Not exact matches
Generally speaking, this strategy requires you to live without all the
extras — to
get by without much
entertainment spending, your monthly cable bill, or your bi-weekly trips to the salon.
Running time: 129 minutes Studio: Fox Home
Entertainment 3 - Disc DVD
Extras: Widescreen theatrical feature film, unrated director's cut, Wolverine theatrical trailer, Valkyrie, S. Darko, The Wrestler, Seth MacFarlane's Cavalcade of Cartoon Comedy, commentary by director George Tillman, Jr., screenwriters Reggie Rock Bythewood and Cheo Hodari Coker, and editor Dirk Westervelt, commentary by with Biggie's mom Voletta Wallace, and his manager Wayne Barrow, Behind the Scenes: The Making of Notorious, I
Got a Story to Tell: The Lyrics of Biggie Smalls, Notorious Thugs: Casting the Film, Biggie Boot Camp, Anatomy of a B.I.G. Performance, Party & [Expletive](never before seen footage), The B.I.G. Three - Sixty, Directing the Last Moments, It Happened Right Here, The Petersen Exit, The Shooting, The Impala, The Unfortunate Violent Act, The Window, 9 Deleted Scenes, 4 extended / alternate concerts, trailers from: Secret Life of Bees, Gospel Hill and Slumdog Millionaire, digital copy.
Tim Grierson, Screen International; Ed Gonzalez, Slant; Pete Hammond, Deadline; April Wolfe, L.A. Weekly; Scott Marks, San Diego Reader; Susan Granger, SSN Syndicate, Chris Nashawaty,
Entertainment Weekly; Eliza Berman, Time; Tomris Laffy, Freelance Writer; Gene Seymour, Newsday; Colin Covert, Minneapolis Star Tribune; Allyson Johnson, The Young Folks; Drew Taylor, Movie Fone; Allison Shoemaker, Consequence of Sound; The Daily Times; Reuters; Nick Schager, Esquire; Carrie Rickey, The Philadelphia Inquirer; Erik Anderson, Awards Watch; Matt Patches, Thrillist; Kevin Laforest,
Extra Beurre; Scott Mendelson, Forbes; Dana Buffa, KSDK St. Louis; Rahul Punja, Blasting News; Alissa Wilkinson, Vox; Ann Hornaday, Washington Post; Kyle Turner, Mass Appeal; Brian Tallerico, RogerEbert; David Ansen, Newsweek; Joe Stemme, Mark Johnson, Awards Circuit; Jazz Tangcay, Awards Daily; Claudia Puig, LAFCA; Ethan Anderton, Slash Film; Nick Clement, Freelance Writer; Ben Pearson, Slash Film; Jack Girous, Slash Film; Richard Lawson, Vanity Fair; Amy Nicholson, MTV; Oliver Jones, Observer; Laura Clifford, Reeling Reviews; Anne Thompson, IndieWire; Kye Buchanan, Vulture; Yahoo Movies; Matt Donato, We
Got This Covered; Bilge Ebiri, Village Voice; Joey Magidson, Awards Circuit; Julie Kosin, Harper's Bazaar; Christopher Bumbray, Joblo; ScreenCrush; Andrew Shearer, Online Athens; Marlowe Stern, The Daily Beast; Jonathan Caouette, Filmmaker; Edgar Wright, Filmmaker; Ben Croll, The Wrap; Pop Crush; Nathaniel Rogers, The Film Experience; Kent Turner, Film Forward; What Culture; Steve Pond, The Wrap; Richard Roeper, Chicago Sun - Times; Peter Debruge, Variety; Jordan Raup, The Film Stage; KGMI; Hunter Heilman, Niner Times; Jeffrey Wells, Hollywood Elsewhere; Peter Travers, Rolling Stone; Kenji Fujishima, Paste; Larry Bartleet, NME; Matt Prigge, Metro US; Matt Hoffman, The Film School Rejects; Bill Goodykoontz, Arizona Central; Edward Douglas, The Weekend Warrior; Brian Truitt, USA Today; Jake Mulligan, DigBoston; Rafer Guzman, Newsday; Alex Bieze, Asbury Park Press; Matthew Jacobs, The Huffington Post; Clayton Davis, Awards Circuit; Glenn Whipp, Los Angeles Times; Complex; Consequence of Sound; David Edelstein, Vulture; Angie Han, Mashable; Paste; Jason Guerrasio, Business Insider; Erik Childress, The Playlist; David Ehrenstein, L.A Weekly; Josh Brunsting, Criterion; Jon Frosch, The Hollywood Reporter; Edwin Arnaudin, Citizen - Times; Steve Erickson, Village Voice; Joana Langfield, The Movie Minute; Graham Fuller, Culture Trip; Chuck Wilson, Village Voice; Dan Sallitt, Filmmaker; Hans Morgenstern, Indie Ethos; Robert Abele, The Wrap; Luke Y. Thompson, Nerdist; Nicolas Bell, IONCINEMA; Jacob Hall, Slash Film; Jared Mobarak, Freelancer; Robert Koehler, Film Comment; Jason Shawhan, Freelancer; Michael Atkinson, Village Voice; Todd Gilchrist, Freelancer; MaryAnn Johanson, The Flick Filosopher; Eric Henderson, Slant Magazine; Roger Moore, Movie Nation; Juan Barquin, Miami New Times; Saul Austerlitz, Five - Thirty - Eight;
Unlike a minivan, you don't
get power doors or a rear - seat
entertainment system, and even Bluetooth connectivity costs
extra.
Armrest vs. legroom You paid for the seat with
extra legroom in the emergency aisle, but did you know that you may
get stuck with in - flight
entertainment screens that fold out of immovable armrests?
To that end, they've
got Premium Economy sections which provide
extra legroom, better meals, more
entertainment choices, fantastic Business and First Class sections and Wifi for starters.
Extra Comfort seats provide 36 inches of pitch, and purchasers also
get priority boarding, complimentary on - demand
entertainment and a power outlet.
Extra Comfort seats
get a roomy 36 inches of pitch (compared to 31 inches in standard economy), plus passengers
get early boarding, free inflight
entertainment and electrical outlets at each seat.
Experience all the innovative new features and amazing
entertainment, plus
get many
extra perks and specials when you reserve your voyage.
Citi ThankYou ® Premier Card —
Get rewarded with a wide range of redemption options and
extra perks if you enjoy splurging on travel, dining and
entertainment.
To
get started simply sign into your Sony
Entertainment Network account on PlayStation 4, head to PlayStation Store and stream each episode at no
extra cost.
Tetsuya Mizuguchi's Q
Entertainment is to make another Live Arcade title that updates a PSP game for the service - this time its Every Extend
Extra that
gets the XBLA treatment.
Even though the story missions were a massive amount of
entertainment, I found myself
getting lost in the many
extra things you can do at the hub world, Skylanders Academy (which expands to include more activities as you progress).
ShopTo also seem to be running a promotion where you
get either a NOW TV Sky Movies 2 Month OR
Entertainment 3 Month Pass at no
extra cost.
Stringing together a series of kills is fun, and online modes provide that
extra bit of
entertainment for those interested in the Gears of War horde mode, but the real reward behind Bulletstorm is
getting good at the game.
And yet on our commutes, we've become more and more dependant on our devices; for keeping in touch, doing a bit of
extra work, or just
getting a blast of
entertainment.
You also
get some handy
extras like a dual SIM slot, an IR blaster to control your home
entertainment center, NFC and Quick Charge 3.0.
Strategies such as adding
extra evening trains to malls during holidays and positioning stops near
entertainment and sports venues have helped DART become more than just a way to
get to work.