Sentences with phrase «get my movies made much»

Not exact matches

Most children will get exposed to some kind of inappropriate movie or video game at a young age, but you can make sure that your child does not get exposed to too much if you keep an eye on them during the day.

i am a funny person:) love going for movies just got so much love i want to give to someone and i am sick of being single when i know i can treat someone right and make them feel loved

If you can get past the ridiculousness of the setup - easy to do, because the posters make it clear this isn't a Woody Allen movie - it's pretty much impossible not to have fun.

That movie took a long time to get off the ground and before she ever appeared as Nova, Harrison served as a stand - in in the role of Dr. Zira (the part ultimately played by Kim Hunter) in the screen tests and extensive make - up tests through which the project evolved, even participating in a test for Edward G. Robinson in the role of Dr. Zaius (Robinson was forced to withdraw from the project because of a heart condition that prevented him from working under the heavy make - up and in the high altitude location where much of the film was to be made).

It seems like Alvarez didn't really get what made the original Evil Dead movies so successful, and so he basically eliminates the bizarre humor that made them so much fun and now goes for a bloodbath of pure gore that is entirely derivative and relies on ridiculous cheap scares.

And here, as in last year's I Now Pronounce You Chuck and Larry, Sandler interestingly attempts to blend genuine social commentary with copious gross - out humor in much the same way that Mel Brooks did in Blazing Saddles (a movie that, beyond the beans - around - the - campfire gags, wore its heart so firmly on its sleeve in favor of racial brotherhood that it stopped just short of singing «Kumbaya» to its audience); Sandler, who's admirably never been shy about proudly proclaiming his Jewishness, takes on xenophobia, suggests that Israelis and Palestinians CAN get along and — most controversially of all, perhaps — makes a case that disco music CAN be enjoyable in the right time and place.

It takes way longer than was necessary to finally pick up its feet and get going but once it does the last couple of hours zips along fine, with the last two thirds of the movie basically being made up of a sequence of big set - pieces which vary in effectiveness, some relying too much on CGI or being repetitive while others are unique and eye - catching in their own right.

The movie has something to say about celebrity obsession, although I think (hope) we have not quite got to the point of worshipping a celebrity so much you would pay to be infected with a virus they had or eat meat genetically made from them, as is shown here.

I can't quite diagnose what makes this movie tick... It's got problems, but it kinda works, much like Hans Zimmer's annoying yet irresistible tick - tocking score and Nicolas Cage's obnoxious, yet irresistible doofy - faced appeal, which I guess is why he still gets work.

Director Jon Favreau shocked us all with how good the first Iron Man was, this time it feels as though he's trying too hard to top himself, but getting lost in all the various plot threads and not doing much to make this movie materially different than the first.

I really really dislike the main character like he's actually in real life gonna get the girl of his dream, are you serious??? He has a crooked smile, wears pajamas all day outside of his house and talk's like a gay poet, I just think he sucks as an actor, uggh I don't know why I dislike him so much after this movie.On the other hand Rachel Bilson is very cute and not as bad of an actor This movie solely focuses on telling the story and making us like the characters for themselves.

The Green Inferno isn't so much a step in a new direction as a fancy redressing of the same movie he's been making, over and over again, since he got into the grindhouse game.

With the War continuing between the Avengers, even with the stakes being much higher, it makes sense for them to integrate the problems from Civil War into the movie to help fans get better answers.

To get away from the idea of gritty low - budget Noir or any B - movie sense (and because the spy films from James bond on down were making so much money), Warner and Newman went the big time Hollywood route with an all - star cast for the first Harper film including Lauren Bacall, Shelley Winters, Julie Harris, Arthur Hill, Janet Leigh, Pamela Tiffin, Robert Wagner, Strother Martin and made it a point it was Hollywood getting gritty on its own big time terms.

First and foremost, «Try and Get Me» is a movie of the period it was made when a neighborhood gathered around a single television set and also one very much ahead of its time, not only in the ingenious way it was crafted, but also in its attitudes.

While some of the performances make it watchable, this is one of those movies that for some reason got so much acclaim yet can't seem to carry the same weight as movies that do.

Personal Shopper should certainly have made the list over something like Get Out (much less a «costume movie» than Billboards), but I guess they have short memories.

Martin Scorsese and David Cronenberg used to make this sort of picture all the time, but haven't in a while, perhaps because it's just too much for some people, and «just too much» movies tend not to get made at a major studio level because the financial stakes are too grave.

But the score, much like the film, has this kind of old Hollywood movie making feel to it, and though it gets a bit sappy near the end, it's still filled with a lot of tension.

The more OCD among us here at Playlist Towers find it a source of constant aggravation that release dates vary so much from territory to territory, and festivals often get premieres a full 18 - or - so months before a film gains a proper U.S. release — making a cut - and - dry list of any given year's movies less science than art.

Johnston, of course, returned to superhero movies 20 years later to make Captain America: The First Avenger, which meant that he got a much larger budget to play around with the same sorts of period details and pulp - hero iconography.

No, voters should choose Get Out for a much more craven reason: Get Out made movies matter again.

Let the Team Get Away... Then Make Everyone Wonder If They Did Because so much of the heist movie's plot is about breaking into the bank / vault / casino / stronghold, we often forget the other major suspense point: Will they be able to get oGet Away... Then Make Everyone Wonder If They Did Because so much of the heist movie's plot is about breaking into the bank / vault / casino / stronghold, we often forget the other major suspense point: Will they be able to get oget out?

