Sentences with phrase «get detailed shots»

Talking about the camera capabilities in daylight, the device was able to get detailed shots that can be called crispy.

Take photos of the condition of the rental property both before move - in and after move - out, getting detail shots of any damages.

Not exact matches

We talk about the detail of the photography — getting more up - close and personal shots of the products so the customer can see the quality and the detail.

On a technical level, the Mate 9 captures tons of detail, produces very little noise, and is consistently great at getting the right amount of light into a shot.

Rubio added that he did not want to get ahead of law enforcement in speaking about details of last week's school shooting, but that «three or four people might be alive today.»

Yes, my little 8 - page guide turned into 184 pages of detailed instructions, screen shots, publishing tips, and suggestions for helping you get published, get your book into print, and ultimately, get it into people's hands.

You are welcome to stay while the shoot takes place, so you can see how it's done and make sure you get the shots you're looking for, or you can send the products and arrange the details with Kristy in advance.

When you line up your shot, aim to get your item (or, if you're working in macro, the detail you want to show) in the centre of that square.

A woman close to Cruz warned the FBI in chilling detail that he had a growing collection of guns and a temper so uncontrollable she worried about him «getting into a school and just shooting the place up.»

Sweet previously shot down the city's similar — but broader — motion to unseal the information to get details about the person and cop involved.

You get a 140 ° wide angle lens for action shots and a 10X macro lens for pro-level, detailed close - ups.

You can zoom up to five times to make sure you get even the tiniest details in every shot, by simply pressing the up and down buttons.

(This could get very detailed so if you have questions feel free to post below or shoot me a message)

I've actually written two pretty detailed photography posts before, one focussed on the process of shooting & getting the images you want, the second more about how to use your kit & get the quality images you're looking for.

Also you can get inspired details and editorial shots up on my blog.

Be sure to get a good look at the detail shot of the back, it's see - through and seriously sexy.

(You can get a better view here, still sussing out how to do detail shots on my own.)

Sometimes it's tough for me to get detailed beauty shots, but this one pretty accurately shows my cateye liquid liner, bold rose cheeks, and slightly pink lip colour.

And sure, you've got an endless array of Pinterest boards filled with detail shots from palatial pads, but what about inspiration that's actually replicable?

By the time we got around to detail shots I could not longer feel my fingers and toes.

After many fun attempts at diving onto the bed, we finally got the shot we wanted =) The details are incredible — a dash of multicolor beads on a soft mesh overlay coupled with a tiered feather...

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Some of the scenes were shot perfectly to get every little detail correct.

Last but not least in this section is «The Beginning» Making Episode 1, where we take a detailed look at most of the aspects of getting this project off the ground with scenes featuring organising the cast, final screen tests, getting over the daunting requirements for the effects, convincing Spielberg it's going to work, first day of shooting, stunt work and so much more.

, but I can say that — all other things being A-OK — it all comes down to directorial concentration and economy: camera placement, movement, composition and (as I detailed in that Spielberg piece from 1982) how adeptly the movie gets from shot to shot to shot.

In every surface aspect, it's a textbook New York underground indie (though shot on 16 mm film rather than video), enamored with repellent details (Laura is introduced mid-crying jag, blasting a mucus strand from her nose and reflexively snorting it back in) and sporting just - get - it - done technical credits.

Louis finally gets lucky and films the end result of carjacking with some very detailed shots of a shooting victim on a stretcher and offers the video to a local news station.

Even the best images get scuppered by awkward ones, as when Ozon follows a dark, misty tracking shot of Anna and Adrien returning home from a late - night dance with some boilerplate medium close - ups that dissipate dramatic tension and muffle expressive detail.

Director Philippe Falardeau (Monsieur Lazhar, The Good Lie) gets the 70s period details just right, and surrounds Wepner's shot at the title with cinematic versions of the cliched boxer looking for his chance to be a contender, sharply illustrating how much Wepner defined all that is celebrated about life in the ring.

