Sentences with phrase «get out of the genre»

* Like other entertainers, mystery writers seem to fall into three categories: — SuperStars: The best - seller list regulars, who usually fight to get out of the genre ASAP.

Not exact matches

To start, Hulu has an onboarding procedure where you pick out clusters of shows, networks, and genres you like, so the service can get a sense of your taste.

«I'd like to get my name out there, but it is part of the genre.

Part of that likely has to do with the absence of many truly great movies this year, and the fact key contenders — like «The Shape of Water» (the pick by the directors and producers guilds) and «Get Out» (the WGA's original screenplay winner)-- come from genres that seldom receive top awards recognition.

I still like the idea of some of those elements (bright colors, prints), but it's hard to find new items that work for me, so as old items from that genre get worn out, there's nothing to replace them.

Being a rowdy Texas boy at heart, I always get a kick out of the metal genre of music (I especially love metal from Texas) especially from one of my favorite bands of all time Pantera; but due to my age I was unfortunately never able to experience one of their concerts live before.

«There's so much praise I want to ramble on about, but I'll leave it at this: Gunslugs is a game you must get your hands on» — Gamezebo «Fans of the run»n gun genre need to check this out.»

If you like quirky takes on genre movies, a la Shaun of the Dead, then you'll probably get some enjoyment out of this.

It's got a few trappings of the sports movie genre such as montages and slo - mo, but they never truly stick out or get in the way.

For anyone out there that can't get enough of this genre, and can't wait the month for the next Telltale release of whatever they are working on, this is a pleasant buy.

Alex Garland beautifully subverts cliches of both fantasy and horror genres, making a film that gets under the skin to properly freak us out

It's as rudimentary as slasher films go, and although it may not be fair to make the comparison, that will no longer cut it after Get Out proved that the horror genre is capable of a lot more than mechanically depicting people getting stabbed to death.

Although Jupiter's Moon may not be deep enough for the Cannes» audience, genre hounds who do not mind subtitles will get a kick out of it.

The reason it's hard to categorize Get Out, though so many want it to be written off as «genre movie,» is it lives outside of that definition the same way The Big Sick lives outside of the definition of romantic comedy.

Yet if you forget, for just a moment, about genre pedigree, what is it, really, that makes «The Shape of Water» a «richer» film — or a better one — than «Get Out»?

While I can certainly agree with both films not falling squarely in line with the zombies, slashers, and extreme gore features that proudly wave their horror flags, Get Out and The Shape of Water do exist in the peripherals of genre, both featuring monsters of very different ilk.

There has been a lot of talk about genre with «Get Out.»

A horror film with the power to put a rascally grin on the face of that great genre subverter John Carpenter (They Live), Get Out has more fun playing with half - buried racial tensions than with scaring us to death.

«Get Out» makes black lives matter far more than they traditionally have in movies, particularly in the horror genre, simply by depicting the reality of being a marginalized minority in white - dominated spaces.

But Spy never lets its genre conceit get in the way of its comedy, which delivers more laugh - out - loud moments than any other mainstream comedy so far this year.

For the Horror genre, Get Out is king of 2017's horror roster thus far.

As someone that grew up alongside Pokémon for the vast majority of my life, seeing the series branch out into other genres aside from its stable of «catch»em all» RPGs has always been one of my favorite ways to engage with the series as I've gotten older.

If there are two things you can't fault Clint Eastwood with it would be his ability to get films out fast and his willingness to stretch himself into a myriad of genres.

: I realize I'm going to take some heat for putting this widely loathed film on my best list, especially since I was less than enthused by the overrated critic faves «Three Billboards Outside Ebbing, Missouri» and «Call Me by Your Name,» but Darren Aronofsky's fantasia about a self - infatuated poet (Javier Bardem) and his suffering muse of a wife (Jennifer Lawrence) is, like «Get Out,» both horrific and satiric in ways that move beyond the easy confines of genre.

This year has all around been an INCREDIBLE year for the horror genre, with films such as Split, Get Out and IT making it one of the best (and most profitable) years in the genre's entire history.

Not too many films, particularly in this genre, delve into the mature topics we get here, such as a child's feelings about family, security and the fear of daring to break out of one's own box and become somebody.

With genre movies such as Get Out and The Shape of Water dominating the current race, edgy distributors are optimistic that the Academy, which with each incoming class is trending younger and younger, will continue rewarding ambitious filmmaking.

