Sentences with phrase «gets as an art form»

The older painting gets as an art form, the harder it gets to describe.

Not exact matches

[Haute couture] clothes are generally not wearable, and because they are art forms, it's a way for these labels and designers to get their name out there, and for people to regard them as being very special designers, and therefore to look at their other, more wearable, clothes.

Tolkien says it best: «It is the mark of a good fairy - story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give to child or man that hears it, when the «turn» comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art... In such stories, when the sudden «turn» comes we get a piercing glimpse of joy, and heart's desire, that for a moment passes outside the frame, rends indeed the very web of story, and lets a gleam come through.»

Yeah... but... not to be a total snob (because I came from the area of whence I speak) there's a lot of America that just doesn't get satire as an art form.

Get the opportunity to establish yourself on a global platform as an experienced yoga instructor and practitioner with the freedom to teach the art form anywhere across the globe.

With equal parts gravity and levity (and, we promise, not a single cliché about your «comfort zone»), these observations encourage us to approach getting dressed in the morning as an art form.

Winemaking is such an elusive art form — we all know the shimmering pink Rosé in our glass started as a humble grape... but how does it get there?

Back in the 1800s, the warehouses which formed a large part of the city's commerce started to become the unlikely setting for old school dates, as they gradually got converted into restos, shops and art exhibition spaces, including the well regarded Arnolfini.

These hunks of greased lightning tell how a gearhead SoCal teen got wind of the post-World War II hot - rodding craze, crossed paths with a pinstriper named von Dutch and ended up as the automotive visionary whom Tom Wolfe famously called «a genius of the only uniquely American art form.»

We got a few more characters in the their official art form as well as some item specific art.

As spectacularly wrong as organizations like the Academy, and the odd critics» groups, can get it sometimes, nobody can rival the collective movie - going public for sheer cluelessness when it comes to determining the best of the art forAs spectacularly wrong as organizations like the Academy, and the odd critics» groups, can get it sometimes, nobody can rival the collective movie - going public for sheer cluelessness when it comes to determining the best of the art foras organizations like the Academy, and the odd critics» groups, can get it sometimes, nobody can rival the collective movie - going public for sheer cluelessness when it comes to determining the best of the art form.

Another excellent Alfred — Alfred Enoch, of the Harry Potter films and American TV series How to Get Away with Murder — succeeds Eddie Redmayne as Rothko's assistant, forming a compelling duo in this 90 - minute meditation on the nature, process and purpose of art.

When you ponder the landscape of cinema as it exists today, it can feel as if a movie like «Get Out» or «Dunkirk,» and — indeed — the holy trinity of popularity, acclaim, and relevance, which used to go such a long way toward defining movies as an art form, now lines up about as often as an eclipse.

As a result, they will implicitly encourage districts to take the path of least resistance: fire their youngest teachers; get rid of art and music classes; and pass along costs to parents in the form of new fees.

Curious Chip meanwhile was showing Ada, a computer designed for kids to enable them to get started with programming, electronics and other forms of digital creation, such as art and music.

I've been an advocate for «literary graphic novels» for adults since the 80s but I also know we need more gateway drugs like The Phoenix to get kids hooked on comics as an art form.

eBooks must be easy to get in as few steps as possible and if there's one provider of eBooks, who has managed to almost make this a form of art, it's Amazon.

This is amazing, we all want to have video games taken more seriously as art forms, so getting more people in for all different types of games is a really good thing.

Do you think that more TV and film actors should be looking at games and considering the medium as a legitimate art form they should get involved with?

As we get deeper into life and gaming as a medium continues to grow and evolve, even those that claim it isn't an art form have to see the lines getting blurreAs we get deeper into life and gaming as a medium continues to grow and evolve, even those that claim it isn't an art form have to see the lines getting blurreas a medium continues to grow and evolve, even those that claim it isn't an art form have to see the lines getting blurred.

