Sentences with phrase «getting into character as»

Franco — who plays the eccentric European filmmaker Wiseau in The Disaster Artist — revealed that in order to get into character as Wiseau he had to sit through hours of pre-production each day, with the end result shocking most people who turned up on set.

Not exact matches

You don't have to get far into most feature films to see some impact of money and wealth, but some movies put money front and center as the main feature, almost warranting its own mention as a character in the credits.

That was a very interesting read many comments caught my attention I've recently been diagnosed with Bipolar I have hallucinations and hear voices in my ear's when I hallucinate it's likes they are trying to get me thousands of them I can only describe them as dark shadows and they are trying to get me just as they are about to get me a brilliant white light surrounds me and there's three entities humanly shaped but like this brilliant white light they are also glowing this brilliant whiteness I can't understand what they are saying the only way I can explain it is emotions comfort joy love is what I feel emanating from these entities the voices I hear aren't evil telling me to do bad things to people when I get put into a mode of fear I live in a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loll

For example, in his days as an undergraduate at Oxford Waugh's fellow student Harold Acton used a megaphone to shout out lines from T. S. Eliot's The Waste Land from an open window of his upper - storey college suite and was later thrown into a fountain by some drunken students in the middle of the night; while another student, Brian Howard, spoke with a stutter and gossiped his head off: all of which got fused in the character of Anthony Blanche in Brideshead Revisited.

For my own children, in this video - gaming age, what those fictional children get away with is simply unimaginable, except as the stories themselves seed the imagination, and the lives of the characters work their way into the life of the real child, enlarging that child's world.

«When you have a character he will create his own situation and his situation will suggest some kind of resolution as you get into it.

Does the Body of Christ (the American Church) have an obligation to ignore Tony's «Debacle» (an attention - getting debate being staged) and try to draw Tony and the Christian community back into the deeper issues of lack of character, inability to honor God's authorities, abuse of financial power, church blindness, and using church events as a smoke - screen for evil actions?»

Phrygian to me i sense that you are struggling with issues in your mind that you cant reconcile and these issues are affecting what you believe in your heart and therefore your faith in God.I had something similar happen to me recently regarding the story of the demon possessed man at one point the demons begged Jesus to cast them into the pigs does that mean that Jesus was implicated with the work of satan.It cast my mind into doubt and then i began to question who God is.I prayed and sort the holy spirit for an answer the answer i got was that Gods character never changes he is always holy righteous and sovereign why else would satan ask for his permission.So the answer was that he allowed satans purpose to prevail so that we can see that satans intention is always to destroy it may well have been that the pigs were his anyway.As they were for the gentile nations who offered the pigs to their demon Gods.Just as satan can not change who he is the destroyer the thief the liar God can not change who he is when we realise that despite what we see going on in the world God is still the same yesterday today and forever.The time is coming when those that have hurt others will be judged for there wickedness as we serve a holy and just God.Just as it was in the times of Noah so it is with this this generation that as the wickedness reachs its zenith then the Lord will return to judge the nations.He is coming again and we need to be ready it is not a time to be caught sleeping.brentnz

The documentary also touches on such ABA characters as beefcake forward Wendell Ladner and Marvin (Bad News) Barnes, who once said of a team flight that was to cross into a more westerly time zone and thus arrive earlier than it left, «I'm not getting on any time machine.»

Mourinho has in the past been just the kind of character needed to get big egos to perform for him, as he notably turned Didier Drogba and Zlatan Ibrahimovic into world class players when their careers threatened to stall somewhat.

Just so we're straight on this, though... If you routinely drink yourself into a stupor and show up for work half - drunk, you've got more integrity and character than if you do whatever you can to play as well as you can, within the established norms of your contemporary colleagues?

«I think they get into their 20s and 30s and they really feel lost — they feel like they never had those character - building experiences as adolescents, as kids, that really make a difference when they get to adulthood.»

«It is like once you get into politics, you throw discipline to the dogs, you are not under any law, you can do anything you want as a politician and it is that character that is going through... There are structures, party structures, legal structures but because you are in politics, the people who are actually activating the political system, they think that once I am in politics; I can push discipline and the law to the side and the policeman can not even do anything to me,» he lamented.

