Geva primarily uses bold
gestures to propel and push paint
over the surface of multilayered canvases, sometimes done in diptychs, which often include recognizable images like birds, tree branches, and
flowers.
In her work «Ever is
Over All (1997)», a woman smashes the windows of parked cars with a tropical
flower, a playful
gesture that also addresses the role of femininity in a media - saturated world.