Sentences with phrase «get films made with»

Interesting Fact: In order to get the film made with the studio's modest take - it - or - leave - it $ 28 mil budget, Washington and director Robert Zemeckis accepted a reported tenth of their usual salaries.

It's his third feature film as a writer - director, with his previous efforts not very successful (Wisdom, Men at Work), but Estevez had a passion to make the film, and with a good deal of monetary sacrifice, he should get some credit for getting the film made with a very fine ensemble of actors.

Not exact matches

Black Panther was going to go with or without me, but the film that I wanted to make was something that [Marvel Studios president] Kevin Feige and Disney and those guys got behind.

Signing the Potter deal makes sense in part because NBCUniversal already has a Potter - themed attraction at its parks (it now gets access to more material from the films), and because the movies are also a huge draw with younger TV viewers.

Fox's decision to finally move forward with the film followed a years - long process in which Reynolds, director Tim Miller, and writers Rhett Reese and Paul Wernick had to fight through various obstacles (including the box office failure of another Reynolds superhero movie, 2011's Green Lantern) to get the movie made.

We should not, perhaps, pay to see the performance of an actress who must get herself drunk in order to act out a sex scene with a married co-star, any more than the film industry should allow animals to be harmed in the making of a film.

I actually filmed that twice just to make sure I got a good angle haha And then I had two creme brûlées with one spoonful taken out of them to devour!

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

Marsden Wagner, MD, who is interviewed in the film, makes an excellent point about childbirth saying, «It's got to be like it is when you make love with someone.

But all Royal Dick sucking aside, Summerhall is a terrifically cool space, with a fascinating community of international artists lounging in the courtyard, trolling the hallways, wandering in and out of its nearly 500 rooms (some filled with art, some abandoned, some undecided), playing music, watching films, hanging from the ceiling fans, getting naked, and making art in all mediums.

If they've got their appetite then have a film afternoon and make some popcorn to go with it.

Even when getting in a fix about young people who «make films» in Soho - the highlight of the conference speech - he emerges with his popularity enhanced, not diminished.

The film only gets going once he makes contact with Cambridge mathematician G. H. Hardy (Jeremy Irons), who recognises his potential and invites him to the UK.

If you get the thickness of a metal layer right, you can make a beam splitter that divides an incident beam of light into two equal parts, with just a little bit of the light lost to the metal film itself.

«The problem with perovskite has been that when you try to make larger films using traditional methods, you get defects in the film that decrease efficiency.»

It's excellent for what he needed to do to get ready for the movie role — a bodybuilding type workout that packed muscle where it mattered for film (chest, shoulders, arms) while giving a good strength base with squats and deadlifts (and making sure Wolverine wasn't walking on chicken legs).

• Tip: Make sure to cover the bowls with cling film or a damp cloth to prevent the top from setting and then making lumps • Using a toothpick, add gel or paste colouring to each bowl and mix thoroughly until desired colour is reached • Tip: You can use liquid food colouring but you might not be able to get the desired strength of colour, liquid colouring will also thin out the icing so you'll need to add more icing sugar to thicken it again.

Shooting film is a bit of a guilty pleasure, the results are often hit and miss but with just one chance to get it right it makes the outcome even more magical.

I want to thank Bear from Lolli & Pops for sponsoring the candy bar, Joann and Marilyn for showing up early and helping, Emily for taking these photos and helping set up and clean up, Laura for filming the «get ready with me» video... (coming soon) Glam Squad for getting me ready - specifically Erik and Christopher who made me feel so beautiful and relieved a lot of stress, Roger for his undying support, all of my friends for coming and my beautiful mom for driving 6 hours to, not only come to my premier party, but to scrub my kitchen and help me set up... I am so grateful and genuinely touched that you all care and put so much effort into a big day for me.

Trying to get away from the horror genre, he tried to make a few films with no success.

In all those great films — as well as some good ones like A Soldier's Daughter Never Cries and Surviving Picasso — James Ivory directed with Ismail Merchant producing; today, though, Merchant has made an effort to get to direct, leaving his normal collaborator as just a small credit in the «A Merchant - Ivory Production» credit.

The pressure off, they're free to make out like teenagers and fall in love, a happy interlude the film covers with smart economy, so as to spend more time on getting to know this «hot grandma» (she's struggling to keep her middle daughter pregnancy - free through high school), as well as the couple's first big fight, occasioned when she wonders why he still doesn't want to sleep with her after nearly 20 dates.

