Sentences with phrase «give art viewers»

He reconstructs an iconic piece by placing a metallic reflective ball in front, to give art viewers a brand new perspective to a classic piece of work.

Not exact matches

The site not only highlights the properties and important statistics but also gives viewers detailed imagery using state - of - the - art GIS technology.

By making a film which will probably disappoint most viewers looking for your typically fun George Clooney (The Perfect Storm, O Brother Where Art Thou) flick, he has finally given the subject matter the integrity it richly deserves, and one which will endure for many years to come.

Appreciating Amrita's Art gives an insight into her artistic observations, subject of her art and what it tries to convey to the viewArt gives an insight into her artistic observations, subject of her art and what it tries to convey to the viewart and what it tries to convey to the viewer.

One way is to give students an opportunity to learn through a recognised piece of art, relevant to their topic, and have them either deconstruct it or construct their own associated «piece of art,» to demonstrate their understanding of the topic and to provoke a response in the viewer.

The example of viewing art in Florence surrounded by the buildings and environment that the art was created gives the viewer a totally different dimension than if the art was viewed from a book or just any museum.

The project is meant to both «expose the antifemale bias of the art world» and «uncover the complex workings of human perception and how unconscious ideas about gender, race and celebrity influence a viewer's understanding of a given work of art.»

Not only is this where art can be most easily seen and most thoroughly enjoyed, but using a standard height will also give your booth a professional look and help the viewer go seamlessly from one piece to the next.

Hanging too many pieces on the walls or stacking art against the walls on the floor isn't pleasing to the eye and doesn't give viewers a visual break before they are confronted with your next work of art.

Selfless generosity frees his art from autobiography, giving viewers the freedom to discover its hard - won pleasures for themselves.

In his manifesto, The Ergonic Messenger, Dugger explains how in Participation Art, the body or hand of the viewer is «used to give forceful impetus to the artwork by articulating or positioning the sculptural elements manually... relying on the power of the human hand to provide action or motion.»

On October 26th, Ken Johnson's review Minding the Gap Between Rarefied and Local Art Culture states, «A video called «Intertextuality» that shows a chicken wandering around on a city street has been altered to give it the high - contrast darks and lights and the intense, fruity color of an Andy Warhol painting... The effect of such works is to conflate in the viewer's mind two habitually separated realms: that of rarefied high art and that of popular culture and ordinary liArt Culture states, «A video called «Intertextuality» that shows a chicken wandering around on a city street has been altered to give it the high - contrast darks and lights and the intense, fruity color of an Andy Warhol painting... The effect of such works is to conflate in the viewer's mind two habitually separated realms: that of rarefied high art and that of popular culture and ordinary liart and that of popular culture and ordinary life.

Given the combination of hip young artists and Dorn's noted fascination with both critical theory and the tropes of the American West, San Fransiscan art viewers should expect the experimental spirit of summer exhibitions to pervade this brief show.

As the history of art is concerned very much over a work's provenance, or its record of ownership, Beshty's works offer the viewer tangible accounts of their own prior histories gives his works a glowing, ethereal quality — a celestial quality which sculptors have been intensely pursuing throughout art history.

At a time when art is full of protest (and rightfully so), Owens gave the viewer a much needed oasis.

When it comes to contemporary art, what could be more successful than a thought - provoking art that also gives amusement and pleasure to the viewers?

Art: Only Mark Wallinger could take an old home movie and give it a resonance that enthrals the viewer.

Polish art historian Bolena Kowalska writes in the accompanying catalogue: «The artist gave a mysterious title to her exhibition in the Poznań - based Arsenał City Gallery, i.e. «On the Way Home», allowing the viewers to understand it and comment on it their own way.

In its place, the show presents an alternative vision of art's recent past that locates figuration and personal narrative front and center... Accusing contemporary abstraction of offering «a site for infinitely shallow projection on the part of the viewer» is a serious, and — in my opinion — pertinent charge given the critical attention heaped upon it over the past few years.

