But she must have still been a very good storyteller to
get the trad deal she eventually got.
Not exact matches
I have people writing to me on Facebook and in email and talking to me in person about how much they love my books, and here I am envying the awards and the accolades, certain that a
trad pub
deal was the only way I could
get them.
Why aren't any of the
trad - pub houses going in for a royalty - cut of the sales
deal like we
get online?
As for a
trad publishing
deal, if you are successful, then self - pub will not stop you
getting picked up.
I'm not opposed to a
trad pub
deal if it buys you the things you can't
get doing it as I am — broad distribution, meaningful marketing, access to film
deals — but I can't for the world see why anyone would do a mid-list
deal knowing everything we know.
I would also love to know if there are any stats anywhere that show what % of
trad published debut authors go on to
get another
deal after their initial
deal.
For non-fiction, a super idea on its own could be enough to
get a
deal even with a small platform, but the chances (and potential advance) go up along with the size of your platform... (lots of authors hope to
trad publish because they DO N'T have a platform, but you actually need to build one yourself.)
Interestingly, once you have a huge platform, you may not NEED a
trad published
deal (you might make about the same money anyway, but you'd be selling a lot more books and
getting more visibility with a traditional publisher, which is what I want).