Sentences with phrase «get the feel for painting»

If you are still not sure, mix up a small amount and paint a scrap piece of wood to get the feel for painting with chalk paint.

Not exact matches

But even if that section of baseboard has needed to be painted for years, you probably won't get around to it and then you'll feel like you wasted your time off anyway.

You can use craft eggs (or get the cheap plastic kind and paint them white), some felt, pink and black acrylic paint, and white pom poms (because, of course, you'll need a tail for the back!).

If you are a newer painted though, I would recommend starting on a small project so you get a feel for it as it is much different from latex paint.

I have always lusted after this Chloe bag This Yurman necklace is so versatile because it is on a slide chain that makes it more formal or long for every day This Gucci belt that is reversible to black and brown I have lusted after these slides I adore this blush cami Budget friendly tie front dress One of my favorite high pigmented lip paint Give me all the scallops and these espadrilles I have majorly been lusting over How to instantly feel like a 70's model, add these sunglasses The cutest Summer hat My favorite new perfume that I can't get enough of.

In the close up photo above, you can see that I wasn't focused on getting a full coverage of the paint, because I was going for more of a vintage feel, and wanted the paint to look like it naturally wore off over time.

Big enough to get a feel for using the paint, small enough not to feel overwhelmed.

The dining room felt like a good space to bring green accents, with the painted storage cubes, and an otherwise neutral backdrop of grey walls, the space got a bright green feather tree that I made, displayed ornaments, and a hot cocoa station with reindeer dishes for fun.

As you get immersed in the world of Loving Vincent you quickly realize that it is not the shiny technique alone that makes you feel as though you were floating inside Vincent van Gogh's brushstrokes, but that, as happens with his painting, there is a profound love for the subject driving each and every frame...

After painting a door panel from another car to get a feel for her new medium, she finished her design within the span of a single week.

Whilst I was originally happy with the work, after not seeing my car for a couple of months and it being delivered all nice and shiny, I almost immediately drove it through snow in Colorado within the first week after getting it back, and after having it for a couple of months, started feeling dissatisfied that the new paint looks considerably more matte than the old paint, where the old paint looks much more glossy.

An owner may never take an Eddie Bauer Bronco into the dirt, for fear of scratching the pretty paint or getting mud all over the carpets; however, he or she will know, while gazing at the truck from the window of that little old ranch house in the suburb, that the Bronco is ready for an off - road adventure anytime the owner feels up to it.

It felt UNdemocratic that a person had to pay so darn much for one painting (however spectacular) and only one person got to own it.

In addition, a lack of evolution for Mario also hinders the experience, from battles you only get an advancement to the amount of paint you can carry which is handy in both battles and the overworld, but there is no expansion to Mario and his strength from battles which often made them pointless to fight and feel like you are wasting time whenever they occur.

Sales are slow right now, it's cold, it's dark and I don't feel like painting, but I make myself go to my studio, whether I make something or not, I might just sit there, I might clean and organize or I might even paint... doesn't matter, you have to keep going and get in your studio, everything passes with with time, never give up and for sure, never quit.

Asked about his paintings, in which gestural abstraction and imagery blend together, Berryhill remarks «There's something about the searching for the thing you don't know what it is, the invention part I like, so when I get something in a drawing, I like, to work on it until it feels like a thing.»

At the time I painted it, it felt uncool and I abandoned it immediately for the rigidity of the grid, removing the mess, but after doing the Spot catalogue raisonné I've felt really drawn to that first painting and knew I'd revisit it eventually — maybe it's because I'm getting older.

For this exhibition the pieces were chosen not only because of their life and vibrancy, but because of their small size; I feel that there is an immediate transaction that takes you into them and because they are small, the relationship of the paintings to the body is different — one has to get up close to see them, find the complexity, detail and subtlety that lies in wait for the patient observFor this exhibition the pieces were chosen not only because of their life and vibrancy, but because of their small size; I feel that there is an immediate transaction that takes you into them and because they are small, the relationship of the paintings to the body is different — one has to get up close to see them, find the complexity, detail and subtlety that lies in wait for the patient observfor the patient observer.