A lot of people forget the very first main computer - graphics character integrated into live action was Jar Jar Binks — as much as he gets derided.

(and please believe me when I say «mad scientist», I don't look at myself as a character or anything like that... «mad scientist» just happens to perfectly describe my personality when I get into the gym... slightly insane, creative and always thinking of new ways to do things).

Getting our own place and moving into an area with my friends as neighbors has somehow made me feel like a character in Desperate Housewives...

As a makeup lover, Halloween is my favorite holiday because I always get to create super cool looks and it's a lot of fun getting into «character»!

They have the ability to meet each other and get a feel for each other's personality and get to know each other a little better before they take it offline.With «webdating,» you get a feel for chemistry and the ability to pinpoint each other's personality and character; you can see them, see how they smile, see how they move and this gives you insight into what that person is really like as opposed to just reading a typed profile or chat with them on IM which is less personal.

Read More And Travis Fimmel had no trouble getting into character for his on - screen romance with the American as he admits he's having fun dating new women

Viewing this as a launch year game, it is harsh to dwell on the games shortcomings (the audio for gunfire is just awful, character models lack the shine as do certain parts of the game, slow down occurs when things get too hectic and it can be difficult to get into a game online) when it is the first game of the series, the first game by the developer, and the first FPS game for the Vita.

But I understand, as should you, that they were trying to distill the best and more understandable elements of the comic book into the movie and that's why we don't get all the secondary characters or girls in bikinis.

Where the first movie, which begins with Tyler's character rejecting Speedman's proposal of marriage, subtly positions the masked strangers as a warped reflection of a nuclear family — a man in a suit, a sexualized «pinup girl,» and a cherub - faced baby doll — Prey at Night scores its first killings with Kim Wilde's «Kids in America,» the equivalent of having Bugs Bunny lean into the frame with an arrow - shaped sign reading, «Get it?»

There's not a great deal of story to delve into here, with the plot merely used as a springboard to showcase a cast of character actors getting to do some kooky things along the way.

Even the subtitles, used when characters speak Spanish, get into the act, certain key words being made larger or the whole lines jumping around the screen as the people talk.

Best game ever, you start with only one character and I love microtransactions, gets me off, makes me feel all hot and gooey... Nowadays its rare that rarely puts out good games anymore, but this game is great at manipulating people into microtransation... MMM my favorite with a side of bacon... I wan na put killer instinct as the hall of fame game

As the film continues we meet up with new characters and finally into the Mirkwood forest where we get the first bit of real action.

The director's verbal digressions (he's as much a motormouth as his characters are) usually serve purely to establish character depth, most notably in the gratuity debate in Reservoir Dogs (in his next life, Mr. Pink was reincarnated as a mediocre waiter) and the foot massage debate in Pulp Fiction which concludes with the meta - aside, «C'm on, let's get into character.»

Well, what we didn't tell you (because we didn't know) is that it's a prequel to My Sex Life... or How I Got into an Argument that takes us back to the teenage years of the characters in the 1995 film... And least promising sequel of the week has to be Spring Breakers: The Second Coming, a cash - in scripted by Irvine Welsh and directed by Jonas Akerlund, the man behind such bad - boy music videos as «Smack My Bitch Up» and the 2002 meth - addict comedy Spun.

We see deeper into characters as Natasha constantly tries to get him into the dating scene and the Captain struggles with being up - right in a low - down world.

But just how characters will be sent into the future, as well as get back to the present?

As it stands the constant need to be offbeat distances us from the characters and events, to the point where we can never really get into the story, not really finding the proper foothold to care about the case against Mrs. Harris one way or another, or to feel the profundity the murder so desperately needs to properly keep us on the edge.

As with an RPG after each battle you get to level up your character based on experience earned, putting points into a wide range of stats.

