using the written word as a formal device.

Robert Ryman and Ellsworth Kelly were both working steadily, granted, but so distinctively as to be inimitable by younger artists — not that Heilmann seems to have ever resorted to simple mimicry, despite the frequency with which other artists of her generation have used it as a tool.