I developed this «crackpot» math thing which has to do with converting the aspect ratio of the format for a better understanding about the specific area as a felt space — mostly because I wanted to get out of the composition business which always felt to me like stage direction, and which seemed to make the painting's feel episodic.

Another thing was my love for the tactility of oil paint: like many other painters, when I look at art I get very close to the painting in order to get a sense of how the paint was laid upon the canvas, trying to feel the brushes in the painter's hand.

I saw them shortly after I went to Berlin for the first time in 1980, and I felt these paintings were connected to that feeling of being on one side of Berlin and getting information from the other but not being able to access it - via radio waves - watching and being watched.

Tell the gallerist that you feel the time has come for him to help you get a solo show displaying the watercolors you painted during your Provence holidays.

I get the feeling looking at this painting, that I am looking at a field of action that exists behind the plane of the canvas, and I think that is an extremely interesting thing for an abstract painting to be doing, if indeed it remains just that, an abstract painting.

I painted alone in my studio for twenty - five years, and it got damn lonely... as I grow older, I feel the need of collaboration and comradeship.6

One had to feel a little sorry for him in the reckoning: One of his paintings, through no doings of his own, breaks auction records for a work by a living European artist, and he gets pitted against no less a luminary than Giovanni Battista Tiepolo as quintessential of what art historian James Meyer called the market's «overestimation of the contemporary.»

The thing is, painters will always paint, and even in the tentative steps of this new - born magazine we get a feel for its wide reach.

So it all began by first visiting the site of where the painting will be installed, just to get a feel for the location and space.

I saw them shortly after I went to Berlin for the first time in 1980, and I felt these paintings were connected to that feeling of being on one side of Berlin and getting information from the other but not being able to access it — via radio waves — watching and being watched.

The volume provides such meticulous reproductions of these paintings that the reader is able to get a feel for their unique texture and surface.

I've done some things here and there, but we have a challenging shaped entry way crying out for help, a kitchen that needs updating (I am taking inspiration from your painted cabinets) help getting rid of the dreaded «tract - home» look / feel, and happily any other room you'd be so inclined to makeover!

K, when I got the sample in my kitchen, it felt too green / mint for the paint colour that I chose for my island which was Wythe Blue from Benjamin Moore.

Once the walls get painted, it will feel closer to what you hoped for.

You know how I feel about putting «lipstick on a donkey,» as hard as it is to wait for the pretty finishing elements like lighting, paint, cute doors and accessories, you have to get the foundation right for those details to make sense.

Thank you so much for admitting that your paint shirt sometimes gets worn more than one day in a row... you made me feel like a better person as my own just got worn for three days while I hand painted a 6 × 8 rug!

I laid some of my favorite countertop / backsplash tile samples on the counter above each paint sample - just to get a feel for how each color would look in the future:

Painting for one is a project that I feel compelled to finish all at once, I get stressed out with moving everything around and all of the time spent cleaning up.

«The wall was covered in different paint swatches so I could get a feel for what the colour looked like in situ before I painted the whole room.»

1st, because I think it would go well with your rustic feel to your property (barn, guesthouse), 2nd, because it would allow the brick to still show and tie in with the red barn, and 3rd, because if you get sick of it in a few years, THEN paint it all for a whole new look!

If you have pine furniture it can be quite dark, so paint it grey for a softer and more sophisticated feel — and if you want to get some, then vintage fairs are a great place to look.

Sometimes I feel sorry for my husband being so handy because it allows my creativity to overflow and sadly he gets sucked into doing some carpentry, electrical and even some painting sometimes.

For me the appeal of using chalk paint is that once the piece is dry, it does not have that latex rubber feel to the finish that you get when you paint furniture with latex alone.