Sentences with phrase «ghostly blue»

Aided by lidar, an aerial laser radar technology, cartographer Daniel Coe produced this ghostly blue map of data showing the historical paths of the Willamette River in Oregon, spanning 15,000 years.

Slick's handsome presentation at Chazan includes one of his round flag paintings carefully rendered on glass, several small paintings of ghostly blue, smoke - like coyote heads, and a smaller, more gestural white coyote - head abstraction.

That is, ghostly blue light that illuminates the catacombs of the brain and causes a tiny subset of neurons with a known identity to produce electrical spikes wakes up the animal.

Inside this shell is a ghostly blue glow that is radiation given off by electrons spiraling at nearly the speed of light in the powerful magnetic field around the crushed stellar core.

The ghostly blue color which pervades the background contributes to this feeling, as it lends its tone to the sky, the sea, the beach, and the clothing which cloaks the figures.

Not exact matches

Jack was nimble Jack was quick but now his ankle made him sit The crowd called out for another DM as the season flew away My Kingdom for a striker as the Gaffer told his tale I can make a silk purse from a sow's ear by casting pearls before wines and her face at first just ghostly turned a whiter shade of blue.

The massive galaxy cluster Abell 2744, nicknamed Pandora's Cluster, takes on a ghostly look in this Hubble Space Telescope view where the total starlight from the cluster has been artificially colored blue.

It heats its surroundings, creating the ghostly diffuse bluish - green glowing gas cloud in its vicinity, including a blue arc just to its right.

He's also penned the short story collection GHOSTLY WHISPERS, SECRET VOICES and the novella BLUE CRABS AT MIDNIGHT.

You were a constant, ghostly presence in the house, your blue salwar kameez fluttering noiselessly behind you as you exited any room that I entered.

Opening: Susan Weil at Sundaram Tagore Gallery Currently on view in the Museum of Modern Art's Robert Rauschenberg retrospective are a series of blue monoprints featuring various ghostly objects that appear as if they were burned into paper.

Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.

In the four epic - scaled paintings on display, «Walpurgisnacht — Faust I,» «Walpurgisnacht — Faust II» (both 1956), «The Temptation of St. Anthony» and «The Concert of Angels» (both 1957), the naked female bodies crowding the canvases are ghostly white (and in the two later paintings, they are mossy green, burnt orange and blue - violet as well).

Like fin de siècle Symbolist artists, Jarman associates blue with melancholy and death, and after 1 hour and 15 minutes, his final vision of a tropical paradise and a delectable encounter with a lover --» His blue jeans / Around his ankles / Bliss in my ghostly eye» — leads him into an Ozymandias - like, moving mediation on loss and forgotten identity.

Cahn's paintings are uncommon and immediately recognisable: an extraordinary colorist, she uses vivid pink, violet and blue to represent ghostly silhouettes, faces and animals.

Experimentation in Photoshop — what Hammond describes as an accident — resulted in dark, deep blue backgrounds, while the plant material, placed in such a way as to echo bones, veins and circulatory systems, turned a ghostly white.

a series placing large colored rectangles on blue - toned, faded images of personas like Basquiat and Warhol, and the ghostly video installation

Made over a three - month period when the apartment was between occupants, the blue - pencil - on - vellum rubbings capture the bathroom, kitchen, entrance, floor and front windows of the artist's former dwelling — as well as various fixtures like the bathroom sink, toilet and tub — in ghostly detail.

Fein's final pass of gray - blue leaves a shadow at the bottom of the composition, a ghostly trace that both echoes the ethereal quality of Agnes Martin's watercolors and lends a sense of objectness or weight to the image.