The artists use the traditional
genre of landscape painting in compelling new ways, addressing contemporary issues of land use, nature appreciation, and ecology through their paintings of the American environment.
The work of Gillian Carnegie introduces into the
traditional genre of landscape painting undertones of anxiety, conveyed not by the subject matter but through the paint and its obsessive handling.
With Italienische Landschaft, Richter subversively resuscitates
the genre of landscape painting that was deemed outdated in the contemporary art context of the 1960s.
Longobardi utilizes
the genre of landscape painting to suggest future worlds that parallel our own, often depicting colonization and escape.
Longobardi utilizes
the genre of landscape painting to suggest mystical, invisible worlds that parallel our own, often depicting colonization and escape.
Like Frankenthaler, she evokes
the genre of landscape painting in the loosest sense of the term, as her paintings hover on the periphery of abstraction.
Green's links to nature and the pastoral make it integral to
the genre of landscape painting.
With the use of different vanishing point perspectives and a caleidoscopic dynamic sampling of space, the Leipzig - based painter redefines
the genre of landscape painting.
Sacred Landscapes: Nature in Renaissance Manuscripts, on view October 10, 2017 - January 14, 2018, at the J. Paul Getty Museum, explores
the genre of landscape painting in works of art created for personal or communal devotion.
Another point of departure for the work is
the genre of landscape painting, which often proposes a shared point of view between the viewer and the artist, and seeks to offer a welcoming expanse of illusionistic depth to be surveyed.
«Landscape is Dead» refers to the often - repeated assertion that
the genre of landscape painting is dead, while reflecting an anxiety for the real possibility that we are actually destroying the landscapes of the world.
Confining himself largely to naturalism and
the genre of landscape painting, he rarely attempted figure painting and always found that the Impressionist style met his artistic needs.
New Irish artists began to emerge and establish themselves, notably in
the genres of landscape painting and portraiture.
Catherine Stine reenergizes
the genre of landscape painting, transforming it into a medium of active engagement that reflects a deep concern with the earth's survival.
Although
the genre of landscape painting - and Hayes» landscape paintings in particular - mine a familiar and traditional vein of art, these paintings challenge our security in what we know, trust or take for granted.
In ways harking back to history and dismissing it altogether, each re-invents
the genre of landscape painting while addressing current anxieties over the human - effected environment.
It was at the RA that the likes of Constable, Gainsborough and Turner championed
the genre of landscape painting.
It was the likes of the Royal Academicians Constable, Gainsborough and Turner who championed
the genre of landscape painting.