As a screenwriter, Garland has been behind some of the more distinctive minimalist
genre efforts of the past few decades, including 28 Days Later... and Never Let Me Go.
Foley delivers a few moments of tension and suspense as the kidnapping plot kicks into gear, but it's clear he has little interest in revisiting the superior
genre efforts of his long - ago youth as a director.
It's currently my number one
genre effort of the year with it's ingenious mix of slowly built - up suspense, brutal twisted humour and a stand - out central performance from Vinson, not forgetting an hilarious Joe Swanberg.
Not exact matches
I may have a difference with Lewis here (one day, God willing, we will find out), but I wonder whether his relentless
effort to open people to the truth - disclosing
genre of myth did not, because
of the connotations surrounding the word «myth,» obscure the truth he most wanted to be disclosed.
It may be the
effort to articulate the unconscious or hidden logic or meaning system or semantic pattern which connects a set
of texts or narratives; it attempts to define a
genre.
This year, I really wanted to make an
effort to read more, and branch out in various
genres of books.
It melds a mix
of genres in a bright, brisk manner that seems nearly effortless and turns into a high - quality
effort.
Solid
effort in a
genre that has a history
of many flops.
With solid actors, good writing, vibrant costume work, a terrific score from Coogler - regular Ludwig Goransson (Central Intelligence, Stretch), humor that's delivered with refreshing subtlety, and Coogler's taut pacing that also takes the time to build up its scenarios, Black Panther succeeds at delivering an unlikely solo
effort in the superhero
genre, and leaves skeptics and those completely unaware
of the characters within the comic books hungry for more.
Production companies: Kinberg
Genre, Maximum
Effort, Twentieth Century Fox Distributor: Fox Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Zazie Beetz, Julian Dennison, Karan Soni, T.J. Miller, Stefan Kapicic, Brianna Hildebrand, Eddie Marsan Director: David Leitch Screenwriters: Rhett Reese, Paul Wernick, Ryan Reynolds Producers: Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner Executive producers: Stan Lee, Jonathon Komack Martin, Kelly McCormick, Rhett Reese, Ethan Smith, Aditya Sood, Paul Wernick Director
of photography: Jonathan Sela Production designer: David Scheunemann Costume designer: Kurt and Bart Editors: Craig Alpert, Elisabet Ronaldsdottir, Dirk Westervelt Composer: Tyler Bates Casting directors: Marisol Roncali, Mary Vernieu
Mantis Burn Racing expands the Nintendo Switch catalog on the racing
genre and brings forth a fun and well - made
effort, featuring an entertaining driving challenge, with plenty
of content to explore and very detailed visuals.
Creator Steve Franks» comedic entry into the crime - solving
genre follows the investigative
efforts of fake psychic Shawn Spencer (James Roday) and his childhood pal and sidekick Burton «Gus» Guster (Dulé Hill).
A consistently engaging
genre effort in its own right, employing unsettling production values and an enormous cast
of well - drawn characters for a narratively splintered investigation into questions
of fate and free will.
The lack
of half - naked men aside, it's impossible not to see what a superior, rewarding
effort Dragon's Crown turned out to be — it looks great, it feels great, it's smart and deep, and it utterly revitalizes a
genre that went stale years ago.
This isn't a major Dante
effort, but his ability to make a good - natured satire that allows an audience to read it several ways at once is as strong as ever, and many
of the sidelong
genre notations are especially funny.
The comic mockumentary has become a full - fledged
genre, thanks to the consistent
efforts of Christopher Guest (from Waiting For Guffman to For Your Consideration) and the decidedly inconsistent
efforts of numerous others.
So, in honor
of the 30th anniversary
of their second feature film, Raising Arizona, we thought the time was right to take a close look at their first
effort in the dark comedy
genre, an area
of film that would undoubtedly become their hallmark.
Picked up by Fox Searchlight following its Sundance premiere, «I Origins» is likely to perform well in limited release due to its
genre hook, particularly if it's released as a form
of counter-programming to bigger studio
efforts in heat
of the summer blockbuster season.
A fine piece
of genre film making, The Town is Ben Affleck's follow - up directorial
effort to Gone, Baby, Gone.
It's the type
of assured and intricate
effort that restores one's faith in not only a
genre that's become far too prosaic and dumbed down, but also today's staggering era
of filmmaking that huffs and puffs to survive each passing year and every 10th blockbuster.
The film owes a little to the horror
genre, certain visual moments capturing that hair - raising creepiness common in the
genre greats — I'm thinking
of the way the camera foregrounds and backgrounds people and space in a certain sequence towards the end (reminiscent
of Mike Gioulakis and David Robert Mitchell's
efforts in It Follows).
The film is an excellent and wildly entertaining
effort from writer / director Edgar Wright, co - writer / star Simon Pegg, and star Nick Frost that uses elements from the sci - fi
genre to explore issues
of friendship, adulthood, and growing up.
Summary: St Vincent is a middling
effort in the feelgood
genre of the embittered old man realising he still has positive things to contribute to those around him
Being the huge horror fan amongst our talented team
of collaborators, the one
genre effort that I'm most looking forward to this year is Fede Alvarez» remake
of Sam Raimi's cult classic, THE EVIL DEAD.