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

We get that many acclaimed films won't make a dent with the populous.

The familiarity of the clothes could make you miss how well they are worn the first time you watch the film, the way it did with me, but try it again, you'll start to get it the second time around.

It makes me even angrier after I read the above referenced LA Times interview with Jackson who promotes the film thusly:... I'm also aware that audiences are getting fed up with the lack of original ideas and original stories.

This may be Alvarez's greatest accomplishment with the film — getting the kind of emotionally potent performances that make it a powerful and visceral film to watch.

It was made in 1979 and followed 1973's Stacey (hopefully we can get a Blu - ray release of that one soon too) and it is a bit more grounded than some of the films he'd make in the eighties starting with Malibu Express and peaking with Hard Ticket To Hawaii.

These are simple but compelling films about people who get in over their heads, who make poor choices consistent with their human flaws and suffer the consequences.

However, a combination of some nifty directing, winsome acting, and some genuine laughs make Game Night as entertaining a film as one with such limited goals can get.

One of the overriding questions one has while enduring a particularly awful film is, with all of the talented out - of - work film - makers in Hollywood, just how on earth did this get made?

This film does seem a lot more pointless and the ending gets racked up into a silly hollywood - like chase, and with some gratuitous cinematic and editing decisions made that shows this films wants to be something new but can't let go it's predecessor.

Having never read the book I'm rating it as just a film and it's really a film that starts well then gets predictable then got silly and confusing, The story was not new but it had a different take on it, It wasn't acted very well but it had some good intense scenes that were done well, With a good cast the story should of been told more deeper and we never really know how it all started which was quite annoying, I did like the ending but the scenes before that completely ruined the film as they didn't make sense or were done that well, It's not a bad film it's just poor for what was on offer.

A native of Garden City, Long Island, NY, who was a mere four years old when he got his start in the film industry as a child model, Masterson subsequently moved to Los Angeles, where he made the leap to television with appearances in numerous commercials.

Another Saturday Night Live alumnus to make a bid for big screen stardom, Rob Schneider got his first chance to carry a film with Deuce Bigalow: Male Gigolo (2000), a mistaken identity comedy that was as commercially popular as it was critically eviscerated.

But he's not got a great deal to work with and what the film crucially fails to do is fill us with that same dread that made its predecessor so gut - wrenching.

I really want to see Bay make an Avatar styled alien film in another world with shit getting demolished left and right.

Racism was highlighted in the film in connection with the priorities of police work, and Ms Johanson's point about the treatment it got on release is well made.

Many people get frustrated with this film with the fact that the story does not make sense or goes anywhere.

The case and film kicks off with an announcement that already got the legal team making headlines: David Boies and the traditionally conservative Ted Olsen — who previously were on opposite legal sides during the contentious recount of the 2000 Bush / Gore election — were going be working together on the case.

Finkel had a book and film made and didn't have to share any of it with Longo, and Longo got to be famous.

What do you do when you put Titanic, Gladiator, all sort of disaster movies into a blender... Well, you'll get Pompeii, a film that is so utterly derivative of all films that have gone before it, but somehow made with such enthusiasm by Paul W.S. Anderson, the king of «schlock» cinema that you'll find it somewhat enjoyable.

What do you do when you put Titanic, Gladiator, all sort of disaster movies into a blender... Well, you'll get Pompeii, a film that is so utterly derivative of all films that have gone before it, but somehow made with such enthusiasm by Paul

With a $ 40 million budget, the film will make a profit, but this seems a case where a potentially profitable film suffered from the misfortune of getting caught in the wave of a massive event film.

With a number of actress - driven films getting awards attention, voters had to make tough decisions to narrow down the field to 5.

Maybe they want a particular thing in line with a particular other thing, but if you hire a director who has a particular vision, you've got to expect him or her to make a «such and such film».

And if that makes them «boutique films,» let's be clear: Only one of those four movies ever connected, in a major way, with a popular audience, and that was «Get Out.»

One quibble I have with the film is that it occasionally gets confused whether it wants to be a serious drama or a comedy - but that's just a minor complaint to be made about an otherwise tremendously effective film.

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

Not everything he's made has been a hit, but the last few years have seen Nicholas Stoller establish himself as one of the more reliable comedy directors in the business, with films like «Forgetting Sarah Marshall,» «The Muppets» (which he co-wrote) and «Get Him To The Greek.»