Sentences with phrase «gets out of sequence»

If one of your numbers gets out of sequence, simply right - click and choose Continue Numbering.

As to the numerals — I had always understood that they got out of sequence because the Caesars, Julius and Augustus, inserted their months in the middle (and in the good weather, whenever the sun went down over the forum).

Not exact matches

In this elaborate, visually striking sequence, Lenny Belardo (played by Jude Law) crawls from under a pile of sleeping babies, wakes up from this dream, gets dressed, goes out to address his papacy saying — as he later puts it — outrageous things to the crowd, then gets excommunicated, only to wake up and realize this is yet another dream.

My response got put out of sequence to your post above....

Somewhere on that list should be Kuhhackl making two diving plays on the same PK sequence to make sure the puck gets out of the zone.

They need that positive sequence to continue so that they can be in with a chance of getting back out of the bottom three.

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This was such a fun and easy activity for me to set up, and they got such enjoyment out of it while also incorporating practice in reading, problem solving, measuring, weighing, following instructions, fine motor skills, sequencing, counting, fractions, turn taking, communication, and probably much more!

«In future, we will be able to get the molecules to carry out predetermined sequences of movements, like all of them waving their arms,» said Küpper.

Finally, they analyzed those same regions with Harvard University mass spectrometry specialist John Asara, who got the weights of six collagen fragments, and so worked out their amino acid sequences.

Eager to get the record straight, Laurent Frantz, now a bioinformaticist at the University of Oxford in the United Kingdom, carried out sophisticated computer analyses of 103 whole genomes sequenced from wild boars and domesticated pig breeds from all over Europe and Asia.

The sequencing project, was carried out by teams headed by Sulston at Sanger and Robert Waterston of Washington University nearly a decade ago but only really got rolling with sufficient funding in 1993.

If we could get all of that material out of the deep freeze and run it through the sequencing machine, we would find the answer.

By isolating strands of complementary DNA (cDNA) that fit together with mRNA, researchers can figure out what sequence was just translated into mRNA — that is, they can get a read on an expressed gene.

To counteract and address this constant threat, I have designed a simple yoga sequence that is the perfect prescription for curbing a headache before it gets too out of control.

This sequence will allow you to restore your body having a certain sequence of poses and stretches, to ensure which you get the most from the Yoga Shred work outs!

Get warm with Sun Salutations and the standing sequence, then flow in and out of yoga postures like Salabasana, Ustrasana, and Urdhva Dhanurasana.

One of the topics I'm currently getting steeped in is gut biota, and I'm hanging out a lot with a San Diego expert on the topic, UCSD Professor Larry Smarr, who has repeatedly sequenced his entire gut biome, with the help of Craig Venter at Synthetic Genomics and others at MIT.

You can't get into a rhythmic sequence of movement and crank out hundreds of jumping jacks or squats in the rep ranges of 30 - 40.

On the other hand, a person that simply takes thyroid medications and does not treat the infection may continue to see declines in his / her health, as eventually, the presence of the infection may burn out the immune system and cause it to start recognizing additional sequences on the infectious organism that may cross-react with different organs in the body... This is why, in the conventional medical approach, it is widely known that having one autoimmune condition will put the person at greater risk for getting another autoimmune condition.

Natural Medicines, including Holistic Nutrition, have a sequence of rules that need to be followed in order to get the most out of it.

Video: Get Out of Bed, Sleepyhead — A short eight - minute sequence to practice in bed as you transition into your day.

The idea is to enable users to get even more info out of their DNA sequencing, explains James Lu, MD, PhD, one of Helix's co-founders and its SVP of applied genomics.

The action is mostly well - executed, Forster having come on leaps and bounds since the poorly - put - together sequences in «Quantum Of Solace» (the cutting does occasionally lapse into incoherence, but one suspects it's more out of a need to get its compromised PG - 13 rating than anything elseOf Solace» (the cutting does occasionally lapse into incoherence, but one suspects it's more out of a need to get its compromised PG - 13 rating than anything elseof a need to get its compromised PG - 13 rating than anything else).

Ashby's instincts are so off throughout Lookin» To Get Out that he only accentuates his major weaknesses as a filmmaker - plot twists, slapstick, chase sequences and lots of screaming that eschews any character development or scenes of insight.

There are repeating dream sequences, Tyler Durden friends and GLOWING zombies (because radioactive things glow in the minds of twelve year old boys) Get the F @ # $ out of here.

Once you've got To's cliché - ridden plot figured out, all that's left for you to do is sit back and relish the ballet - like bloodsport unabashedly served up by this flick's stylized fight sequences, reminiscent of the eye - pleasing, if gratuitous, gore of such over-stimulation mavens as John Woo and Sam Peckinpah.

Unfortunately, these fight scenes are not as clean as they could be, as figuring out One's fight sequences take getting used to, and even still, they can be a challenge due to the inconsistencies of landing attacks or being stunned.

Coleen Atwood's costume designs here also seem wasted, a bevy of insidious peculiars whose personalities are visualized through the designer's outfits but get edited out of the monotonous action sequences in the third act.

I love how IMAX obliged shots that were «lovingly held» to maximize the effort of rigging up the cameras and get the most out of their 3 - minute magazines, lending the applicable action sequences a delightful old - school tempo.

The action sequences are non-stop leaving the audience on the edge of their seat wondering how Bond will get out of each situation.

