Bogdanovich contends that this film made Cary Grant a superstar because it proved he could win
the girl as a romantic leading man, not a screwball comic (as in Leo McCarey's The Awful Truth) or a poetic misfit (as in George Cukor's peak - high comedy Holiday).
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He carries the torch of
romantic leading man well
as Bruce Garrett, a faded teenage salsa prodigy who reignites his passion for dance in hopes of sweeping his dream
girl (Rashida Jones) off her feet.