Written about by influential critics (Judd, Lippard), and shown in prominent galleries (Martha Jackson, Pace), Lukin's work fused the Juddian «specific object» with hard - edge painting,
geometric illusionism, the exuberant palette of Pop, and a feeling for sensual curving forms that exuded a playful eroticism.
Not exact matches
His work is associated with
Geometric abstraction, Abstract
Illusionism, Lyrical Abstraction, Hard - edge painting, Color field painting, Shaped canvas painting, and 3D Computer Graphics.
The continuation of abstract expressionism, color field painting, lyrical abstraction,
geometric abstraction, minimalism, abstract
illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.
They called for simple, three - dimensional,
geometric forms that were stripped of any
illusionism, iconography, or personal expression and made using industrial processes and materials like plywood, aluminum, and plastic.
Jones jettisoned
illusionism of any kind many years ago, choosing to search for the spiritual, and using organic and
geometric forms to inform his ideas — his quest has been a lifelong existential confrontation with the canvas in his search for the sublime.
Critics have rightfully associated the torn canvas paintings with Loving's autobiography (his mother sewed quilts), and his dissatisfaction with
illusionism and
geometric abstraction.