Part of the problem — a * BIG * part of the problem — with
getting movies made about women, which is what MaryAnn has been saying she's desperate for for something like a decade now is that when a brilliantly - written, brilliantly - produced movie about women is made and gets very strong reviews, women don't go and see it.
Finally, we also got into what happened with his take on Masters of the Universe, how he's trying to
get a movie made about Shel Silverstein with James Franco, and if they still have any unreleased Terminator: Salvation deleted scenes.
Not exact matches
Brie Larson's Captain Marvel could
make a brief appearance or cameo in «Infinity War» to
get us even more excited
about 2019's «Captain Marvel,» the first female - led
movie in the MCU.
It's the title, too, of a particularly cynical BoJack Horseman episode
about mass shootings, in which beleaguered film producers find themselves rolling their eyes while they trot out the phrase, again and again, in response to real events as they try to
get back to the «actually pressing business of
making sure the
movie gets made.»
That
movie, for all it's exhilarating presentation of youthful life on the road as you experience those who
make music which can speak to large audiences, is nonetheless all
about how you ought to
get sucked into the rock «n roll way of life (albeit eschewing the drugs and sex part of it) because somehow rock «n roll is supposedly important.
I remember
getting real cross with my little sister when she told me that she went out to see the
movie The Exorcism of Emily Rose, but when she started asking me questions
about God and all that, I was kind of thinking, «You know Olga, maybe this is a good thing that Hollywood is spending some money on
making horror
movies.»
Ask the Muslims who every day draw antisemite caricatures and in daily newspapers in Egypt and
make horrible
movies against Jews and Israel in Turky.But this hypocrits are affended when they
get the same treetment.I personaly dislike the muslim faith and this is a politicaly correct statement.If I could freely speak out... (youtube for instance don't do anything to Holocaust deniers... but if you write anything bad
about Moslims they automaticaly warn you and even close your account... hypocrits... cowerds)
Theoretically, the
movie is
about her learning to
make better choices; the character actually
gets to accomplish something by the end, although we no way of understanding how she found the wherewithal to pull that off.
Every
movie night ends with tons of laughter — which
makes it easy to
get the kids excited
about movie night.
The morning began as a typical morning; I poured a cup of coffee, rushed to
make breakfast, rushed to
get kids ready, tried to remember to
get myself ready (to avoid that horrible dream
about driving to school in my pj's), and there was a minor scuffle between the kids
about whose turn it was to choose the
movie for
movie night.
After
getting some blowback for criticizing a program that indirectly benefited her as Miranda Hobbes in the two Sex and the City
movies (actors» salaries are not eligible for the subsidies, and the long - running TV show completed filming before the program was created), she
made it clear she was serious
about the issue, as the New York Post reported:
Also, some heavyweights from the head office of the New York State Film Commission have come to Buffalo to
get a firsthand look at the resources that are
getting producers from around the world excited
about making a
movie in Western New York.
In thinking
about all the upset caused by this week's blizzard that wasn't, especially all the outrage directed at the weathermen for
making everybody freak out
about «historic» snow totals that
got dumped on New England instead of us, I was reminded of the best
movie I saw last year: «Nightcrawler.»
like out doors but enjoy
movie nite love to drive something
about getting out an ceaing the world
makes life worth liveing!!!
Salt Lake City, Utah
About Blog All kinds of cool ways to get your movie made without breaking the bank... Frequency about 1 post per m
About Blog All kinds of cool ways to
get your
movie made without breaking the bank... Frequency
about 1 post per m
about 1 post per month.
I like listening to music, dancing, watching nice romance
movies, hang out with friends, traveling
getting to know places and what life is all
about, sometime
getting to
make romance.
Perelman has
made a
movie about nothing — actually, the worship of the nothing — for a world that increasingly, alarmingly,
gets his drift.
According to U-571, Americans captured the first German Engima machine in 1944 that brought
about the turning point of the war; in reality, the Polish revolutionaries (why didn't Wajda
get a chance to
make this into a
movie) stole it from the Germans in 1941 and gave it to the British who struggled to decipher its complicated encoding style.
He's talked lately
about hanging it up after ten films, hoping to
get out before he loses touch and starts
making «old, limp, flaccid - dick
movies.»
And here, as in last year's I Now Pronounce You Chuck and Larry, Sandler interestingly attempts to blend genuine social commentary with copious gross - out humor in much the same way that Mel Brooks did in Blazing Saddles (a
movie that, beyond the beans - around - the - campfire gags, wore its heart so firmly on its sleeve in favor of racial brotherhood that it stopped just short of singing «Kumbaya» to its audience); Sandler, who's admirably never been shy
about proudly proclaiming his Jewishness, takes on xenophobia, suggests that Israelis and Palestinians CAN
get along and — most controversially of all, perhaps —
makes a case that disco music CAN be enjoyable in the right time and place.
The
movie has something to say
about celebrity obsession, although I think (hope) we have not quite
got to the point of worshipping a celebrity so much you would pay to be infected with a virus they had or eat meat genetically
made from them, as is shown here.
Stephen is happy
about a
movie he finally
got around to enjoying; Glen is happy
about a
movie he says is «not warm» and «not sweet»; Shereen is happy
about a soothing television show in its new incarnaation; and I am happy
about how I
made dinner one night recently.
