Sentences with phrase «gestural brushstrokes»

These three factors led to the development of his signature style of abstract expressionist painting, characterized by energetic gestural brushstrokes of quick - drying black and white enamel, and applied with house - painters» brushes up to eight inches wide.

An early member of the New York School and a first - generation Abstract Expressionist, Jack Tworkov painted with gestural brushstrokes, emphasizing texture and line.

In addition to being done on aluminum, they do not rely on gestural brushstrokes; the one big splash of poured white paint I saw in one painting was a solid puddle spreading into tentacles of insubstantiality, while evoking the harsh, ghostly light of computer screens.

Cage observed that the monochrome surfaces of the White Paintings, uninflected by gestural brushstrokes, reflected changes in light and shadows in their surrounding environment.

Her technique transforms opaque and blank Minimalist canvases into surfaces on which hard - edged stripes or blocks and gestural brushstrokes seem to appear and disappear.

For example, in Around The Park, 1991, the circular island of greenery — surrounded by a sidewalk filled with people, lanes of cars, and walls of buildings isstretched to its spatial limits through gestural brushstrokes that suggest a distorted angle of perception.

In this painting the artist uses gestural brushstrokes, which causes distortion and exaggeration for emotional effect.

For the abstracts he preferred an uncontrolled, almost random approach, making compositions in which the metal cut - out shapes were more akin to painted gestural brushstrokes, as in Breakout, 1996, Round Two, 1997, and Pink Pearl, 1998.

Gestural brushstrokes in shades of purple, lavender, periwinkle and violet dance around th...

Her practice began with her early studies of New York Abstract Expressionism and American Minimalism and developed into a highly refined vocabulary that merges traits normally thought to be irreconcilable: gestural brushstrokes reminiscent of early influences like Willem de Kooning; precise geometric compositions evoking Josef Albers; and a palette reduced through Donald Judd - like discipline.

With the key focus optimizing all that is nature and its many contrasts, the color arrangement transpires as being chromatically saturated in a higher key, where expressive gestural brushstrokes are applied throughout in a rich arrangement.

Followed up with the use of broad gestural brushstrokes and a vivid palette of contrasting colors, the rectangular picture frame was even more emphasized pushing his revolutionary idea forward.

Joan Mitchell (born: Chicago, 1925) is known for the compositional rhythms, bold coloration, and sweeping gestural brushstrokes of her large and often multi-paneled paintings.

A pivotal figure in the development of Abstract Expressionism, Jack Tworkov radically shifted his painting style in the late 1960s, as he moved away from overtly gestural brushstrokes to controlled diagrammatic abstraction, as seen on SS - 68 # 2 (1968).

Joan Mitchell, American painter known for her large abstract paintings made with colourful gestural brushstrokes.

Typical of Abstract Expressionist work, this print combines gestural brushstrokes with lively splatters — here, thick swaths of color are punctuated by speckled drips; the result is an entirely stirring and evocative composition.

Parsons» paintings from the late 1950s onward demonstrate her passion for creative play through impulsive gestural brushstrokes and brightly colored shapes.

Her scatterings of dots and squares are frequently interpreted as pixellated images, and her aversion to heavy gestural brushstrokes aligns her with Albert Oehlen and other early adopters of screen - mediated painting.

However, while the popular trend was towards the masculine gestural brushstroke, Martin honed her practice to become more reductive, methodical, and geometric.

And in the 1970's, his style became more fluid and contemplative, as can be seen in the work... Whose Name Was Written in Water (1975), in which the use of paint diluted with oil yielded longer and more gestural brushstrokes.

In some paintings, sculptural forms have been transformed into gestural brushstrokes.

[20] In this new abstract format Wesselmann preferred a random approach, and made compositions in which the metal cut - outs resembled gestural brushstrokes.

There were striking similarities in the work produced from the two cities in terms of thick gestural brushstrokes laid down in bold colors on large canvases.

Gestural brushstrokes impart physicality yet glide weightlessly over smooth surfaces as figure ground relationships oscillate and conflate.

In «Obscura,» Smit fuses gestural brushstrokes, splashed and splattered paint, and captivating pigments of color with a realistic representation of the heads and faces of his subjects on a large scale.

The dominant gestural brushstrokes and color fields may remind of the abstract expressionist tradition.

Big gestural brushstrokes alternate with finer ones to create a dynamic canvas bristling with movement and energy.

Messer's work, so apparently spontaneous or impulsive in its emphasis on highly dramatic gestural brushstrokes and intense color, is, in fact, carefully considered.

An pioneer of first generation Abstract Expressionism, Philip Guston broke ranks with his peers toward the end of the 1960s when he transitioned to applying his rich gestural brushstrokes and jittery lines to figurative subjects, often derived from the gritty urban visions that came to the artist during insomniac nights of coffee drinking and cigarette smoking.

A common thread among these oil paintings is Dzubas's grand gestural brushstrokes, which prominently transform throughout Dzubas's career, becoming an undeniable signature of Dzubas's works.

In a process she describes as «integrated painting,» Leduc works on - site to create gestural brushstrokes on translucent substrates, producing a visual collaboration between paint, landscape, and vantage point.

An eery fog of grey hugs a universe of smaller gestural brushstrokes and color.

Paul Thek's expressive seascape, Sea series (1975) makes use of an unconventional material — a spread from the International Herald Tribune − as the surface for gestural brushstrokes.

Acquired directly from Leo Castelli by the legendary post-war art collectors Burton and Emily Tremaine, the burnished surface of Telluride is a glowing celebration of the strict geometrics with which Stella sought to banish the wild gestural brushstrokes that had been the mainstay of much of the artistic production of the previous decade.

In Untitled (Alabama), bold gestural brushstrokes of stark white paint coalesce into a procession of figures marching across a black color field.

Just as a quickly drawn line becomes an architectural form in Fischer's installation, gestural brushstrokes become animate in his recent paintings, which also play with space and scale.

While de Kooning, like the «action» painters of the time, used gestural brushstrokes, most her work was figurative and representational, and rarely pure abstraction.

The unique painting process of New York artist Chris Hood is based on gestural brushstrokes, cartoon motifs and spontaneous slips.

Characterised by gestural brushstrokes and the impression of spontaneity, abstract expressionism was developed in the 1940s.

Banton covers her canvases in thick, gestural brushstrokes in a vibrant palette of colors.

Lichtenstein has covered the «canvas» side with broad, gestural brushstrokes reminiscent of those by Willem de Kooning, Franz Kline and other Abstract Expressionists.

An important yet overlooked figure of the Bay Area Abstract Expressionist movement, Gechtoff was known for producing vibrant large - scale works featuring expressive gestural brushstrokes and thickly - applied layers of oil paint.

Her compositions are intellectually controlled and characterized by broad gestural brushstrokes.

As pivotal figure in the development of Abstract Expressionism, Jack Tworkov radically shifted his painting style in the late 1960s, as he moved away from overtly gestural brushstrokes to controlled diagrammatic abstraction, as seen on SS - 68 # 2 (1968).

Joan Mitchell, (born February 12, 1926, Chicago, Illinois, U.S. — died October 30, 1992, Paris, France), American painter known for her large abstract paintings made with colourful gestural brushstrokes.

Or she may combine gestural brushstrokes with ink scribbles in a deceptively straightforward duality.

From the late 1940s onward, her paintings conveyed her passion for spontaneity and creative play through impulsive gestural brushstrokes and organic forms.

In 1952, he and Noland visited painter Helen Frankenthaler and were inspired by the luminous abstract works she created through staining the canvas rather than through gestural brushstrokes.