Sentences with phrase «ghostly traces»

Michele Montalbano's oil paintings start with a viewpoint of a familiar room, which is gradually erased and painted over, leaving only ghostly traces of the original.

We discussed how the clothes themselves are ghostly traces of the bodies that inhabited them and the paintings» depiction of figures as a haunting or possession upon the clothes.

The long exposures and natural light enable him to capture the essence and the breath of these deserted spaces, carrying the ghostly traces of abandoned social landmarks.

Situated in Francis Kéré's Serpentine Pavilion for the duration of Frieze Week (3 - 8 October, 10am - 6 pm), Hollowgram reflected on majesty and the marble and bronze statues in Kensington Gardens, registering the ghostly traces that haunt London.

Practical by nature, Johnson had already begun to wonder if he could actually make something with atoms, as opposed to merely puzzling over ghostly traces of their constituents on a linear accelerator's plates.

They invite you to see and savor every micro-millimeter of acrylic, every ghostly trace of graphite, every matte expanse of gouache, every rough edge and smooth contour... comparisons and contrasts happen organically.

Fein's final pass of gray - blue leaves a shadow at the bottom of the composition, a ghostly trace that both echoes the ethereal quality of Agnes Martin's watercolors and lends a sense of objectness or weight to the image.

Not exact matches

I am drawn to the ghostly presence which fills a building after the crowd has left it, tempted to search for traces of meaning that remain.

For the ghostly itch, experiments trace scratching to a peptide nicknamed GRP and areas of the mouse brain better known for keeping the beat of circadian rhythms, Chen and colleagues found.

As it is, what you do find in the beautifully appointed fictional English village of Yaughton is a whole lot of nobody, but there are traces of the missing population everywhere you look, and strange glowing orbs that allow you to see ghostly apparitions and hear conversations between absent residents.

While many of Sandback's early pieces retained a ghostly sculptural quality by tracing the contours of simple geometric figures, these works have decomposed into clusters of pure vertical projections.

Often represented in hues of violets, blues and reds, Bracha's works offer abstracted configurations and spaces created by the materiality of oil paint, ink, and the powered ash of photocopying dust, the undulation of light and shadow, and the traces of fragmented, ghostly images that appear and disappear.