In his review of the exhibition in The New York Times, Holland Cotter writes, «the grid as a form gets an impressive pre-Minimalist workout in 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.»

Averse to the act of collecting as luxury consumption, Rogers and Weisenbacher find it essential to get to know and form dialogues with the artists they support, as well as other «passionate and thoughtful people in the art ecosystem» such as gallery owners and those involved in nonprofit art spaces.

While getting practical experience on the equipment is a core component of the camp, each instructor will also present DJing as an art form with a rich culture and history, with portions of each class covering the history of the DJ and basic music theory.

While getting practical experience on the equipment is a core component of the camp, Bigface will also present DJing as an art form with a rich culture and history, with portions of each class covering the history of the DJ and basic music theory.

Editorial Personal Profile: Beatrice Riese, by Peter Pinchbeck The Dilemma of Contemporary Abstraction, by Robert C. Morgan Reality, by Katinka Mann Matters of Choice, by Peter Stroud Abstract Dilemmas: A Monologue, by Edwin Ruda Abstraction — A Midlife Crisis, by Phillis Ideal On the Interface of Abstraction and Landscape, by Hearne Pardee Further Desistance / I'm Late, I'm Late, by Marthe Keller The Symbol and the Search, by Jeanne C. Wilkinson Volumetric Abstraction, by Peter Pinchbeck Dilemma, by Mac Wells Finding Meaning in Form, by Cecily Kahn Abstract Dilemmas Pop Quiz, by Don Voisine Merely Painting or Getting the Thing in Itself Wrong Again, by Saul Ostrow Three Racoons and A Garage Are Not Art, by Richard Timperio On the Question of Relevance and Meaning in Recent Abstract Painting, by James Little Leo Rabkin — Statement, by Leo Rabkin The Depths of Abstraction, by Tom Evans Engineering Tranquility, by James Juszczyk Painting as Mediation, by Stephanie Demanuelle Abstraction Resignified: Some Remarks on the Fate of Abstract Painting, by Corey Postiglione Abstract Painting Versus New Media, by Joe Walentini The Margins of Seeing, by Gail Gregg In Memoriam: Jeanne Miles 1908 - 1999, by Peter Pinchbeck Jeanne Miles: A Reminiscence, by James Gross

He really helped me see how photography could be more than snapshots or pretty pictures, and that serious people had devoted much of their lives to getting it accepted as an art form.

But get him talking about dance as an art form and his manner becomes particularly serious and thoughtful, revealing someone who has spent his life pushing the conventional boundaries of the medium, boiling it down to its most basic forms.

The role of women in art, as we all know it starts to get a complete and essential form from Abstract...

The grid as a form gets an impressive pre-Minimalist workout in 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.

It's easy to get pleasantly lost among the many references and source materials as the conversation slips around, from the moments in films Wylie has translated into paintings (alongside Tarantino, Werner Herzog is a favourite) to Proust's interest in the concept of ekphrasis, art about other art forms.

Some of Pensato's titles — Get Me to the Other Side, Going to the Other Side, On the Way — reference this constant traversal between «low» and «high» art, a division that stays surprisingly potent as new high / low art forms continue to evolve.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

The artist Max Podstolski wrote that the art world needed a new manifesto, as confrontational as that of Futurism or Dadaism, «written with a heart - felt passion capable of inspiring and rallying art world outsiders, dissenters, rebels, the neglected and disaffected», and suggests that «Well now we've got it, in the form of Stuckism».

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmarts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmArts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

But it seems evident that the target must have been, in part, the form of life in which the affluence of the Reagan years expressed itself in collecting art, in «getting in on the ground floor» through acquiring paintings that were certain to appreciate in the way that Abstract Expressionist paintings had done - so that «bad painting» was a kind of willed uglification, a refusal to be complicit in the agenda of painting - as - luxury.

Lygia Pape: Magnetised Space This Brazilian artist who shoved abstract forms up against the grit of real life practised art, in her own words, as «a way of getting to know the world».