Shot by the gifted Janusz Kaminski with a propulsive score by John Williams, this unapologetically old - school film gets the details right — including the hot type, the printing presses, the bundling of newspapers that get thrown from trucks and into the hands of an eager, pre-digital public.

As portrayed by a wired Depp, Wood is all ambition, energy, and passion, a filmmaker so in love with the idea of filmmaking that he lets some of the rudimentary details slip by — little things like sets getting bumped by actors, gravestones falling over, and shots mismatched so incompetently that scenes change from night to day to night again.

Neither is the most scintillating personality you'll ever hear on a commentary track, but I found it refreshing to hear from a strong actor (no pun intended) that isn't a celebrity; we get a bit of Strong's personality and insight into craft along with Ritchie's run of details about the shoot.

Details like dragons and clever varied shooting gameplay are certainly important, but it's the striking visual style of Gloomy Z that got me past the zombie game stumbling block this time around.

It's not often one gets such detailed insight into a director's plan for a project before shooting begins — here's hoping he pulls it off.

We only get to see them in the final climactic operation and believe me when I say it isn't as exciting as it sounds, even though it's staged and shot with great attention to detail.

It's so refreshing to get an action film that is shot beautifully (by ace cinematographer John Seale) and choreographed with immense detail.

The apes seem to get more realistic and detailed each time I see them in their respective trailers as does the cinematography and shot compositions.

We see footage of Rodriguez visiting South Africa for the first time, get the detailed biographical information from him and his family that the first half omitted while it was keeping up its mysterious façade, and are treated to a steady helping of the man's fantastic music, often accompanying brief music video - like interludes, tracking shots, and montages of the cold and barren Detroit winter.

The project has been shooting somewhat in secret for a while, but some new details have emerged that will hopefully see Shyamalan getting his mojo back.

A few days ago, we got a report detailing this cameo, and now we have confirmation from Infinity War co-director Joe Russo that Stan had already shot a further two.

We've got our best look yet at the 2016 Jaguar XE sports sedan with this front end shot, and this photo adds a crucial detail that wasn't included in the teaser Jaguar issued earlier this year at the Geneva auto show: an «S» badge in the grille.

Whereas with an Audi A1 you feel like you're getting similar attention to detail as an Audi A6, just on a smaller scale, the CLA Shooting Brake feels like it's been built with a budget in mind.

For now the video and photos of the Mercedes CLS63 AMG Shooting Brake are all we're getting, but expect more detail ahead of its launch at the Paris Motor Show in September.

Sample 4: (outdoor, focus mode set to infinity): https://www.youtube.com/watch?v=8CCJT0NRESw Here's the lowdown on the Titan TV's camera: - Excellent shots in decent to good lighting - Decent low light shots, with relatively low noise levels and good color detail - Excellent macro shots, with sharp focus and closer shooting distance - Excellent panorama shooting mode - Plenty of manual controls and options - Video recording is decent for 720p - Getting a sharp focus in low light mode is very difficult For a change, the front facing camera of the Titan TV is actually 2.0 megapixels.

Even so, a lot of people use them for photography because they've got those big gorgeous displays so you can see your shot in great detail.

We'll be shooting you an email shortly to get your details and get an unlocked AT&T BlackBerry Torch 9800 out your way.

After yesterday's blurry cam shots, we've gotten a few more details regarding Motorola's Droid RAZR HD via Nenamark.

Shoot straight down the middle with low - cost investments that are fairly representative of appropriate markets for your investment time frame, and then you can get more detailed as your wealth grows.

Follow this blog and get BMW news, press releases and expert reviews along with detailed photos, spy shots and road tests of new BMW vehicles.

Still, regardless of your skill level you'll usually still get interesting results by madly whacking the ball around, but those who prefer to learn a table in its every detail will be pleases to learn that there are plenty of missions to be overcome and tricky shots to be had.