While sequels like Iron Man 3 and Captain America: The Winter Soldier have overcome feeling like prequels to a different story audiences haven't seen yet, other entries into this super-powered universe, efforts like Thor: The Dark World, Avengers: Age of Ultron and Captain America: Civil War, struggled to come across as anything other than vehicles conceived and designed to get all of these characters into one place at the right time for this May's massive Avengers: Infinity War, none of them working outside of the larger story being told and as such aren't very entertaining or worth watching more than once.

Thus you get stuff like the Wreckers, who even the other characters in the film describe as «assholes» who get more screen time than most of the other Autobots in the film despite not appearing until well into the second half.

Not only do they talk about the filming of the movie, but Knightley really gets into the story of the film and she cheers for the characters as the scenes unfold.

Each story follows a different character, giving players a glimpse into the various parts that made up the war machine in World War I. It's a great way of putting you on the front lines of the Great War, as it allows players long enough to get emotionally attached to the characters, but no characters stick around long enough to overstay their welcome.

For the 100 minute running time, we get to see such highlights as one boy urinating on another's face, a masturbation nightmare involving crazy glue, a trumpet rammed into the rectum of one of the characters, and many other such inanities that may have you wincing more than you are laughing.

Which is still better than any robot gets as Bay resolutely refuses to turn any Transformer not named Optimus Prime into a character.

No longer is it as simple as point in click, but you must also be smart about gathering and having the time to get your character into locations to take action.

Cool characters abound: Get Out Oscar nominee Daniel Kaluuya plays an impatient tribal leader, Forest Whitaker is a Wakanda shaman, Martin Freeman acts as a CIA agent drawn into the mix (although this is not like past examples of the CIA meddling in foreign regime change).

The use of Chris Hemsworth, who has come into his own as a great, self - deprecating comedic character actor in some of his more recent movies, is also one of the film's greatest highlights, playing a extremely dumb but also extremely loveable hunk that Wiig's Erin can't get close enough to.

There are hiccups in its ambition, but it's hard not to get swept up in all the technologies, characters, and politics crammed into the movie's compelling dramatic conflict, which casts the charismatic Michael B. Jordan — the star of Creed and Coogler's debut, Fruitvale Station — as the most complex villain in the post-Dark Knight cycle of superhero blockbusters.

The film opens on the island of Themyscira, a paradise island created by the god Zeus and hidden from the real world by a protective shield, and the film stays there for a while as we follow Diana from curious little girl to fully trained warrior princess but once Steve Trevor's fighter plane crashes there and Diana realises there is a war being fought in world she does not know of that is not too far away then we swiftly get brought into London in 1918 and this shift from fantasy into a «real world» scenario gives the film a greater sense of depth, and when combined with characters that you actually care about then Wonder Woman is head and shoulders above all of the other DCEU movies on the strength of that alone.

The threesome jam in a punk - rock band and are very close, but the film places extra emphasis on Malcolm as his investment in academics and in trying to get into Harvard make for a character that shames most archetypal movie teens.

It's got all the trademarks: comedic actor going into heavy drama, swimming pools as a metaphor, main character with suicidal thoughts, a dead kid, Anna Kendrick.

Even Parker manages to up her game and turn her annoying character into one that has as much fun with the material as possible, this time doing whatever she can to actually get involved with the world of international superspies.

The most one can say in defense of this mirthlessness is that the film settles into a mildly pleasant melancholy in the last act, as Alan, always the purest character and lone source of grace notes, finally gets to come of age.

Returning to Underland as Alice and the White Queen meant returning to Oscar winning costuming by Colleen Atwood which presented the actresses with tools to get more into their characters mindsets at whichever point in time they were in.

The voice acting in the game, especially Claudia Black and Laura Bailey really get into the psyche of each their characters and more importantly, the banter between the two protagonists not only feels real but there's some priceless banter as well.

Obviously, there are a lot of storylines and characters going on here, and this isn't even getting into the return of Moira McTaggart (Rose Bryne), or Xavier's new students (Sophie Turner as Jean Grey, Tye Sheridan as Scott Summers / Cyclops and Kodi Smit - McPhee as Kurt Wagner / Nightcrawler) who stand in as the young versions of the characters who featured in the original X-Men films.