Sentences with phrase «get the story elements»

Just One Taste: How to Write a Successful Novella — Kimberly Kincaid — Diamond D Want to enhance your current series or participate in a group anthology but aren't sure how to get all your story elements into 25 - 40,000 words?

Not exact matches

If you tell 100 people who observed an event to write a short story about it you'll get 100 different stories, but their stories will share a lot of common elements.
Then light was liberated, and then gravity created the first stars and galaxies, then billions of years later, a local star went supernova and seeded the local nebula with heavier elements, elements necessary for life, elements that were not created during the Big Bang, then the sun was born, then the planets coalesced, and billions of years later some primate wrote a story about how the Earth was created at the same time as the rest of the universe, getting it wrong because that primate did not have the science nor technology to really understand what happened, so he gave it his best guess, most likely an iteration of an older story told prior to the advent of the Judeo Christian religion.
Christianity and its stories were mostly re-used materials, because if you want to get people to believe stuff, you have to give them elements that they more or less already accept.
By: Lauren Jankowski Not that long ago, I was reviewing some work and got distracted by a common element that turns up in just about every story I've written: separated siblings.
In fact I got a little nervous that it might make it too dark, but instead it illustrates how all the elements working together combine to tell a new story.
Hyperion however, grabbed my attention right from the beginning — the story was just so interesting, and the sci fi elements weren't so incredibly esoteric that I wasn't able to get a grasp.
Yes the gameplay gets boring, the levels are repetitive, the rpg elements are underdeveloped, and the story is too short.
Jarecki uncomfortably straddles that line between true crime story and total fictionalization, getting lost in the gap in between and jamming as many elements as possible into this film causes very few of them to register.
Jarecki brilliantly weaved a number of elements together in «Capturing the Friedmans» but it feels like having to fictionalize major elements of the story of Robert Durst helped this project get away from him.
They've still got to catch up to the rest of the development world when it comes to technical elements, and a better story with more interesting characters would vault this franchise into the 8 + realm.
Black Panther opens with a brief history lesson — the story of Wakanda, an advanced country that has become powerful thanks to Vibranium (an extraterrestrial element that contains great power)-- before getting to the real story.
Dunwall is an amazing place in terms of the way it incorporates elements of steampunk with a victorian feel and setting a pace that wouldn't normally suit a 1st person action game but it just flows so well and the artwork on the characters is stunning but sadly let down by a bit of collision detection which is hard to ignore, combine all this with a satisfying story you get a really decent game with plenty to get stuck into.
Outside of the fantastic, time - bending visuals, the story and combat are merely fine, and the live action elements are nothing short of a chore to get through.
He is involved with some dangerous characters who at first seem like important plot factors; later, we suspect Wenders was just throwing in some film noir elements to keep up the interest before getting to his real story, which comes toward the end of this very long film.
Film Reviews: The Fifth Element by Leslie Rigoulot The Fifth Element by Lisa Nesselson The Messenger: The Story of Joan of Arc by Richard Schwartz Partial Filmography: The Fifth Element He Got Game The Messenger: The Story of Joan of Arc
But while Avengers: Infinity War is definitely pulling from the «Thanos tries to get all those gems on a glove» aspect of The Infinity Gauntlet, there's another, more recent Avengers story from which the film has borrowed elements.
It's pretty safe to say that if you belong to the first set, you're far more likely to enjoy the film than the second, as this is definitely a film aiming more for Eddie's fan base, not particularly concerned with its story or plot elements when they get in the way of allowing Eddie to do his thing in front of the camera.
First, it's got some pretty heavy story elements, not the least of which is the human son being vaporized in a weapon's test.
One of the things that makes the series work so well is that every album in it has its own distinctive feel — you never get the same story told twice, and while there are entries that share common elements, they're always handled in different ways.
Nancy gets to become a hard - drinking, revenge - seeking, and gun - toting heroine, but by the time her story comes around, the familiar elements hold it back.
I won't talk about it forever, but take Super Paper Mario's story and gameplay, water them down even further, remove characters and elements that make a Paper Mario game, remove a true RPG and leveling up system, and you've got, in my opinion, the worst game in the Paper Mario series.
Their journey — physical and metaphorical — takes them to some very dark places, and though the film has elements of gentle humor that leaven the proceedings — and two fine performances from Jay Duplass («Transparent «-RRB- as Nick and Linas Phillips (Young Adolescents) as Conrad — we can never get away from the uncomfortable fact that writer / director Davis (editor on Duplass's documentary Kevin) has made a conscious decision to put a mass murderer at the center of his story.
For those who did not get a chance to play the original Call of Juarez game, this is a game set in the old west and it takes some very strong story elements and weaves those into a western based FPS.
