Sentences with phrase «getting whiplash»

We're getting whiplash from watching a rally in Ohio one night, hearing the President decry Obamacare in a tweet earlier in the day (it's «torturing the American people»), only to learn again on Twitter the next morning that he has decided to ban transgender people from serving in the military.

There is conclusive evidence that with today's helmet and face mask you get that whiplash I mentioned.»

[Andy Carroll]'s got a whiplash injury.

We went out and got Whiplash at a redbox and watched that during dinner.

If the writers (who must have nerves of steel) are willing to burn through story this quickly, all we can do is hang on and try not to get whiplash as we await the fallout.

While you may get whiplash from the «Deadpool» sequel's occasional very serious and emo scenes, the rest of the movie is thoroughly delightful, somehow managing to be even funnier — and more hilariously violent — than the original.

GTR 2 is a racing game so real that when you crash, you actually get whiplash.

When the drivetrain is in Sport, the steering weight is heavier, the suspension firms up to an almost - unbearable - for - longer - than - five - minutes level and gearchanges are so sharp you might get whiplash.

Hybrid batteries add a lot of weight to a car, and this small Lexus weighs 3200 pounds, so you will not get a whiplash taking off.

We've seen some of the bumpiest market sessions in recent history and I've got whiplash just following the benchmark index numbers like the S&P 500 (fell 4.7 percent in one week, gained it all back in one day).

Public Gets Whiplash», doesn't even mention the media.

Public Gets Whiplash.»

You might get whiplash from the sense of deja vu, but we're not talking about Target or Home Depot (or Trump hotels or Scottrade or Patreon or...) but the T - Mobile hack, as customer information was taken during a data breach at credit bureau Experian.

For instance, if the at fault party rear - ends the car in front of them causing the driver to get whiplash, the at fault party's Bodily Injury Liability insurance will cover their treatment, lost wages, and other financial claims from the accident.

If you bump somebody in the parking lot while attending the Women's Club of Orange's Annual Flower Show, and that person gets whiplash and sues you for medical care, you likely will need a lot more than $ 30,000 protection.

Not exact matches

@Uzi Ozil Seeing the play in slo mo, Messi looks like he got» whiplash».

«I think our study will improve awareness about the disease, of the public and of medical doctors, and help people with chronic whiplash - associated disorders get the decent treatment they need.»

Instead we get mostly whiplash reporting that lacks the context needed to help patients make sense of their health care options.

We love it when stars give us red carpets whiplash within days, and Julianne's dark fringed Tom Ford at The Hunger Games: Mockingjay — Part 1 L.A. premiere is about as far as you can get from the winter white she wore to the Hollywood Film Awards last week.

Truth: Blumhouse Productions is the boutique horror studio whose high - volume, low - budget business model has fostered a culture of creative risk that actually pays off, and has given rise to films as vital as Whiplash and Get Out.

Once it hits its stride, Whiplash gets so many things so right it starts to feel like the perfect - ten Ellington rendition its elite big bands play in the big competition.

Whiplash has been one of the biggest hits on the festival circuit so far this year, getting rave reviews from Sundance, Cannes, and from many audiences here in Toronto as well.

Miles Teller is a tour de force in Whiplash and he is someone that we as audience members are rooting for right from the get go.

