They have their hearts set on seeing that book in print or on the Amazon shelf, but don't take the time to
get copyediting or proofreading.
Now usually the writer
gets a copyedited manuscript that they can accept or change the corrections.
Not exact matches
So however you decide to
get published, do yourself (and your readers) a huge favor by
getting a thorough
copyedit and a detailed proofread.
Step Two: Novelist
gets the manuscript into shape with some first readers and maybe a good
copyedit, then launches it on electronic sites and
gets it through a POD publisher such as CreateSpace, which will give you cheap author's copies in their $ 39 pro program.
My goal is to have it up on August 11th (next Wednesday), after
getting enough
copyediting eyeballs on it (including a professional or two).
So I'm very motivated to work with new clients, especially those who are hesitating about the prices for editing but would like to
get a really good, thorough
copyedit!
The goal is to
get manuscripts to consistent formatting, deciding on the placement / order of the essays in the collection, formatting and
copyediting the author interviews, deciding on the front matter and back matter, writing introductory materials, afterword,
copyediting all.
I highly recommend
getting two rounds of proofreading /
copyediting, especially if you DO need developmental / substantive editing before the book goes to your copyeditor.
To
get this information, I would ask your publisher (and the editor) the following questions: Do you think my book needs any developmental / substantive editing before I go into
copyediting?
But otherwise, every author would be well - served to sweep the Production Achievement Awards category by
getting the awards for Custom Cover,
Copyediting, and Enhanced / Custom interior.
Editors
get it, too, and that is why I recommend a separate proofreader once
copyediting is finished.
You could
get a line edit (tuning and polishing) on top of a
copyedit (mechanics and style), but you can't
get a final review at the same time as an actual round of editing.
But a developmental editor would stop short of
copyediting or proofreading in most cases — or risk not
getting paid for what amounts to a separate task!
Carla Douglas is a writer and editor and co-author of You've
Got Style: A Writer's Guide to
Copyediting.
In traditional I spent far more time than that looking at
copyedits and then page proofs and mailing both back to editors and letters to
get things fixed in my traditional days.
If they can
get by with a mix of beta reads and an inexpensive
copyedit or proofread, awesome.
And it doean't matter whose fault it is — the publisher is invisible to the reader (as many a trad pub author who's
gotten complaints about covers or
copyediting can attest.)
I highly recommend that self - publishers
get a professional
copyedit (at the minimum) and consider what their other editing needs might be.
This
gets into the real nitty - gritty of
copyediting.
He is part of the team at BubbleCow.co.uk which specialises in helping writers
get published through
copyediting manuscripts and helping with book proposals.
To
get a well - written book, you may need several levels of editing from developmental editing,
copyediting and proofreading.
Copy Editors For
copyediting on my Mindjack Trilogy, I
got several recommendations from the Kindle Boards, requested sample edits, and went with Anne of Victory Editing because she did solid work and seemed to «
get» my prose — something not to be underestimated when a copyeditor is going through and trying to remove every sentence that starts with «But.»
If you can't afford an edit and a
copyedit and a proofread, you should at least
get a basic edit, or try to have an unbiased friend critique your work.
I
got the lead online comment albeit with a
copyediting issue.