Sentences with phrase «gestural elements of the work»

Thus the gestural elements of the work are less about the intuitive use of paint and more a device concerned with the combining of source material and reference.

Not exact matches

My work conveys a sensory element through the process of layering, adding and erasing, gestural mark making, scratches, smudges and streaks which allow traces of history to be revealed until the desired composition emerges.

His paintings, stemming from this dual interest in the forces of nature and abstraction, have strong gestural and textural qualities, intricate layering (with the strongest elements of each layer coming through into the final work), and an evocative sense of color and light that aim to distill something essential from the natural world.

My current show at Honfleur gallery May4 - june 8th consists of a sculptural installation with sound elements, a kinetic interactive sculpture, an immersive scent and light object, and several interstitial castings, along with light - works derived from these castings, mimic and sometimes manipulate viewers» body language by evoking gestural interactions between bodies.

By the»70s, his ink and gouache compositions, like July 2, 1972, had successfully blended the cutout forms of Matisse's that inspired his early work, with his own gestural lightness, his own way of infusing lyrical design with white space in a dance of positive and negative elements.

This exhibition will reveal Moran's painterly development, from her early and more gestural paintings to her later works which, though more structured and detailed, often include added elements of collage and layering.

But Schnabel's work always oscillates between reduced, gestural abstraction and some figurative elements, and I think you see that through all of his works.

In relation to her work, Stathacos has expained: «My work combines three - dimensional figurative painting with elements of gestural drawing, abstract painting, and round -LSB-...]

In the catalogue produced for Lotte Lyon's exhibition in 2010 at the Landesgalerie Linz, Midori Matsui describes the work as having a strategy of gestural, metonymical analogy, which connects the artist to an American Minimalist tradition by way of the performative elements of Robert Morris, the perceptual elements of Donald Judd and the associative elements of Robert Smithson.

These paintings represent a cohesive body of work by Haessle in which he explores the formal elements of color and line to create non-objective, gestural abstractions.

Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.

Whether stemming from musical scores or temperature gradients, her carefully wrought work combines elements of gestural chance with highly ordered empiricism.