Before getting into how spectacular the action sequences truly are (and trust me, they save the blockbuster from plundering to the bottom of the ocean), it must be said that Oscar - nominated Kon - Tiki directors Joachim Ronning and Espen Sandberg have no idea whose story the movie should actually belong to, starting out as Henry Turner's (Brenton Thwaites) quest to free his cursed father at sea Will Turner (Orlando Bloom in a glorified cameo along with Keira Knightley as his partner Elizabeth Swann) to locate the Trident of Poseidon subsequently lifting that curse, and while the ultimate goal of the movie for all characters is finding said artifact for different reasons, by the end it's hard to fault the audience if they have forgotten all about that plot element and are just living in the moment of Jack Sparrow and company battling an army of decomposing, undead ghost pirates led by Captain Salazar.
Not concerned with the more realistic take that was tried (and mostly successful) with Casino Royale and (the criminally underrated) Quantum of Solace, Bond's twenty - third outing still maintains the focus on story and character like the previous two films, yet also getting back to the more fantasy elements that has made the character thrive for fifty years.
She's got a wealth of TV experience on shows like Breaking Bad and Game of Thrones, demonstrating an eye for detail and a consideration toward characters driving a story, perhaps two of the most important elements in adapting a comic book property.
You will creep out by some of the elements presented in the story and the music can get scary at times but that's basically the gist of it.
Taylor manages to bring out plenty of insinuating textures in the characters to keep the audience intrigued, but he never quite gets a grip on the Hitchcockian elements of this story about identity and life expectations.
With studios like Blumhouse (Get Out, Split, and the Insidious franchise) and A24 (The Witch, It Comes at Night) establishing distinct identities in the minds of moviegoers and television shows like American Horror Story, Bates Motel, and even Stranger Things spreading the genre elements across the airwaves — or, more likely, your laptop — it's difficult to deny that we're in the midst of an era of horror filmmaking that prizes subtext, mood, and tone over gore effects, elaborate kills, and jump - scares.
So it's unfortunate that Schrader's Touch, based on Leonard's novel of the same name, never gets off the ground, especially because it has all the elements of a good time — bouncy atmosphere, an ensemble cast, playful humor, and, befitting Schrader's thematic obsessions, a cheeky religious story.
However, the story events of the DLC expansions do admittedly feel separate enough that you don't really need to play them to get the whole picture, though it is fascinating to see Team Ninja continue to craft a tale that mixes real - life historical events and people with more fantastical elements like monsters and magic.
The story's got no layers, the protagonists aren't engaging, there are very few interesting or exciting elements in the 116 - minute stretch and the grand finale isn't satisfying in the least.
Building your relationship with the various companions can get a bit overwhelming at times, and there were moments where things got a little too uncomfortably suggestive when interacting with female partners, but for the most part the story elements are deftly handled and Sword Art Online Re: Hollow Fragment offers up a solid RPG experience at a budget price.
You don't get atmospherics here — that's the job of the surrounds — but instead all of the «forward» effects such as explosions, car noise, and any other element that needs to be there to assist the story.
What follows is equal parts escape thriller and man versus the elements story, as Dengler and Martin attempt to get to Thailand and freedom.
C + We Bought a Zoo Rated PG for language and some thematic elements Available on DVD and Blu - ray Based on a true story, a widower (Matt Damon) needing to get away from it all takes his two children away from their city home and moves into a house located on an actual zoo.
Blending the gritty police story with a paranormal element is definitely appealing and they've got one hell of a talented line - up from the floor up so this one is defintely worth keeping a close eye on.
Don't worry, Sausage Party never gets overtly preachy because this thematic element is just used as the driving force for the story.
Once I got to Florida, it was about seeing a few of the places that Sean had seen, talking about them and trying to decide on the final locations were — trying to find how the different elements of reality would fit into our story.
Shepard, showing a deftly compassionate hand in her feature directorial debut, doesn't let the sensationalistic elements of this story get out of hand.
Aware of the story's predictable elements, the writers know that its viewers are probably more interested in sympathizing and getting out the tissues to cry.
It takes some getting used to, but eventually, miraculously even, you get sucked into the story and forget about all the peripheral elements.
«Being able to translate that to images, to handle that responsibly to make sure that both aspects of the story came across and it was a movie that felt real — it was a movie that felt colorful, as Oakland does — but that it also didn't feel like the lighter elements were subtracting or detracting from the stronger thematic ideas that Daveed and Rafa wanted to get across.»
Unlike in «Dial M for Murder,» however, it will be much more important for Warner to get the technical elements right for that release, as its story is far lesser than the one Hitchcock had to work with.
However the approach, we can at least get kids to remember the important elements so that they can create their own stories.
We have a newsletter that now we get on a monthly basis; we launched a newsletter on the congresses; we use the story file when we do certain acts, we have a book... Another key element: Audiovisual for testimonies, testimonies that cause goose bumps, that get people to know about others, not only through testimonies of professionals.
Educators also learn how to divide stories into elements, many of them getting a first - time understanding about the value of characterization, plot and climax, she said.
Through a story it will be possible to get information about the ŠKODA AUTO DigiLab apps, the longboard and other new elements.
Setting descriptions and prose must be simplified — Getting straight to the bare emotional elements of a scene or a story will stick with readers and provide them with a solid reading experience, without making them feel that the writing is too sparse.
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