Well, Deadpool made a ton of money for the studio, as as a fan of that, I would much rather that Fox got it right with a Gambit movie too.

I also think part of the reason I side with Ivory is how much Luca has spoken about how he wanted to make the movie «universal» so I can see that playing a role in his decision to make the movie more palatable for straight audiences and James getting frustrated with it.

Diaz doesn't get to do too much, but she does make a lasting enough impression to remain a part of the movie even after her character's demise.

A few other Westerns featuring female protagonists that almost made the cut are: the Coens» «True Grit» although we just didn't really feel like Hailee Steinfeld, good as she is, actually leads the movie; Samuel Fuller «s «Forty Guns» which also stars Western superheroine Barbara Stanwyck; 1995 TV movie «Buffalo Girls» in which Anjelica Huston plays Calamity Jane; William Wellman's «Westward the Women» in which a wagon train of «marriageable» females is brought out to supply a woman - starved town in the West; and straight to video title «The Desperate Trail,» just because this is a list about strong women leads and they don't get much stronger than Linda Fiorentino (alongside Sam Elliott).

The Hangover Part II gets a modest supply of bonus features for a movie that made as much money as it did.

That is why Hollywood stars are worth the salaries they are getting, and why some stars now make as much as a movie used to cost.

Pyramid Head, an iconic villain from the video games, doesn't get to do all that much in the movie, but holy shit does he make an impact when he decides to strike.

Leading actors get so much credit when a movie is a success, but sometimes it's the supporting roles that really make...

It isn't that Best Picture hasn't always been mostly dominated by male narratives — it's that the strong female - driven movies started to fail to catch fire at the box - office around the mid-90s and once that happened, there has never been much of an economic incentive to get those films made.

«It's gotten to the point where all they want to know is how much money your last movie made.

I wrote that I just respect Tommy so much because he got his movie made in the face of endless rejection.

(Russell has charmed me every time I've seen him, and here he gets to deliver a wrenching monologue that pretty much makes the whole movie — keep an eye on this one.)

This excessively twinkly comedy got a much - needed dose of harrumph from Dame Maggie, whose eye - rolling and side - eye single - handedly made the movie worth watching.

Kunis and Bell don't get to do much more than react; their straight - woman roles are blown back once again by Hahn, whose unhinged performance pretty much made the first movie.

And by the way, the Mounties, unfortunately, do not get as much screen time as the titular super troopers, but they (including some notable character actors such as Tyler Labine and Will Sasso) make the most of their focus, namely with a sidesplitting movie stealing extended exchange on the career of Danny DeVito.

There's always 50 conversations for every comic book movie that gets made and as far as I know this is something that is very much just at conversation stage...»

The Hype: Okay, jokey - ness aside, I wasn't a fan of Carruth's first film Primer, but I get why it gets so much praise: It's uncannily intelligent, original, and one of the few time - travel movies that seems to make more sense the more times you watch it.

Other movies got made, but they were written much, much, much earlier in my career and I think somewhat got made because I was getting movies made.

From their scattered memories, he notes names, places, and other identifying details to make a list of suspects, to whom he assigns a model and cards with the information (It's a bit strange that the movie gets as much play from plastic models as it does from a high - tech memory - recording machine, but here we are).

It is a significant and enviable accomplishment; for the most part, people his age are dreaming about getting even one movie made, much less several major releases.

• The Wrap this piece about Marvel's plans for Spider - Man got a lot of internet pass - around but it really doesn't tell you much other than they're going to make Spidey a thing in all the crossover movies

First up is Light Source & Imagery's 22 - minute «The Making of Norbit», in which Eddie Murphy walks the knife's edge of self - awareness («When I put on these makeups, I get to go to some whole other place... that I couldn't go with [my real face] on»), Thandie Newton hails the movie as a palate cleanser to a string of demanding roles / films (to think Jonathan Demme remade Charade for her when all he had to do was put Eddie Murphy in a fat - suit), and we see nifty demonstrations of how the split - screens were accomplished; turns out that much of the time Murphy is only playing Rasputia from the neck up, a good - natured obese woman filling in for the body.

The Shape of Water won the overall Best Picture but Get Out beat the Guillermo del Toro film for Best Sci - Fi or Horror Movie, which doesn't make much logistical sense.

So many news to share with you guys, to begin i want to thank my faithful readers to follow the site and the social media accounts (twitter and instagram), today the site celebrates its 11 years online, and it's because michelle's fan base gets bigger day by day and your support to the site that my interest is still here, i love michelle and her carrer in the same way since the begining, but her choices made me a bigger fan and picked my interest, i'm particulary fan of all her last movies, all her upcoming movies intrigues me, they're all so different and more my kind of movies, the last movie i saw in theaters was OZ, and my two favorite movies of Michelle are shutter Island and Me Without You (not very known, but if you find it, you should watch it, for the story, for Michelle, the music) so i look forward to see her in All The Money In The World (December 27 in france) and The Greatest Showman (End of January), so thank you for your visits, your nice comments, generally i always put a new design for the site's birthday but i didn't have the time, so when we will get a new photoshoot, i will change the design, i like this one very much, and again THANK YOU

How many people can honestly say that they got exactly what they were expecting in pretty much any movie Spielberg has made?

The rest of the movie is a giant mess, fueled by an overly complicated plot that fails to make much use of its carousel of B - movie villains, and it takes way too long to get going.

Trank got some stick for tweeting out that he was sad the world would never get to see the movie he made / wanted to make, and while most seemed to write him off as a troubled director / petulant child who was meddling with their beloved characters, I pretty much agree with him.