Sentences with phrase «get a movie made about»

Part of the problem — a * BIG * part of the problem — with getting movies made about women, which is what MaryAnn has been saying she's desperate for for something like a decade now is that when a brilliantly - written, brilliantly - produced movie about women is made and gets very strong reviews, women don't go and see it.

Finally, we also got into what happened with his take on Masters of the Universe, how he's trying to get a movie made about Shel Silverstein with James Franco, and if they still have any unreleased Terminator: Salvation deleted scenes.

Not exact matches

Brie Larson's Captain Marvel could make a brief appearance or cameo in «Infinity War» to get us even more excited about 2019's «Captain Marvel,» the first female - led movie in the MCU.

It's the title, too, of a particularly cynical BoJack Horseman episode about mass shootings, in which beleaguered film producers find themselves rolling their eyes while they trot out the phrase, again and again, in response to real events as they try to get back to the «actually pressing business of making sure the movie gets made.»

That movie, for all it's exhilarating presentation of youthful life on the road as you experience those who make music which can speak to large audiences, is nonetheless all about how you ought to get sucked into the rock «n roll way of life (albeit eschewing the drugs and sex part of it) because somehow rock «n roll is supposedly important.

I remember getting real cross with my little sister when she told me that she went out to see the movie The Exorcism of Emily Rose, but when she started asking me questions about God and all that, I was kind of thinking, «You know Olga, maybe this is a good thing that Hollywood is spending some money on making horror movies.»

Ask the Muslims who every day draw antisemite caricatures and in daily newspapers in Egypt and make horrible movies against Jews and Israel in Turky.But this hypocrits are affended when they get the same treetment.I personaly dislike the muslim faith and this is a politicaly correct statement.If I could freely speak out... (youtube for instance don't do anything to Holocaust deniers... but if you write anything bad about Moslims they automaticaly warn you and even close your account... hypocrits... cowerds)

Theoretically, the movie is about her learning to make better choices; the character actually gets to accomplish something by the end, although we no way of understanding how she found the wherewithal to pull that off.

Every movie night ends with tons of laughter — which makes it easy to get the kids excited about movie night.

The morning began as a typical morning; I poured a cup of coffee, rushed to make breakfast, rushed to get kids ready, tried to remember to get myself ready (to avoid that horrible dream about driving to school in my pj's), and there was a minor scuffle between the kids about whose turn it was to choose the movie for movie night.

After getting some blowback for criticizing a program that indirectly benefited her as Miranda Hobbes in the two Sex and the City movies (actors» salaries are not eligible for the subsidies, and the long - running TV show completed filming before the program was created), she made it clear she was serious about the issue, as the New York Post reported:

Also, some heavyweights from the head office of the New York State Film Commission have come to Buffalo to get a firsthand look at the resources that are getting producers from around the world excited about making a movie in Western New York.

In thinking about all the upset caused by this week's blizzard that wasn't, especially all the outrage directed at the weathermen for making everybody freak out about «historic» snow totals that got dumped on New England instead of us, I was reminded of the best movie I saw last year: «Nightcrawler.»

like out doors but enjoy movie nite love to drive something about getting out an ceaing the world makes life worth liveing!!!

Salt Lake City, Utah About Blog All kinds of cool ways to get your movie made without breaking the bank... Frequency about 1 post per mAbout Blog All kinds of cool ways to get your movie made without breaking the bank... Frequency about 1 post per mabout 1 post per month.

I like listening to music, dancing, watching nice romance movies, hang out with friends, traveling getting to know places and what life is all about, sometime getting to make romance.

Perelman has made a movie about nothing — actually, the worship of the nothing — for a world that increasingly, alarmingly, gets his drift.

According to U-571, Americans captured the first German Engima machine in 1944 that brought about the turning point of the war; in reality, the Polish revolutionaries (why didn't Wajda get a chance to make this into a movie) stole it from the Germans in 1941 and gave it to the British who struggled to decipher its complicated encoding style.

He's talked lately about hanging it up after ten films, hoping to get out before he loses touch and starts making «old, limp, flaccid - dick movies.»

And here, as in last year's I Now Pronounce You Chuck and Larry, Sandler interestingly attempts to blend genuine social commentary with copious gross - out humor in much the same way that Mel Brooks did in Blazing Saddles (a movie that, beyond the beans - around - the - campfire gags, wore its heart so firmly on its sleeve in favor of racial brotherhood that it stopped just short of singing «Kumbaya» to its audience); Sandler, who's admirably never been shy about proudly proclaiming his Jewishness, takes on xenophobia, suggests that Israelis and Palestinians CAN get along and — most controversially of all, perhaps — makes a case that disco music CAN be enjoyable in the right time and place.

The movie has something to say about celebrity obsession, although I think (hope) we have not quite got to the point of worshipping a celebrity so much you would pay to be infected with a virus they had or eat meat genetically made from them, as is shown here.