Get Out's genre genes could hurt it with the frequently snotty Academy, but we're still confident it will find the votes to beat McDonagh's brilliant but problematic display of pyrotechnics.

Unfortunately, this looks like pretty standard sword - and - sorcery fare, with Bridges basically playing a variation of the Rooster Cogburn character from «True Grit» and «R.I.P.D.» Fans of the genre will probably get a kick out of it, but it's unlikely that «Seventh Son» will have much life beyond that.

While it doesn't exactly reinvent the wheel, it brings a fresh (and hilarious) twist on the slasher genre; it's just a solid - as - hell film that I think horror fans are really going to get a kick out of.

This truly is the year of the Super Hero movie and Hollywood finally has the formula down where 8 out of 10 times they get the genre right.

Avalon reminded me of recent Australian film, Wish You Were Here, which seemed a couple of rewrites away from unleashing the multiplex - baiting genre piece that was waiting to get out.

Second - weekend takings of # 1.91 m push the tally after 11 days to # 6.35 m. Just over a year ago, breakout genre hit Get Out had reached # 4.86 m after two weekends of play, on its way to a robust # 10.3 m. Look for John Krasinski's high - concept horror to exceed that total.

It's another positive step in the ongoing mainstreaming of genre films that's been taking place over the past couple of years, recently given an additional credibility boost by the Oscars success of The Shape Of Water and Get Ouof genre films that's been taking place over the past couple of years, recently given an additional credibility boost by the Oscars success of The Shape Of Water and Get Ouof years, recently given an additional credibility boost by the Oscars success of The Shape Of Water and Get Ouof The Shape Of Water and Get OuOf Water and Get Out.

It wasn't a hit when it came out — director John Flynn was better with character than action and never really gets the blood pumping through it — but it is still a smart, lean thriller and a minor gem of the modern crime genre.

The lack of any nominations for his films which are absolute classics and an integral part of cinemas genre history is much more shocking when other filmmakers have simply missed out at the final ballot stage whereas Leone didn't even get to hear the starting pistol fire.

Although the film's nomination in the «Best Comedy» category at the forthcoming Golden Globes left some scratching their head — due to the strong dramatic / horror elements at play — there's no denying that Jordan Peele's Get Out was one of the best of the year regardless of the genre.

What works best about Insidious, which is about as adoring a love letter to Tobe Hooper's Poltergeist as a good film can get, is how it takes horror flick concepts both old and relatively new and mixes them up, blender - style, and the result is a 95 - minute fun - time ass - kicker that has as much love for the genre as it does in making you pounce out of your seat.

Final Verdict: This time last year, Get Out managed to sneak its way into the OSCARs, despite its early release and choice of genre.

Thor: Ragnarok 2017 showed that there's more than one way to challenge genre conventions - redefining the superhero movie with the indie feel of Logan and the empowerment of Wonder Woman, to pushing psychological tension with horrors Get Out and mother!

From what I can see, though, Dear John the film seems to hit on all the emotional peaks and valleys it's supposed to, and if you're a fan of the sweet romantic drama with a melancholy ending genre, you should pull out some tissues and get ready to cry a bit.

Sometimes when movies start crossing genres, the tone and balance can get out of sync.

It's one of the few genres that to this day I get major butterflies inside when I hear that a new tennis video game is coming out.

In addition to The Shape of Water, genre titles like Blade Runner 2049, The Last Jedi, Get Out, and Logan are all up for an impressive spread of categories that include more than the traditional collection of technical awards that more FX - heavy films that tend to be nominated for those awards.

Sanaa Lathan stars as a political lobbyist who rebounds from a bad breakup by getting involved with a handsome and seemingly super-cool new guy (Michael Ealy), who — per the traditions of the genre — turns out to be a violent creep.

I can't imagine anyone not getting some enjoyment out of this fine set; whether or not 1930s genre films are your cup of tea, an occasional taste is most pleasing to one's palate.

Yes, 2015 has had no shortage of the genre getting some really nice outings, even ones that are more modern than retro.

HOLMES: I think for a lot of people, even if «Get Out» wasn't their favorite film of the year, they respect its audacity and its freshness and the fact that it's a very unusual genre film.

Weird genre soups like Scott Pilgrim or Brotherhood of the Wolf are the reason I like to review movies (and get the word out that not every movie is formulaic Hollywood drivel).

To truly get the best out of the genres capabilities, a 2D platformer needs to be able to get extravagant with its design, exploring the full possibilities afforded by 2D level structure.