The museum largely thinks of itself as a museum dedicated to living artists, so one of things that is, I feel, important — and that the institution takes on too — is to engage with future
generations of living artists.
At the same time, Stone represented, promoted and actively collected the work of a younger
generation of living artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others, whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.
Not exact matches
I really got into «
Generation X» when it was first published and I had these crazy aspirations
of being an
artist and
living in a loft in Paris.
A converted church in a corrupt civilization withdraws to its upper rooms, into monasteries and conventicles; it issues forth from these in the aggressive evangelism
of apostles, monks and friars, circuit riders and missionaries; it relaxes its rigorism as it discerns signs
of repentance and faith; it enters into inevitable alliance with converted emperors and governors, philosophers and
artists, merchants and entrepreneurs, and begins to
live at peace in the culture they produce under the stimulus
of their faith; when faith loses its force, as
generation follows
generation, discipline is relaxed, repentance grows formal, corruption enters with idolatry, and the church, tied to the culture which it sponsored, suffers corruption with it.
His arrival with films like The
Living End and The Doom
Generation signalled a voice synonymous with the New Queer Cinema movement
of the early 1990s that saw gay stories told by gay
artists.
The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest
living filmmakers, in - depth analyses
of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands
of people to dedicate their
lives to filmmaking, and thanks to the wonders
of modern technology, these priceless cultural beams
of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new
generation of artists who might persevere and thrive to one day fill the shoes
of the likes
of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens
of others whose work continually delight and move us in every way possible.
Congressman John Lewis, an American icon and one
of the key figures
of the civil rights movement, joins co-writer Andrew Aydin and
artist Nate Powell to bring the lessons
of history to vivid
life for a new
generation, urgently relevant for today's world.
Andy Warhol revolutionized visual art, bringing it into the
living rooms
of the masses and paving the way for a new
generation of artists.
Six years ago, American
artist Warren King travelled to China for the first time, to the village where
generations of his family had
lived.
Although Giacometti and Klein, were
artists born a
generation apart and couldn't be more different the two
artists lived and worked within a mile
of each other, in Montparnasse, Paris, but there are few clues in their work to suggest that they shared the same artistic milieu.
Helen Frankenthaler's
life and art produced a remarkable body
of work that inspired an artistic movement and continues to inspire new
generations of artists and viewers in her unique pursuit
of truth and beauty.
Lebanese - born
artist, academic and poet Etel Adnan produces with her palette knife luminous abstracted landscapes — blocks
of bright colour on canvas — that, late in
life (Adnan is now nearly 90 years old), have brought her a new
generation of devotees.
This institution continues to suppress a
generation of works by
living American
artists which really is an outrage.
Bringing together
artists working in various media, from multiple regions, and
of different
generations, this exhibition focuses on the lyric — the poetic first - person account
of lived experience — to explore the complexities
of being in the world.»
«What museum goers should find especially intriguing in «Love Loss and the Cycle
of Life» are the ways in which a great
artist from one
generation influenced a great
artist of another
generation.»
Through audio interviews with founders and key staff, a reading room
of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story
of pioneering spaces — like P.S. 1,
Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new
generation of alternative projects such as Cinders,
Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.
A now - established
generation of Berlin
artists lived it up in these galleries.
For those familiar with Princenthal's writing, it will come as no surprise that the study
of Martin is difficult to put down, based as it is on great insight into the
artist's
life and the greater issues that pertain to a female
artist of her
generation.
Proposals are evaluated on the basis
of the following criteria, which are weighed equally: How well a project aligns with the MAP Fund's goal
of supporting experimentation and innovation in all traditions and disciplines
of live performance, especially work that brings insight to the issue
of cultural difference, be that in class, gender,
generation, race, religion, sexual orientation or other aspects
of diversity The artistic strength
of the proposed project The viability
of the project, based on the applicant's professional capabilities as demonstrated in the project narrative, bio and
artist statement, and work samples.
After the second world war, as the US became a superpower, a new
generation of artists made New York the centre
of modern art, with a strange yet authoritative form
of abstraction that was free from the influence
of the still -
living European modern masters.
Born in West Bengal and now
living and working in New Delhi, for more than two decades Mithy Sen has been at the forefront
of a
generation of contemporary female
artists questioning and negotiating feminist issues in South Asia.
Currently
living and working in Beijing, the spirit
of his work resonates with a new
generation of emerging Chinese
artists using photography as an instrument to capture human encounters with a rapidly developing China.
Curator was the Art Theoretic Germano Celant to describe the work
of a new
generation of Italian
artists who wanted to destroy the division between
life and art.
In a brief
life that included only eight years
of full - time painting, Thompson created a complex body
of work that has proven to be
of great significance and influence to successive
generations of artists and art historians.
Some present recent work by
living artists spanning several
generations; others showcase fascinating historical material
of varying vintages.
In a brief
life that included only eight years
of painting, Thompson left a complex body
of work that has proved to be
of great significance and influence to successive
generations of artists.
By making a gift to Otis College, you provide support to today's
generation of artists and designers to
live their passions and deliver unique and vital contributions to our world.