Stephen is happy about a movie he finally got around to enjoying; Glen is happy about a movie he says is «not warm» and «not sweet»; Shereen is happy about a soothing television show in its new incarnaation; and I am happy about how I made dinner one night recently.

Added Whedon: «The things about it that are wrong frustrate me enormously, but I got to make an absurdly personal movie about humanity and what it means in very esoteric and bizarre ways for hundreds of millions of dollars.

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

She also talked about how Season 3 of her A&E drama series Longmire is going, and how fun it would be to get to further explore her Riddick character, if they make another movie.

During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked about wanting to make a movie celebrating women and friendship, the biggest challenges in getting this film going, having her voice heard, as a female filmmaker, what she most enjoyed about playing Honey, putting together this cast, funny moments on set, what she enjoyed about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.

That's still pushing it for her to even make Major (averaging at 10 years of service), and we're still in this place of demoting the character to cast a younger actress when a character who is her peer in the comics gets to keep his rank in the movies (For the sake of reference, Terrence Howard was ~ 38/39 for Iron Man 1; Cheadle is about 4/5 years older than he is.

But what about a story from 2003 that was supposed to be a movie but never got made?

called the family Christmas movie get trotted out toward the end of almost every year, and for every good one, there are about a half - dozen that will make you wish the holiday never existed.

Yes, that's about all this movie has gotten so far this Oscar season — making it look like one more blockbuster that won't cash in on the ten - picture rule.

If Burns were a complete unknown outside the margins of the industry and this were his directorial debut, maybe we could pat him on the head, tell him good job, and stick Looking for Kitty on the refrigerator door, all the while assuming that now that he's proven he can make a movie and get it seen, he'll move on to something he actually cares about.

Get Out is a great movie, and one of the few I saw this year that made me think for a long while about the story I tell myself about the life I live.

I know there's little to no middle - ground (Although the last time I heard this complaint, it was from Seth Rogan or Judd Apatow or someone else who isn't in any position to be complaining about not getting to make shit movies), but it's not like the five or so major studios release 60 movies a year and then act like we should be grateful for the scraps.

The worse thing that could have happened is that we got another Godzilla, another movie about monsters fighting each other, but trying to make it an OSCAR - worthy drama.

It's a Woody Allen movie made in 2005 about an opportunistic former tennis pro who makes a mess of his life with an extramarital affair and winds up committing murder, but he gets away with it through a fortuitous and unlikely series of events.

Deadpool was a surprise hit for the studio: After Reynolds spent years lobbying to get a standalone Deadpool movie made, the film about the «Merc with the Mouth» ended up becoming the highest grossing rated - R film of all time.

You get to get your hands dirty, and especially in this movie, dig into the craft of it all, and really think about how things really do make people feel a certain way.

Kill List (2011) was a dingy one - last - job crime picture that evolved into something wholly unexpected and creepy; Sightseers (2012) is the funniest movie ever made about a murder spree; High - Rise (2015) totally got J.G. Ballard's hermetic banality (even if that concept was never enough to sustain a whole novel in the first place).

He got successful making movies about unpleasant people doing unpleasant things, but his late work has been unpleasant, too, in and of itself — it kind of feels like we're being punished for going to see his movies in the first place.

Movies about gritty men with gritty jobs only get made when something terrible happens (see also: Lone Survivor, Deepwater Horizon), so you know going in that Only The Brave, a film about a group of wildfire - fighting «hotshots», is going to have something terrible in it.

Michael, as some might recall, is a «mama's boy,» and even though the last movie made a big deal about him getting past that, it turns out that he still is.

In an interview with ComingSoon to promote his upcoming movie Crimson Peak, Tom Hiddleston was questioned about whether or not he would ever make Loki irredeemably evil if he got a chance to reprise the role.

But now that you think about, and as people start to see the movie, it will make a lot of sense, in terms of the tone and twists, as well as the thriller aspect,» the writer said, before adding that «we got really excited, because we knew it was the right choice to make.»

Let the Team Get Away... Then Make Everyone Wonder If They Did Because so much of the heist movie's plot is about breaking into the bank / vault / casino / stronghold, we often forget the other major suspense point: Will they be able to get oGet Away... Then Make Everyone Wonder If They Did Because so much of the heist movie's plot is about breaking into the bank / vault / casino / stronghold, we often forget the other major suspense point: Will they be able to get oget out?

We talked about being back at Sundance (he was there last year with Smashed), how he got involved with Toy's House, making movies with his wife Megan Mullally, how does he pick projects, and more.

At one point in Covenant there is a brief flashback that shows what happened to the Engineers, but all it did was make me wish we had gotten a movie about that instead.

The greatest thing about making a movie, making this kind of movie, was I got to be as real as I could be.

When a movie isn't blockbuster fodder, getting it made is all about timing.

I also think part of the reason I side with Ivory is how much Luca has spoken about how he wanted to make the movie «universal» so I can see that playing a role in his decision to make the movie more palatable for straight audiences and James getting frustrated with it.

It's about a bunch of people who don't know s *** about making a movie getting together to make a movie.