Here's the list of the 128 new movies Inside Llewyn Davis Grudge Match Drew: The Man Behind the Poster Her Safety Not Guaranteed Anchorman 2: The Legend Continues Thanks for Sharing Cutie and the Boxer On the Waterfront That Awkward Moment Warm Bodies Lone Survivor Ride Along Eraserhead Dirty Wars Badlands Labor Day The Lego Movie 3 Women About Last Night Remember Me RoboCop (2014) The Square 20 Feet From Stardom Non-Stop Bottle Rocket The Monuments Men The Grand Budapest Hotel Mulligans Everything or Nothing Veronica Mars Bad Words Elaine Stritch Shoot Me Divergent Muppets Most Wanted Noah Sabotage Captain America: The Winter Soldier Draft Day The Railway Man Transcendence Heaven is for Real Suspicion The Other Woman Short Term 12 Eating Raoul The Amazing Spider - Man 2 Le Week - End Neighbors Million Dollar Arm Godzilla X-Men: Days of Future Past How to Survive a Plague The Normal Heart The Killing Chef A Million Ways to Die in the West Maleficent The Fault in Our Stars Edge of Tomorrow 22 Jump Street How to Train Your Dragon 2 Jersey Boys Transformers: Age of Extinction Tammy Life Itself A Hard Day's Night Begin Again Dawn of the Planet of the Apes Carrie (2013) Sex Tape Snowpiercer Boyhood I Origins You're Next A Most Wanted Man Guardians of the Galaxy The Hundred - Foot Journey Teenage Mutant Ninja Turtles Only Lovers Left Alive 42 The Giver If I Stay Sin City: A Dame to Kill For Let's Be Cops Sinister Get On Up The Trip to Italy The Drop This Is Where I Leave You The Maze Runner Hector and the Search for Happiness Breathless The Equalizer Gone Girl Annabelle The Sacrament The Judge Alexander and the Terrible, Horrible, No Good, Very Bad Day Fury In a World... Men, Women & Children The Last Time You Had Fun V / H / S: Viral Just Before I Go St. Vincent Birdman Kumiko The Treasure Hunter The Imitation Game Wild Whiplash Nightcrawler Foxcatcher The Orphange Interestellar Big Hero 6 Rosewater Dumb and Dumber To The Theory of Everything The Hunger Games: Mockingjay Part 1 Into the Woods Exodus: Gods and Kings Big Eyes The Hobbit: The Battle of the Five Armies Stranger By the Lake Top Five The Babadook Annie (2014) Unbroken The Interview

Jason Blum's film division is in the midst of a 10 - year deal with Universal Pictures, which has already resulted in «Get Out» and «Whiplash,» among other movies.

Following the news that Meryl Streep is heading to the television for season two of Big Little Lies, we get further proof that small screen credibility has never been higher, with Variety «s scoop that Whiplash and La La Land director Damien Chazelle has just been given a series order from Apple TV.

Mr. Greenberg adds, «One of the things that happens in that cue is that at times, all the sounds get stripped away and we're left only with music, and you can become aware that, «oh, wait a minute, the music was doing that the whole time,» that creates a kind of whiplash impact.»

Produced by Jason Blum (Split, Get Out, Whiplash), written by Scot Lobdell (various Marvel Comic titles), directed by Christopher B Landon (many Paranormal Activity movies), staring Jessica Rothe (La La Land).

Blumhouse Productions, the company that produced hits like Get Out and Whiplash, is developing a TV series from Lexi Alexander and Scott Derrickson.

It took the 29 - year - old filmmaker some time to get this project to the screen, having to first develop it as a short film in order to secure funding for the desired feature - length project, but we're all lucky he pursued it to fruition as Whiplash is a marvelously involving exploration of the perils of obsession and the virtues of perseverance, played out through one of the finest - acted two - handers in years.

Frontrunner: Sorry, Scorsese, but this is shaping up to be the year of La La Land and safe money says Damien Chazelle — who missed out on a nomination for Whiplash in»15 — will get his due and then some.

As the hidden, shadowy manipulator whose helped The Ten Rings terrorists in the first film and aided Whiplash magically get to Monaco with a huge amount of very dangerous equipment get revenge against the man with the coolest beard in the Marvel universe (sorry Mr. Fury), it is only now that Mr. Stark's archenemy has let his presence become known.

But then «Whiplash» premiered at Sundance, and the buzz around the writer / director of the scintillating, thrilling jazz - drum - themed investigation into the cost of greatness has only got more thunderous since.

Tom Hardy took Best Actor honors for Locke; Marion Cotillar was named Best actress for her work in The Immigrant, and J.K. Simmons got Best Supporting Actor for Whiplash.

In about six weeks, he'll probably have at least one Oscar nod, but he's not going to be coasting: next year, he'll shoot follow - up «La La Land,» a musical with «Whiplash» lead Miles Teller and Emma Watson (and he's got a Neil Armstrong biopic in the works too).

Nonetheless, he's absolutely one to watch and for fans of J.K. Simmons, you've got your favorite movie in Whiplash.

But the Academy is getting more comfortable with widening that perspective, leading to some truly deserving films like The Social Network and Whiplash (and good old Mad Max: Fury Road) getting the prize.

