Yet these great minds seemed remote and unreal»
ghostly figures from books or a flickering apparition on the evening news.
Not exact matches
One looks like a cloaked
figure or
ghostly apparition escaping
from the white wall.
Her
ghostly figure seems to fade into or emerge
from the wall, making her part of the space.
A survey of painter Agnes Martin's work
from the 1950s into this century might not sound very goth — Martin is known for her
ghostly canvases overlaid with barely perceptible grids — but open your mind to «white goth» and perhaps then, you will find a cosmic emptiness in her canvases which, without
figures or forms, point to the disappearance of the self in art.
The people in these portraits —
from Francis Bacon to indigenous Australians — are
ghostly, shimmering
figures, glimpsed as if in a dream.
An injured warrior in ancient Chinese armor is followed by three equally
ghostly figures, clearly
from mutually contradictory times and historical backgrounds.
Mr. Oliveira strayed
from the human
figure from time to time but always returned, with startling intensity in works like «Standing Figure» (1970), a pink female figure turned toward the viewer with a ghostly white death mask instead of a
figure from time to time but always returned, with startling intensity in works like «Standing
Figure» (1970), a pink female figure turned toward the viewer with a ghostly white death mask instead of a
Figure» (1970), a pink female
figure turned toward the viewer with a ghostly white death mask instead of a
figure turned toward the viewer with a
ghostly white death mask instead of a face.
In Viola's Transfigurations works, black - and - white images of
ghostly figures emerge slowly
from complete darkness eventually passing through a threshold of water into a world of color and light.
Her recent works picture ethereal, at times
ghostly, female
figures whose wispy forms float in saturated canvases, caught in moments of joy or fear — narratives that stem
from a longtime passion for reading and writing.
Illuminated
from behind, the viewer has to shift along the wall to perceive the two projected
figures, which remain
ghostly, even in their fullest flesh.