As one
of Idaho's most important
living artists, second
generation Abstract Expressionist, Robert S. Neuman is known for exploring regional, historical and metaphysical themes.
The Park
Life Gallery exhibition, «(Invisible) Relic,» curated by Andrew McClintock, examines works by two
generations of California Conceptual
Artists working with performative actions and re-appropriated objects in a variety
of mediums including video, photographic, audio, sculpture and performance.
An influential and pioneering figure, German
artist Thomas Bayrle (b. 1937
lives and works in Frankfurt) has been an important reference for several
generations of artists, both through his
KSThat earlier
generation of women
artists was not given the option
of being feminists — and, even later in
life, many were not interested in embracing that identity when it was on offer.
The most poignant tributes continue the work
of artists who, in a kinder world, might have
lived to see the results — like Sarah Charlesworth, a veteran
of the «Pictures
generation» who died in 2013.
Aftermath: Art in the Wake
of World War One at Tate Britain explores how
artists responded to Europe's physical and psychological scars, while
Generation Hope:
Life after the First World War at IWM London takes visitors from 1918 to the heart
of the «roaring» twenties, showcasing developments in art, literature, film, fashion and technology as people tried to shape a new world.
These interviews contextualize a
generation of Czech
artists within the historical events that marked their
lives and careers, and draw attention to their urgently felt need to resist historical events while keeping their artistic practices sustained, radical and vital.
Exploring and questioning contemporary
life through visual imagery, the approach
of Pictures
Generation artists is particularly relevant in understanding our current image - oriented culture and decoding the roles that images play as forms
of representation, as icons, and as symbols.
This summarizes the
life path
of Gerhard Richter, one
of the most famous contemporary
artists, who's been an inspiration for
generations of artists.
Its other prongs include an
artist residency at her home in Sonoma, California, for
living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the
artists in her collection; sitting on the boards
of museums like the Art Institute
of Chicago; publishing critical scholarship, beginning with the 2016 book Four
Generations: The Joyner Giuffrida Collection
of Abstract Art; and collecting and gifting major works by black
artists to institutions.
Frieze Projects 2016 brings together
artists from different
generations and regions to share their visions
of human
life, from Sibylle Berg & Claus Richter's darkly comic puppet theatre, to Coco Fusco's performance lecture on predatory behaviour, to Operndorf Afrika's blurring
of artistic production, everyday
life and education.
Opening on 23 August, Mapping the Contemporary II explores how a
generation of multi-media
artists has artistically engaged with the cities where they either
live or work.
Unlike many
artists of his
generation, Balka continues to
live and work in his childhood village.
Belonging to the pioneering
generation of New York - educated Korean
artists, each
of these
artists, each widely acknowledged, is well established in the pursuit
of their art — whether
living in New York City or a remote region in Korea.
At several places in the building, the Hamburger Bahnhof currently exhibits an
artist whose work and
life can not be separated from one another — a painter, an actor, a writer, a musician, a drunkard, a dancer, a traveller, a charmer, an enfant terrible and self - producer — in short, an «exhibitionist» as he called himself and an
artist who today is considered one
of the most significant
of his
generation.
Having taught since the 1970s, Charles Gaines has mentored and influenced
generations of artists living and working in Los Angeles and elsewhere.
Her
life and work inspired many
artists of younger
generations such as Tracy Emin or Robert Gober.
Through a selection
of major paintings, sculptures and works on paper spanning nearly a century, Flora, Fauna and Other Forms
of Life offers a diverse sampling
of the ways in which
artists across
generations have interpreted naturalistic imagery.
The work is also a tribute to Brion Gysin, an
artist of the Beat
Generation who
lived in Morocco and whose work was inspired by Arabic calligraphy.
The recent explosion
of the new Urban art movement, the fresh focus on Graffiti and Street art and graffiti has brought in a new
generation of young
artists like Jean - Michel Basquiat and Keith Haring, who unfortunately did not
live long enough to see the success they became.
As a new
generation of Southern makers explores the joy
of creating, this exhibition celebrates the
artists who have
lived in our midst, inspired by their
life experiences, their faith, their communities, and the landscape around them.
1996 African - American Art: 20th Century Masterworks, III, Michael Rosenfeld Gallery, New York, NY The Countee Cullen Art Collection from the Hampton University Museum, California African American Museum, Los Angeles, CA Three
Generations of African American Women Sculptors: A Study in Paradox, Afro - American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery, New York, NY; Museum
of African American
Life and Culture, Dallas, TX; California Afro - American Museum Foundation, Los Angeles, CA; Museum
of the National Center
of Afro - American
Artists, Boston, MA; Telfair Museum
of Art, Savannah, GA; Center for the Study
of African American
Life and Culture, Smithsonian Institution, Washington, DC Woman's Work: A Century
of Achievement in American Art, The Columbus Museum, Columbus, GA The Figure in American Sculpture: A Question
of Modernity, National Academy
of Design, New York, NY
Lives and works New York) Cheryl Donegan's work demonstrates the concerns and modes
of a
generation of artists, many
of them women, who began to use conceptual strategies in the early 1990s to question the hegemony
of canonized
artists, many
of them male.