Since I'd clearly struck a nerve, I reached out in an act of market research to
get their thoughts on literary fiction.
Not exact matches
I actually
got stuck reading this book — as I
think I must be a bit of a
literary snob and couldn't
get past how awkward it read, but I am slowly being inspired to persevere and read
on.
Erik is looking for the following:
literary / upmarket fiction with an emphasis
on plot (as in, nothing too slow / quiet / static); popular and academic / trade science nonfiction, especially evolutionary biology; narrative history and biography; contemporary culture criticism (
think Klosterman); sports books, if it's
got a scope that extends past just games and players and into culture / larger issues.
I've
got two posts this week, both focusing
on literary awards you may want to
think twice about before entering.
As with
literary agencies that evolve to handle film and television (as Curtis Brown has done, for example), it takes a certain buildup of foundational accounts, I
think, to reach a point at which the range of availabilities can really come into play and that's hard to
get in smaller settings which normally will need to focus
on one or another approach.
This is where the hope lies for the
literary novel, from authors who are reaching out to the readers who love a more rewarding read, and not
thinking about
getting their novels
on the university syllabus, or a review in the Times
Literary Supplement.»
If you
think you've
got a book
on that next new thing, don't worry about the
literary agent; just
get out there and
get as much PR for your topic as possible.