Inviting the viewer to enter a space charged with symbolic elements, from the more obvious to the more covert, that configure the multiple realities and readings which give life to the artist's personal universe, «Something old, something new, something borrowed» essentially speaks of personal records and comforts, of the past and the present, of what was and what is — a series of reflections that convey a repertoire of emotions, interests, and stories particularly important to the author: distant family recollections, but also recent intimate memories; pleasant re-connections with domesticity after long periods of travel in the real world, but also disconnections and ironic provocations with the virtual world of social media; a long relationship with the universe of animation and video games, but also another with themes of classical representation from the history of art.

I'm going to give them the benefit of the doubt and assume that their intention may have been to make viewers think about the relationship of labor, art, and money at the epicenter of Park Avenue's 1 % excess, but in reality it domesticates the power of a symbol being used by real protesters throughout the city — even the Lever House website explains it «undermined the political content» of the original symbol.

Over fifty works, several of which have not been seen in the US in decades, will be on display at CIMA's retrospective dedicated to modernist Giorgio Morandi, including paintings, etchings and drawings, giving viewers the opportunity to admire the light and rigor of Morandi's art.

The reason for not elucidating her research has nothing to do with giving viewers the ability of drawing their own interpretations about her work, a commonplace in the art world.

I'm more interested in making connections with the real world than with art history, except when I'm using it as a given, a readymade in the viewer's mind in a way.

The more than sixty works that comprise State of Abstraction give viewers a thorough overview of abstract art by artists working in Connecticut today.

Jeffrey Carlson, Editor of Fine Art Today, writes: «Colin Chillag's paintings are unique in giving viewers a taste of the precise realism of which the artist is capable, while simultaneously disrupting the mood of perfection that a completed hyper - realistic painting achieves.»

Since she moved to L.A., her art has become a lot about her studio practice, about creating a loop of the micro and macro aimed at giving viewers a sense of vertigo that makes them want to look closer, hyper - aware of their surroundings.

Alluding to urban influences of his past series and giving a nod to graffiti street art, Tone draws the viewer to the unusual configurations of his letters rather than just a literal interpretation of the word's meaning.

Sharing the viewer's space more literally than any other medium, sculpture has given rise to some of the most iconic works in art history, including the classical Greek Venus de Milo (c. 130 - 100 B.C.), Michelangelo's High Renaissance David (1504), Rodin's The Thinker (1902), and Constantin Brancusi's The Kiss (1908).

The point of art is not to give the viewer something so generic that any interpretation is valid, but to actually communicate something.

That can make a viewer anxious — and sometimes even hostile, given the general public's relative disdain (or simple disinterest) in wide swaths of conceptual art.

While the viewer recognizes these abstracted works as a landscape we are given the opportunity to see this environment in a whole new way, which is what art is all about».

The exhibition aims to be a milestone able to give the viewer the chance to have a look at the evolution of non-figurative contemporary urban art over the last years.

In 2004, the San Francisco Museum of Modern Art presented «William Eggleston: Los Alamos,» which gave many West Coast viewers their first inkling of the Memphis photographer's stature as an artist.

Following the tradition of Brazilian Modernism that advocates the idea of viewer's presence and active participation, Neto's installation Boa, placed at Museum of Contemporary Art Kiasma in Helsinki, from March until September 2016, again gives the opportunity to escape from the stress of everyday life by devoting some time to senses.

Scully's titles often give an indication of the metaphorical associations he hopes to impart to the viewer through his colors, as in Wall of Light Desert Night, 1999, on loan from the Modern Art Museum of Fort Worth.

Two shows, one a formal group exhibition and the other an interactive multimedia collaboration by Justin Beard, Katie Caron and Bryan Leister, will give viewers a peek at what's happening on the front lines of the local art world.

The image suggests the existence of a voyeuristic third party as an internal part of the narrative of the painting itself, as well as the essential presence of a viewer in the equation of artist, art object, and viewer — this would, if intentional, give the painting a quiet self awareness, and a slight conceptual lean?

In an attempt to give video creators more ways to express themselves and engage with fans, YouTube has unveiled its own take on Snapchat Stories and Instagram Stories, where you can capture photos or videos, then decorate them with text, art, filters, and more, and broadcast them to followers via a stitched - together reel that'll play out like a story to viewers.

It will give you lots of opportunities to be an art wanker in your own right and wax lyrical about how the black holes are a comment on the growing darkness in society and the mirrored pieces are forcing the viewer to face themselves... or you could just go and enjoy the delicious visual feast.