Four of the past six years have seen the festival's Grand Jury Prize for best U.S. dramatic film get a nomination for best picture («Precious» in 2009, «Winter's Bone» in 2010, «Beasts» in 2012, «Whiplash» in 2014 — «Like Crazy» and «Fruitvale Station» were the exceptions).

Blumhouse Productions, the company that produced hits like Get Out and Whiplash, is developing a TV series called You Bury Me based on a script from Lexi Alexander.

A pedagogical thriller and an emotional S&M two - hander, Whiplash is brilliantly acted by Miles Teller as an eager jazz drummer at a highly competitive music academy and J.K. Simmons as the teacher whose method of terrorizing his students is beyond questionable even when it gets results.

Bleed for This tells the story of Pazienza's comeback, as the boxer (played by Whiplash star Miles Teller) defied caution from his doctors, friends and family to get back to full health, just so he could get pummeled in the boxing ring again.

Some might have been expecting Whiplash to have got more nominations — and it's a disappointment not to see Inherent Vice not to get best film or best director nominations.

Eddie Redmayne got the Best Actor award for The Theory of Everything; Still Alice's Julianne Moore was named Best Actress and Whiplash's J.K. Simmons got Best supporting Actor.

Miles Teller (Whiplash, The Spectacular Now) plays Vinny Pazienza and obviously trained very hard to get in tip top shape.

Instead, the Grand Jury Prize in Dramatic Competition went to Macon Blair's directorial debut I Don't Feel at Home in This World Anymore and the Audience Award went to Crown Heights, and while neither is a bad movie, I don't think either will get the buzz that something like Whiplash received.

This is is his first nomination, and his first win, despite getting lots of attention for Whiplash he didn't make the cut that year.

Film Editors Craig Alpert — «Pitch Perfect 2,» «Pineapple Express» Mick Audsley — «The Imaginarium of Doctor Parnassus,» «Dirty Pretty Things» Pablo Barbieri — «Wild Tales,» «La Antena (The Aerial)» Nadia Ben Rachid — «Timbuktu,» «Bamako» Kristina Boden — «The Disappearance of Eleanor Rigby,» «Cake» Mathilde Bonnefoy * — «CitizenFour,» «Run Lola Run» Julian Clarke — «Chappie,» «District 9» Douglas Crise — «Birdman or (The Unexpected Virtue of Ignorance),» «Babel» Tom Cross — «Whiplash,» «Any Day Now» Jinx Godfrey — «The Theory of Everything,» «Man on Wire» Robert Grahamjones — «Brave,» «Ratatouille» Masahiro Hirakubo — «Virunga,» «The Duchess» Jarosław Kamiński — «Ida,» «Aftermath (Pokłosie)» William Kerr — «Bridesmaids,» «I Love You, Man» Nico Leunen — «Lost River,» «The Broken Circle Breakdown» Mike McCusker — «Get On Up,» «3:10 to Yuma» Tim Mertens — «Big Hero 6,» «Wreck - It Ralph» Barney Pilling — «The Grand Budapest Hotel,» «An Education» David Rennie — «22 Jump Street,» «Office Space» Gary D. Roach — «American Sniper,» «Prisoners» Michael L. Sale — «We're the Millers,» «Bridesmaids» Stephen Schaffer — «Cars 2,» «WALL - E» Job ter Burg — «Borgman,» «Winter in Wartime» Peter Teschner — «St. Vincent,» «Horrible Bosses» Tara Timpone — «Friends with Kids,» «Bad Teacher»

Oscar winner J.K. Simmons (Whiplash) is to co-star with Emile Hirsch (Into The Wild) in The Runaround, a new comedy from director Gavin Wiesen (The Art of Getting By) and written by Seth W. Owen (Morgan).

Whiplash subscribes to the notion that artistic greatness requires monastic self - abnegation — a canard that's ruined many young men's lives and gets taken out behind the woodshed in next week's Listen Up Philip.

Working with cinematographer Toby Oliver (Get Out, Happy Death Day) and production designer Melanie Jones (The Purge, Whiplash), Robitel turns Elise's childhood home into an effectively creepy - and creaky - set piece covered in cobwebs and shadows that hide secrets both helpful and horrifying in nature.