Sentences with phrase «get a literary agent with»

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Not exact matches

I tell my clients to (temporarily) disregard the feedback in literary agent rejection letters, because, if I'm working with the author in a long - term program to help them get literary agents reading their work, I know their writing is at a high enough level that they should give the manuscript a chance before making radical revisions and / or hiring an editor.

Top literary agents make simultaneous submissions to publishers with well - planned and well - coordinated «attacks» that cause excitement, create maximum leverage, start bidding wars, and get the best terms for their authors.

Established literary agents also have the ability to pitch books face - to - face (sometimes with the author present), submit books to publishers simultaneously, hold auctions, and get deals done faster.

One last thing: New York Times bestselling author Ted Dekker once blogged that the best way to get a literary agent is to write three books — because first - time contracts with first - time authors typically cover three or more books.

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«Two days after I told you that I was giving up on literary agents, I got an envelope in the post from Richard Lawrence with Eaton Literary Agency.

The bottom line is, unless you are someone famous, are a well - known expert in your field with millions of followers, or, you're just extremely lucky, it is highly unlikely that it will be easy for you to attract a good literary agent, or to get your first book published the traditional way.

Posted by Victoria Strauss for Writer Beware I've recently gotten a number of reports about a literary agent with a major agency who is offering representation with a «handshake» deal: representation based on a verbal commitment, rather than a binding... -LSB-...]

If you're like most authors (including my coaching clients who work with me to find a literary agent), you probably already know it can be difficult to get an agent.

«Writers Got Talent» — a Page 1 Critique Fest, with participating literary agents and editors.

After getting five different offers for representation from top literary agents, I signed with Stephanie Tade who got me a 6 - figure book deal with Penguin Books!»

It's about several writers whose unusual antics got them into hot (make that boiling) water with the publishing industry (including literary agents), the media, and their fans.

As an author coach, I've helped authors with zero platform get literary agents and book deals, but... it's a lot EASIER if you have some type of platform.

During the interview, Lakshmi also talks about how he worked with former literary agent Mark Malatesta to improve his manuscript and pitch materials, resulting in literary agency representation with his first choice literary agent, who then got offers from three major publishers: Penguin, Harper Collins, and Random House.

When you enter the Directory of Literary Agents ™, you'll also get free, instant access to our article and audio library with additional information to help you get a literary agent, publisher, and book deal.

«Mark helped me to get a top literary agent a while back, and now my novel, «The Wrong Hand» (a psychological thriller) is published with an imprint / division of Penguin Books called Michael Joseph that is «principally interested in publishing Top Ten Bestsellers».

Filed Under: Book Industry Trends, How To Get Published, Literary Agent Profiles, Self - Publishing Tagged With: agent, Alan Rinzler, debut author, debut writer, developmental editor, editorial consultant, emerging author, fiction, Folio Literary Agency, Folio Literary Management, Jill Marsal, literary agent, Marsal Lyon Agency, Michelle Brower, novelist

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Some authors (who've gotten NO positive responses from literary agents and / or hundreds of rejections) have written new Query Letters that Worked... resulting in full manuscript requests, representation offers from top literary agencies, and book deals with major publishers.

Successful Query Letters — The only thing stopping you from getting a top literary agent (and book deal with a major publisher) might not be your book — it could be your query letter.

Today I'm an author coach and my primary focus is helping authors of all genres (fiction, nonfiction, and children's book) get the attention of top literary agents with successful query letters.

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A literary agent is a representative for your book, a legal partner in its protection, and a connection to publishing houses and their editors that you'd never have a chance of getting in touch with otherwise.

With big publishing buying only the crème de la crème of books, and more authors turning to self - publishing, many literary agents are getting squeezed right out of the middle.

Established in August 2011, Literary Agent Undercover has already helped dozens of authors (in the United States and abroad) get the attention of literary agents and / or get book deal with major publishing houses.

She talked about her arrangement with IngramSpark which gets print editions of her books into bookstores — still not an easy feat for indies — and revealed that she works now without a literary agent, basically hiring only a foreign - rights agent.

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Scroll below for instant access, and make sure you download our free audio training that's jam - packed with insider secrets to help you get literary agents interested in your book... and protect yourself from writer scams.

If you don't have the right expectations during the process of trying to get a literary agent (whether you're going it alone or working with someone helping you), there's a chance you'll do some of the following:

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* Top literary agents can get their phone calls and emails to publishers returned promptly, pitch your book face - to - face (possibly with you there), submit your work to many publishers simultaneously, and hold an auction (resulting in more money, more publicity, and your deal getting done a lot faster).

Based on that literary agent feedback, my client had concluded that «her concept wasn't good enough to get book agents (and publishers) enthusiastic about her work,» «she wasn't writing books aligned with the trends in the current literary marketplace,» and «her work wasn't commercial enough.»

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(Besides, that's all you may get to send a literary agent along with a query letter, so make the first 10 pages great.)

* Top literary agents can help you find the perfect title / subtitle for your book, turn your book into a series or brand, decide which book you should pitch first, edit your book and / or book proposal, build your author platform, identify your competition and differentiate you, get you more publicity, and help build a business around your book (with multiple streams of income).

But (make no mistake), once you write a literary agent book proposal and submit it to literary agencies (with the goal of getting a publisher), you are an entrepreneur.

Most often this question comes from writers and bloggers who are feeling stuck and frustrated with their careers — they can't get a literary agent to sign them, or they haven't been able to get the book deal they wanted, and they just don't understand why.

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New and aspiring authors often ask me who the best literary agents are and how to get in with them.

Now I'm going to share her rejection letters with you, and interpret them... so you can better understand any literary agent feedback that you get.

Now that you've gained traction, you've got clout with bloggers, reviewers, websites, book clubs, literary agents, etc..

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Otherwise the response time on the project will be longer; the book might be submitted to the wrong person (often someone who doesn't even work there anymore); the editor will wonder what's wrong with the literary agent or the author since no one cared enough to make a real pitch; and, if you do get an offer, it will be smaller because it will probably be the only offer.