Being the huge horror fan amongst our talented team
of collaborators, the one
genre effort that I'm most looking forward to this year is...
For awhile after seeing «Lights Out» I wondered if my enjoyment
of the film was for not entirely respectable reasons, if I enjoyed it for reasons closer to that
of an MST3K film than that
of a truly solid
genre effort.
It's almost as if a conscious
effort has been made to make this mix
of western, sci - fi and time travel
genre elements as banal as possible.
An enjoyable
genre effort that invests fun into the many fright - inducing moments, The Innkeepers is illustrative
of West at the top
of his game.
However, a refreshing
effort with a satisfying number
of laughs is a not a bad way to kick - off the
genre in 2015, and it's a welcome alternative to all the serious Awards Season options currently in theaters.
A golden age
of comic book movies may be dominating Hollywood right now, but over the past few years there have also been signs
of an
effort to turn around the thus - far lackluster
genre of video game - turned film adaptations.
While there's still plenty to be enjoyed in this
genre, the lack
of any real innovation has led to a glut
of lackluster «me too»
efforts.
Transcending
genre, infamous ensemble
efforts include the original incarnation
of rat pack comedy Ocean's Eleven (and subsequent remake, and sequels), John Hughes» seminal teen flick The Breakfast Club, and Steven Spielberg's war offering Saving Private Ryan.
David Lynch's first Hollywood
effort retains his characteristic air
of menace while conforming somewhat to the conventions
of its
genre.
Following in the same
genre as his past
efforts (Best In Show and Waiting for Guffman), and using many
of the same actors, Christopher Guest presents this mockumentary where any resemblance to real people is purely coincidental — okay, not entirely coincidental... this is a spoof after all.
His following
effort, Ashes
of Time (1994), varied greatly in
genre, successfully subverting the conventions
of the period martial - arts drama.
Unfortunately, the
genre that The Man Inside belongs is one that is in need
of some fresh ideas, and despite the best
efforts of all involved, his film does fall short
of providing them.
It presents plenty
of classic JRPG elements that fans
of the
genre will enjoy, but its
efforts to follow a nostalgic form result in something that ultimately feels insincere.
The film from Roar Uthaug, who directed the fantastic 2015 Norwegian disaster epic The Wave, doesn't smuggle the same
genre - defying intelligence that his prior
effort did — lots
of Tomb Raider is numb, bumbling and ripped from better movies — but Uthaug and his production team make good work
of bringing the world
of Tomb Raider to life.
is the latest
effort to attempt to engage audiences eager for comic courtship content, however it too proves a pale imitation
of the progenitors
of the
genre.
For the record, I in no way disapprove
of the direction Jolie took on her second directorial
effort, but I do believe that working in a
genre beloved by the old, white male majority that dominates AMPAS» current membership is extremely advantageous.
The tale
of the lonesome migration
of the Irish to brash New York is a well trodden storyline.This particular
effort is worthy but not the best film in that
genre..
The stories ostensibly reflect the worst nightmares
of their creators (Charles Burns, Marie Caillou, Romain Slocombe, Richard McGuire, Michel Pirus, Blutch, Lorenzo Mattotti, Jerry Kramsky, Pierre di Sciullo and artistic director Etienne Robial), whose
efforts have yielded an innovative flick which figures to delight fans
of the
genre.
But they're a special
genre of Hollywood war
effort films featuring tons
of cameos by famous stars, which makes them an interesting snapshot into the studio system
of the time.
By comparison, Diana's
efforts to stop the Great War provide a sense
of hope not present in films like Man
of Steel or Batman v Superman, while also taking the superhero
genre out
of an urban environment and contrasting Diana's supernatural powers against early 20th century firepower and chemical weapons.
From The Wild Bunch to Heaven's Gate, gritty revisionist westerns and so - called «anti-westerns» have sought to counteract the romantic misrepresentations
of violence, history and heroism perpetuated by the
genre's talented mythmakers in an
effort to bring audiences an undiluted dose
of the «real» Wild West.
That's been a core plot element
of dozens
of sci - fi movies — most recently «Life», a film that, thanks to solid character development and a couple
of great twists, was able to rise - above the generic
efforts of this
genre.
«The Exorcist» is one
of the best movies
of its type ever made; it not only transcends the
genre of terror, horror, and the supernatural, but it transcends such serious, ambitious
efforts in the same direction as Roman Polanski's «Rosemary's Baby.»
However, his name is no longer amongst the Hollywood elite following so woeful
genre efforts, which is why he's effectively at the helm
of the low - budget adaptation
of HERCULES: THE LEGEND BEGINS as opposed to the epic version, HERCULES: THE THRACIAN WARS, being led by Dwayne Johnson (although the name Brett Ratner is equally fearful).
All
of the sub-par outcomes also eventuate, Brad Furhman's third feature absent the charisma and confidence that made his previous
effort — sleaze - dripping legal drama The Lincoln Lawyer — an unanticipated crime
genre gem.
Nichols is playing with
genre this time, a soft sci - fi
effort that shows his ability to captivate an engaged audience with his confident control
of craft.