Sentences with phrase «get story credit»

Following in the footsteps of Matthew Vaughn, who gets a story credit here, Singer has a blast going period.

But he's also been building his writer's resumé, getting a story credit for David Michod «s «The Rover» and co-writing a few titles with his brother Nash, as well as a rewrite for upcoming Natalie Portman western «Jane Got A Gun.»

And that's why I got story credit.

Cage is also Donald, the fictional twin brother of Charlie (who also gets a story credit on the movie).

That leads me to the newest Alpha manga, One - Punch Man, one of the growing list of Japanese manga properties that started out as a webcomic; you can still read the original here, but now it's been redrawn by Yusuke Murata (Eyeshield 21) with the original author ONE getting story credit.

Not exact matches

In fact, it is likely just a scary story that a frustrated Geithner wants the folks in Congress to believe in order to get them to negotiate a deal that will allow America to keep running up its credit card.

When a journalist publishes a story that cites or references your content within their story, you get credit in Google's search ranking algorithm.

Grace's story may tarnish Ansari's reputation, especially since he's gotten credit for dealing with the issue of sexual harassment on his show Master of None.

If the story you get from a credit repair company sounds too good to be true, it probably is.

A May 17th Bloomberg story headlined «Buyers with Excellent Credit are Getting the Lion's Share of U.S. Mortgages» noted that the least - risky U.S. households (FICO score of 760 +) account for 61 % of new home loans — a record since the data series began in 2003, when this cohort accounted for around 30 % of new loans.

Praising Him by saying nasty things about your fellow man is not going to be a credit to your account, and if you think intolerance is the way to comment on a story about a sad guy getting to be happy, you are no Christian.

Wenger does not receive credit when we win and gets the stick when we draw or lose but that's another story.

Not only does this story get better with every read (I credit this to the rhythm and rhyming throughout the story), but it is a fun storyline of how to be kind, compassionate and helpful.

Today I'm sharing my story with credit cards, how I got in to BIG trouble, got out of it, got in to even BIGGER trouble, got out of it again, and found freedom from the plastic cards that were ruining my life.

«I get more calls on this stock than any other because it has that perfect story of emerging markets growth and it's a good takeout candidate,» Credit Suisse food analyst Robert Moskow said.

«While Mayor Bloomberg often gets credit, the real story here was how NYC used all the tools at its disposal such as City Council passed ordinances, health code resolutions through the Board of Health, and administrative rulemaking,» Dr. Isett and coauthors write.

Whether you've been following along with my work for years or we've just been connected this week, I figure its time to get raw and real with you and tell you the story of how I found my calling and how I got to where I am as a women's health coach, while also giving credit to my mentors, and hopefully inspiring you to find mentors of your own — whether that's me, or someone else who has positively influenced your life.

Long story short, in order to return or exchange an item you have to create an account and then I found out that I could only get store credit on this item.

If you want to get in the mood, you can read erotic stories posted by other members, or you can submit one of your own for 10 credits.

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Reisz's agent got him the very important second credit, the «story by» credit.

Still, you've got to give the makers of Rampage credit for having the moxie to reverse - engineer the titular 1980s arcade time - waster, by attaching a previously nonexistent story to characters made of pixel dots.

Segel and his frequent writing partner Nicholas Stoller get screenplay credit alongside sitcom writer - producer Kate Angelo, who originated the story.

Aaron Sorkin's true story about how an Olympic skier became a private gambling entrepreneur gets credit for breaking through to an audience already saturated with sophisticated releases.

Finally, after production turmoil that would take up a Star Wars opening credits - sized scrawl of text, we get a glimpse at Solo: A Star Wars Story via this Super Bowl TV spot.

Vaughn gets story and co-screenwriting credit (with Jared Stern), though helming duties go to play - it - safe director Shawn Levy (Date Night).

The story in the film — and this is where I really believe the film gets even less credit than it deserves — follows the short, troubled life of a small Puerto Rican newspaper, The San Juan Star.

Along the way, we touch on the abandoned film project that Lee was working on with screenwriter Michael Arndt, how The Book Of Life affected this production, the evolution of the idea from the initial spark to the finished film, how Adrian Molina got involved in the project, how Lee Unkrich went from editor to director and how he edits his own films, how Darla got a credit as «Digital Angel» on the original Toy Story, hiding easter eggs in an international setting, and working with Michael Giacchino.

The single biggest surprise is that Lee Falk didn't even get a «based on a story by» credit for his short story «Time is Money», published in the Dec 1975 issue of Playboy.

Don't get me wrong: All credit goes to Tolkien for inventing Middle - earth, story and the characters (or most of them).

Though much of the film consists of little more than Paisley and McGuinness verbally parrying back and forth in a moving van, the filmmakers seem so concerned about not making the story feel stagey and claustrophobic that they invent ways of getting the men out of the vehicle; most conspicuous is a flat tire that leads to an extended detour into a forest and an invalid credit card that holds the two men up at a gas station.

So getting back to how this familiar story arc is rockin» a new shine to it, just about all the credit has to be given to Pegg's performance during the first - half.

Despite the change in director, fans can expect the similar raw and no - holds - barred storytelling that the first flick has been known for with writers Paul Wernick and Rhett Reese back penning the story while Reynolds officially getting a co-writing credit.

Black is credited with the story for «Lethal Weapon 2» which shows you what getting paid $ 125,000 means in Hollywood.

This one's screenplay is solely credited to Anderson, though British artist and Anderson friend Hugo Guinness shares story credit and Austrian novelist Stefan Zweig gets one whopper of an «inspired by» screen at the start of the end credits.

While only the host can get credit for completing a given mission, both players can chip away at the various collectible trophies and perks while creating some memorable stories to tell their drinking buddies back home.