Added Whedon: «The things
about it that are wrong frustrate me enormously, but I
got to
make an absurdly personal
movie about humanity and what it means in very esoteric and bizarre ways for hundreds of millions of dollars.
At the film's press day, actor Paul Giamatti, who's also an executive producer on the
movie, talked
about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even
get made today.
She also talked
about how Season 3 of her A&E drama series Longmire is going, and how fun it would be to
get to further explore her Riddick character, if they
make another
movie.
During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked
about wanting to
make a
movie celebrating women and friendship, the biggest challenges in
getting this film going, having her voice heard, as a female filmmaker, what she most enjoyed
about playing Honey, putting together this cast, funny moments on set, what she enjoyed
about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.
That's still pushing it for her to even
make Major (averaging at 10 years of service), and we're still in this place of demoting the character to cast a younger actress when a character who is her peer in the comics
gets to keep his rank in the
movies (For the sake of reference, Terrence Howard was ~ 38/39 for Iron Man 1; Cheadle is
about 4/5 years older than he is.
But what
about a story from 2003 that was supposed to be a
movie but never
got made?
called the family Christmas
movie get trotted out toward the end of almost every year, and for every good one, there are
about a half - dozen that will
make you wish the holiday never existed.
Yes, that's
about all this
movie has
gotten so far this Oscar season —
making it look like one more blockbuster that won't cash in on the ten - picture rule.
If Burns were a complete unknown outside the margins of the industry and this were his directorial debut, maybe we could pat him on the head, tell him good job, and stick Looking for Kitty on the refrigerator door, all the while assuming that now that he's proven he can
make a
movie and
get it seen, he'll move on to something he actually cares
about.
Get Out is a great
movie, and one of the few I saw this year that
made me think for a long while
about the story I tell myself
about the life I live.
I know there's little to no middle - ground (Although the last time I heard this complaint, it was from Seth Rogan or Judd Apatow or someone else who isn't in any position to be complaining
about not
getting to
make shit
movies), but it's not like the five or so major studios release 60
movies a year and then act like we should be grateful for the scraps.
The worse thing that could have happened is that we
got another Godzilla, another
movie about monsters fighting each other, but trying to
make it an OSCAR - worthy drama.
It's a Woody Allen
movie made in 2005
about an opportunistic former tennis pro who
makes a mess of his life with an extramarital affair and winds up committing murder, but he
gets away with it through a fortuitous and unlikely series of events.
Deadpool was a surprise hit for the studio: After Reynolds spent years lobbying to
get a standalone Deadpool
movie made, the film
about the «Merc with the Mouth» ended up becoming the highest grossing rated - R film of all time.
You
get to
get your hands dirty, and especially in this
movie, dig into the craft of it all, and really think
about how things really do
make people feel a certain way.
Kill List (2011) was a dingy one - last - job crime picture that evolved into something wholly unexpected and creepy; Sightseers (2012) is the funniest
movie ever
made about a murder spree; High - Rise (2015) totally
got J.G. Ballard's hermetic banality (even if that concept was never enough to sustain a whole novel in the first place).
He
got successful
making movies about unpleasant people doing unpleasant things, but his late work has been unpleasant, too, in and of itself — it kind of feels like we're being punished for going to see his
movies in the first place.
Movies about gritty men with gritty jobs only
get made when something terrible happens (see also: Lone Survivor, Deepwater Horizon), so you know going in that Only The Brave, a film
about a group of wildfire - fighting «hotshots», is going to have something terrible in it.
Michael, as some might recall, is a «mama's boy,» and even though the last
movie made a big deal
about him
getting past that, it turns out that he still is.
In an interview with ComingSoon to promote his upcoming
movie Crimson Peak, Tom Hiddleston was questioned
about whether or not he would ever
make Loki irredeemably evil if he
got a chance to reprise the role.
But now that you think
about, and as people start to see the
movie, it will
make a lot of sense, in terms of the tone and twists, as well as the thriller aspect,» the writer said, before adding that «we
got really excited, because we knew it was the right choice to
make.»
Let the Team
Get Away... Then Make Everyone Wonder If They Did Because so much of the heist movie's plot is about breaking into the bank / vault / casino / stronghold, we often forget the other major suspense point: Will they be able to get o
Get Away... Then
Make Everyone Wonder If They Did Because so much of the heist
movie's plot is
about breaking into the bank / vault / casino / stronghold, we often forget the other major suspense point: Will they be able to
get o
get out?
We talked
about being back at Sundance (he was there last year with Smashed), how he
got involved with Toy's House,
making movies with his wife Megan Mullally, how does he pick projects, and more.
At one point in Covenant there is a brief flashback that shows what happened to the Engineers, but all it did was
make me wish we had
gotten a
movie about that instead.
The greatest thing
about making a
movie,
making this kind of
movie, was I
got to be as real as I could be.
When a
movie isn't blockbuster fodder,
getting it
made is all
about timing.
I also think part of the reason I side with Ivory is how much Luca has spoken
about how he wanted to
make the
movie «universal» so I can see that playing a role in his decision to
make the
movie more palatable for straight audiences and James
getting frustrated with it.
It's
about a bunch of people who don't know s ***
about making a
movie getting together to
make a
movie.