Not exact matches
Bottom line: this is one
of the most impressive and influential sci - fi
action films out there, so it is basically required viewing for fans
of the
genre, and people interested in great
cinema in general.
Every year is a good year for
action cinema, at least from a financial standpoint: If you count superhero movies, the
genre pretty much has the top
of the box - office charts on perpetual lockdown.
I could discuss similar films that played at this year's Berlinale — but these two examples must suffice to demonstrate the dilemma German
cinema faces: these
genre films suffer on the level
of craft, while also facing the problem that the socio - cultural context might simply not lend itself to the kind
of genre filmmaking (at least with regard to the thriller and
action film
genres) that seems to come so organically to filmmakers working in different national contexts.
Coming two years after Kim Jee - woon's 2008 Korean spaghetti western The Good, the Bad, the Weird, Daniel Lee's historical
action epic 14 Blades offers another instance
of mainstream Asian
cinema attempting to give Western
genre tropes a distinctly Eastern flavor.
Pam Grier is the first black woman
action star, and in recent years there's been more attention paid to pulp figures in that ilk, thanks to the nostalgia
of cult
cinema and the celebration
of genre canons.
That being said, an extended tour de force conclusion recalling the opening and closing
of Vertigo and the climax
of To Catch a Thief ranks among the most beautiful and visceral
action sequences ever committed to
genre cinema, a mini-masterpiece
of direction, editing, and score.
A superb pas - de-deux with American
cinema, this ultra-violent futuristic film brought the
action film
genre a touch
of class with its masterly combination
of Road Movie, Western and Science - Fiction elements.
It redefined
action cinema by itself, pushed the boundaries
of what was acceptable in motion pictures, and valorized the «heroic bloodshed»
genre by elevating old Chinese dictums
of honour and brotherhood into ballets
of romanticized violence.
Contemporary
cinema may be deep into a phase
of emphasising western - like aspects in everything from horror to
action movies, and fashioning revisionist takes as well; however, at the heart
of this fascination sits the timelessness
of the
genre's core elements.
Old School Kung Fu Fest (OSKFF) is an annual celebration
of classic kung - fu films, bringing back to the big screen the rarest, wildest, and most incredible martial arts,
action, and other
genre cinema from the «60s, «70s, and «80s.
One
of the finest reinventions of the action / thriller time - travel genre this year is definitely EDGE OF TOMORROW and if you missed it at the cinema then have no fear, as we've got all the details of the upcoming home entertainment release — as you want this in your collectio
of the finest reinventions
of the action / thriller time - travel genre this year is definitely EDGE OF TOMORROW and if you missed it at the cinema then have no fear, as we've got all the details of the upcoming home entertainment release — as you want this in your collectio
of the
action / thriller time - travel
genre this year is definitely EDGE
OF TOMORROW and if you missed it at the cinema then have no fear, as we've got all the details of the upcoming home entertainment release — as you want this in your collectio
OF TOMORROW and if you missed it at the
cinema then have no fear, as we've got all the details
of the upcoming home entertainment release — as you want this in your collectio
of the upcoming home entertainment release — as you want this in your collection!
This little gem features American treasure and all - around
genre cinema maestro John Carpenter discussing his 1988 sci - fi /
action / horror cult classic They Live, going into detail about such things as the conceptual ideas behind the movie's premise, his casting
of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight scene between Piper and the great Keith David.
Filmmaker Gareth Evans restored the
action / martial arts
genre to glory after Hollywood transformed
action flicks into a toothless tiger (I still blame The Fast and the Furious franchise and the steady decline
of Detective John McClane in
cinema).
Though many
of us have a soft spot for these relics
of pre-Nolan, pre-Marvel Hollywood
action cinema, revisiting Lara Croft: Tomb Raider and its torturously titled sequel Lara Croft Tomb Raider: The Cradle
of Life today reveals just how far the
genre has come in recent years.
This highly entertaining return
of one
of the
cinema's most enduring giant beasts moves like crazy — the film feels more like 90 minutes than two hours — and achieves an ideal balance between wild
action, throwaway humor,
genre refreshment and, perhaps most impressively, a nonchalant awareness
of its own modest importance in the bigger scheme
of things.
Despite my small complaints, Fury Road is still a masterful piece
of cinema and an instant classic in the
action genre.
Looks can often be deceiving, as RoboCop is, underneath the junk
cinema exterior, one
of the more intelligent and savvy thrillers
of the science fiction
genre, perhaps only bested by The Terminator in terms
of blending intelligent, complex sci - fi with all - out supercharged
action.
Instead, it only makes «Attack the Block» that much more impressive — a fun slice
of nostalgic geek
cinema that effortlessly blends
action, comedy, horror and sci - fi to create an instant
genre classic.