After serving as a camera operator for a couple of years, he got his first American credit for cinematography on John Sayles» lovely coming - of - age story «Baby, It's You» (1983), giving the film a look that belied the film's relatively small budget.

To Campbell's credit, the film has some impressive action sequences, but it's ultimately the flimsy and derivative story by Robert King, screenwriter for such flops as CUTTHROAT ISLAND and RED CORNER, that handcuffs Campbell with material that could never get off the ground in the first place.

In reality, the central story here ends during the opening credits, as Anastasia Steele (Dakota Johnson) and Christian Grey (Jamie Dornan) get married.

Although Figgis gets the writing credit, the credits at the end of the movie say that aside from a basic structure, much of the story was improvisation.

Mark Neveldine and Brian Taylor (genre mechanics with a gift for narrative momentum but weak on story) write and produce but don't direct (Jimmy Hayward gets credit there), and this dull mess could really used some of their hairbrained excess just to make it interesting.

Despite that, the promises of a sequel actually excite me for two reasons: the first being that it is clear that a great degree of care and thought went into setting up this world (the opening credits are a hefty exposition dump explaining how things came to be), and also the fact that with the traditional story out - of - the - way and told, there is more freedom to get a little crazy with delivering ridiculous fun.

It has the end - credits thing where pictures of the real women whose stories the movie ostensibly tells are shown with titles detailing the horrific shit they endured to get their names on a building.

But also give credit to Tom Bissell and Greg Sestero for going at this subject in a way that showed what was so universal about Tommy and Greg's story, about striving to follow your dreams in the face of rejection, not getting any support from the outside world, having to depend on each other to will something into being.

Twists abound in a story that gets credit for jarring narrative directions, but this adaptation of Robert A. Heinlein's «All You Zombies» remains limited in its potential, especially as it fails to evolve past its spiritual predecessors «Source Code» and «Looper.»

February Xala (1975, Ousmane Sembène)-- 5.9 Toni Erdmann (2016, Maren Ade) DP — 8.0 + Groundhog Day (1993, Harold Ramis)-- 5.7 [up from 4.8] +20 th Century Women (2016, Mike Mills) DP — 7.0 [up from 6.9] Kaili Blues (2015, Bi Gan)-- 6.9 I Am Not Your Negro (2016, Raoul Peck) DP — 7.1 Lumumba (2000, Raoul Peck)-- 6.3 John Wick: Chapter 2 (2017, Chad Stahelski) DP — 7.0 The Story of Qiu Ju (1992, Zhang Yimou)-- 5.4 + Moonrise Kingdom (2012, Wes Anderson)-- 7.8 [up from 7.0] Elegy to the Visitor from the Revolution (2011, Lav Diaz)-- 5.3 Hill of Freedom (2014, Hong Sang - soo)-- 7.4 + Toni Erdmann (2016, Maren Ade) DP — 8.0 [same] The Lego Batman Movie (2017, Chris McKay) DP — 5.9 Chocolat (1988, Claire Denis)-- 6.2 To Live (1994, Zhang Yimou)-- 7.3 Daughters of the Dust (1991, Julie Dash) DP — 6.2 + Inside Llewyn Davis (2013, Joel & Ethan Coen)-- 7.4 [same] The Mission (1999, Johnnie To)-- 7.1 The Terrorizers (1986, Edward Yang)-- 9.0 The Unspeakable Act (2012, Dan Sallitt)-- 6.8 The Mend (2014, John Magary)-- 6.8 The Son of Joseph (2016, Eugène Green) DP — 5.8 The Taking of Pelham One Two Three (1974, Joseph Sargent) 35 mm — 6.3 Charley Varrick (1973, Don Siegel) 35 mm — 6.5 Une femme coquette (1955, Jean - Luc Godard) Léolo (1992, Jean - Claude Lauzon)-- 3.0 Sexy Beast (2000, Jonathan Glazer) 35 mm — 6.2 Backyard Theatre (1973, no director credited) As You Are (2016, Miles Joris - Peyrafitte)-- 4.6 + Annie Hall (1977, Woody Allen)-- 7.9 [down from 8.2] Get Out (2017, Jordan Peele) DP — 6.3 A Cure for Wellness (2016, Gore Verbinski) DP — 6.2 Akira (1988, Katsuhiro Otomo) DP — 6.8 + Get Out (2017, Jordan Peele) DP — 6.6 [up from 6.3] To Each His Own Cinema (2007, Zhang Yimou) Kanehsatake: 270 Years of Resistance (1993, Alanis Obomsawin)-- 4.9

But as an onscreen text at the start of Fogelman's film states, «Danny Collins» is only «kind of based on a true story a little bit,» which means it's safe to assume that the real Tilston (who's credited as a consultant here) did not subsequently set off on a cross-country odyssey to meet the adult son (Bobby Cannavale) he fathered with a groupie back in the day, or hole himself up in a suburban New Jersey Hilton while trying to get back in touch with his songwriting muse.

It gets a superb new high - definition transfer, supervised by cinematographer Dean Cundey, and a new commentary track with Carpenter and star Jamie Lee Curtis, reuniting for the first time in years («Jamie and I haven't seen each other in a long time,» remarks Carpenter during the credits) to compare memories and swap stories.

Still, a frizzy - afro'd Cheadle works hard to summon Davis» spirit, even if the script (by Cheadle and Steven Baigelman, who earned a story credit on James Brown biopic Get On Up) never quite captures the artist's multi-faceted achievements in the way Todd Haynes managed with Bob Dylan bio I'm Not There.

Listening to «Strange Magic» — because you do find yourself listening at least as much as watching — it's as if Lucas handed over a list of his favorite romantic pop ballads (he did choose the songs) then sketched out his story idea of a kingdom divided (Lucas gets that credit too).