Once you've got To's plot figured out, all that's left for you to do is sit back and relish the ballet - like bloodsport unabashedly served up by this flick's stylized fight sequences, reminiscent of the eye - pleasing, if gratuitous, gore of such over-stimulation mavens as John Woo and Sam Peckinpah.

When it doesn't, it feels as if he's overcompensating for the weak, routine material that comes with his character — a scared guy who's desperate to get out of the fight, keep his job, and maintain his family obligations (His daughter, played by Alexa Nisenson, has a talent show later in the day, and his pregnant wife, played by JoAnna Garcia Swisher, is three day past her due date — one guess as to how the movie's climax plays out in between the fight sequence).

During one of the endless action sequences straight out of «World of Warcraft», involving the dwarves fighting the creepy white guys, who fight the gold elphin soldiers, who fight the other mythical creatures, etc. etc. etc., I thought «If I'm going to get through these I at least have to try and enjoy them».

There are really so many great gags and sequences in this that any fan of wacky comedies such as Airplane, Spaceballs, and Monty Python should get some real enjoyment out of this one.

Velocity aside, Spielberg's series of racing sequence are as cluttered and disorienting as the Wachowskis» Speed Racer set pieces were linear and clarified, suggesting Spielberg isn't as interested in embodying the totality of pop culture here as he is in picking apart how things managed to get so far out of control.

Add the fact that the big climax turns out to be a \ «can \» t we all just get along \» type of speech, instead of an exciting energy - filled sequence, and it seems to fizzle out.

Take the introductory sequence where Peter Weyland (Guy Pearce, «Iron Man 3») is testing out his new android servant David (Michael Fassbender, «The Light Between Oceans»)-- in an area of four or five minutes we know how David got his name, how existence became a haunting notion and the perks of being Creator.

We'd be foolish not to give some sort of shout out to other terrific scenes throughout the year, like the hilarious funeral sequence in Li» l Quinquin, which had us doubled over from laughter; both the border crossing and night vision sequences in Sicario; the ending of Carol, which should get an emotional response out of even the coldest souls; the opening long take in Buzzard, a painfully funny experience much like Entertainment; the bonkers final act of Jauja; a scorching scene from The Fool where the town mayor lays into her corrupt staff; everything that happens at Mamie Claire's house in Mistress America; the intense argument between Gerard Depardieu and Jacqueline Bissett in Welcome to New York; the tightrope sequence in The Walk, and much, much more.

Before getting into how spectacular the action sequences truly are (and trust me, they save the blockbuster from plundering to the bottom of the ocean), it must be said that Oscar - nominated Kon - Tiki directors Joachim Ronning and Espen Sandberg have no idea whose story the movie should actually belong to, starting out as Henry Turner's (Brenton Thwaites) quest to free his cursed father at sea Will Turner (Orlando Bloom in a glorified cameo along with Keira Knightley as his partner Elizabeth Swann) to locate the Trident of Poseidon subsequently lifting that curse, and while the ultimate goal of the movie for all characters is finding said artifact for different reasons, by the end it's hard to fault the audience if they have forgotten all about that plot element and are just living in the moment of Jack Sparrow and company battling an army of decomposing, undead ghost pirates led by Captain Salazar.

The film works well for the most part, focusing on Victoria's romance with Albert and her learning how to wield what power she has, and there's relatively little melodramatization of history (though a late sequence with Albert getting shot in an assassination stands out as particularly ridiculous).

That quality is solidified in a prolonged sequence in which Bobby deftly handles an out - of - towner who's getting too close to a group of kids on hotel property.

The only real break from the tedium is an exceptional stand - alone sequence in which Lawrence, much to the alarm of dozens of watching scientists, transforms into the title character and embarks on a rampage of London; it's an exciting interlude that possesses precisely the sort of energy that's sorely missing from the remainder of the proceedings, although, to be fair, it's difficult not to get a kick out of Hugo Weaving's all - too - brief turn as a tenacious Scotland Yard inspector.

The Rookie's best sequence is its intital car chase, in which Eastwood pursues (and boards) the car thieves» semi auto - carrier, but matters get downight nutty by the picture's midsection — in which Pulovski is kidnapped by the baddies: his escape involves a sports car shooting out of a second - story wall, just ahead of an explosion («Fasten your seatbelt,» Pulovski sez).

The film's first act is devoted almost entirely to dialogue - heavy sequences in which the Nazis test out their rockets and the Allies attempt to track them down, and it's not until the trio of central characters embark on their risky mission that things finally start to get interesting.

The script by Chris Morgan (Wanted, Cellular) features a plot that is barely cohesive, and merely serves as a springboard to get the protagonists in and out of action sequences at predictable beats.

The periodic inclusion of stand - out sequences - eg a generator must be transported to the site by helicopter without being switched off - ensures that the film retains its watchable feel even through its more aggressively superfluous portions, with the end result a perfectly competent crowd - pleaser that gets the job done in as inoffensive and blandly passable a manner as one could have envisioned.

I realize that there is more to Slumdog Millionaire than just this pivotal scene and the story continues on even after this sequence, nevertheless it still is important to the audience in terms of getting enjoyment out of the film.

Their sketchy, silly little plot (initially illustrated in a gag sequence right out of a silent movie parody) suddenly gets a face and a grounding.

Earlier this week we got a look at some new set photos from Captain Marvel featuring Brie Larson's Carol Danvers and Samuel L. Jackson's Nick Fury [see here], and now we have some more photos and videos, this time showing Larson's hero shooting an action sequence on top of a train; check them out here... -LSB-...]