Not exact matches
The scariest thing to be found in this pointless horror
film is that its director, Rob Schmidt, has less prowess as a
genre filmmaker in his third
film than Eli Roth did in his
first.
«Schrader works in a stately, dark - toned style that's far more compelling
than the frenetic
genre hash of his last two
films, «Dying of the Light» (2014) and «Dog Eat Dog (2016),» Variety opined in a review, coming into «
First Reformed» as a summation of Schrader's work: «Paul Schrader pours all his obsessions, from Robert Bresson to pulp violence, into a grindhouse art
film you can't stop watching.»
Even more
than the
first film, «Deadpool 2» mocks itself and its
genre while flaunting a taste for the grotesque.
The
film is a change of pace for Olivier, his
first time directing someone other
than Shakespeare and in a
genre other
than classical drama.
Wolfen (Warner Archive, Blu - ray)-- The werewolf movie was revived and reworked with a vengeance in 1981 andWolfen, adapted from the Whitley Strieber novel and directed by Michael Wadleigh (his
first feature since the epic concert
film Woodstock), was a far more radical take on the
genre than either An American Werewolf in Londonor The Howling, though not as popular as either.
It had more pizzazz
than anything else that seems like a Best
Film of the season, it managed to be explicitly about movies without violating its trajectories as a
first - rate
genre film (thriller), it was rife with the best, least slavish sort of hommages, and it tapped into the moods and mannerisms of other cinéastes like Nick Ray, Hitchcock, and Hopper without for a moment ceasing to be Ein
Film von Wim Wenders.
Last night at a trailer Q&A Wan mentioned that this
film is almost in a different
genre than the
first, where the subtext here is domestic drama rather
than a haunted house.
Set up as a separate entity in 1990, with its
first «official» production the Anthony Minghella - directed romance Truly Madly Deeply, starring Juliet Stevenson and Alan Rickman, BBC
Films has had a hand in more
than 250
films in a wide variety of formats and
genres: from popular TV spin - offs such as Alan Partridge: Alpha Papa, Mrs Brown's Boys D'Movie and In the Loop, to boundary - pushing art
films such as Andrea Arnold's Red Road, Lynne Ramsay's Ratcatcher and Derek Jarman's Edward II.
What You Need to Know: «Labor Day» will be Jason Reitman's fifth
film, and for the
first time, seems to mark a move away from the comedy
genre, calling for a more sincere tone
than «Up in the Air» or «Young Adult ``.
This is what makes his
first and only feature, Martha Marcy May Marlene, such a brilliant exercise in psychological terror, and despite the fact that it's neither a horror
film nor much of a thriller, it generates a more foreboding sense of dread
than a majority of the most recent entries in either of those
genres.
A mash - up of more
than 250
films from the late»90s and early 2000s, this crowdfunded doc is a giddy celebration of the
genre directed by
first - timer Charlie Lyne.
With his
first film, The Act of Killing, Joshua Oppenheimer — a US
film - maker who has spent many years in Indonesia — broke open the documentary
genre, fusing it with something much richer and more disturbing
than the word «nonfiction» can summon, by stepping inside the psyches of the mass murderers who assisted President Suharto's dictatorship from 1968 to 1998.
T'Challa's
first feature dominated more
than the superhero
genre, however, as the
film outperformed even Star Wars: The Last Jedi domestically in its debut.
Curated by William Kaizen, and comprising more
than 20
films, Pop Cinema was the
first exhibition to present its subject as a distinct
film genre.