Sentences with phrase «getting gallery representation»

AF If it results in more interesting artists getting gallery representation then that's a good thing.
Attend a Gallery Conversation on a wide variety of topics ranging from health hazards in the studio, to getting the gallery representation that is right for you.
They certainly weren't getting gallery representation.
• The # 1 way to get gallery representation.
Most artists made sales, several sold out their art, many got into museum and gallery shows, a few got gallery representation and in general, most told us that they felt like the entire endeavor was worth the cost and the effort.

Not exact matches

My BAG is, through producing solid, powerful paintings, to become independent financially through my art, become nationally known (featured in prominent magazines) to get good gallery representation in multiple cities, to teach 2 - 3 workshops a year (one abroad), and to be able to build my own studio, near my home.
All too often I think there's fear of critically thinking about the issues you raise about gallery representation, as if one will get black listed for wanting to ensure a fair business exchange with a gallery.
Ha ha ha ha ha... in my 40 yrs in the art business the only [day to day] artists who don't want gallery representation are those who can not get it!
All of the things I've hoped to get from gallery representation and shows, I've been able to give myself.
When Fox's subversive paintings and sculptures first got noticed, in the 1990s, Bhabha didn't have gallery representation; through the years, they each held a string of menial jobs.
Rødland is interested, the gallery continues, «in the way that events get turned into mythology, transcending the facts and reducing complexities to simple representations of good and evil».
I remember there was a time when artists of color, such as Benny Andrews, picketed the Whitney and some other galleries and museums, trying to get more representation, for artists of color — in terms of exhibits.
Artists like these 10 members of The Artsy Vanguard — a new, annual list of the 50 most influential talents shaping the future of contemporary art practice — are finally getting their due, with museum retrospectives, representation by major international galleries, and surging collector interest.
There is also the problem that many of those emerging female artists who do get representation in galleries and museums take exception to the term «feminist.»
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