Such meticulous, fashionable naturalism belongs to many European art films and not a few Sundance products (Carpignano,
gifted cinematographer Wyatt Garfield and editor Affonso Gonçalves all worked on «Beasts of the Southern Wild,» whose director, Benh Zeitlin, co-wrote the score of «Mediterranea») and it's not always fortunate, resulting in films often destined to reach only elite audiences in festivals and art houses.