Sentences with phrase «give cinema audiences»

Not exact matches

The combined success of the record - breaking, critical acclaim - nabbing and audience - thrilling success of Marvel Studios» Black Panther, introducing a black superhero and boasting a largely black cast, and the recent record - breaking, critical acclaim - nabbing and audience - thrilling successWonder Woman, whixh gave female filmgoers a superhero in their own image, should prove to Hollywood that inclusion sells in cinema, but will it bring real change in the making of movies?

The early 1970s to the late 1980s was a unique moment in Australian cinema history; a time when censorship was reigned in and home - grown production flourished, resulting in a flurry of exploitation films — sex comedies, horror movies and action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and sounds unlike anything they had seen in Australia before.

«We are looking forward to sharing Lover For a Day with arthouse crowds, fans of Garrel and French cinema, as well as younger audiences / students who can relate to the two protagonists — especially Esther Garrel's growing fan base given the break - out year she has had, with an impressive performance in Luca Guadagnino's Call Me By Your Name in addition to her leading role in Lover For a Day,» commented Kasman.

«I think the overall sense that I'm trying to give to the audience and what I want the audience to leave the cinema carrying with them is a sense of joy really,» he told the AV Club.

She only got into L.A. the day before yesterday, so I gave her a day to recuperate from the jet lag and we're gonna go to the cinema tonight to go see it with a real audience.

Nothing less than a revolution in action cinema, Ilya Naishuller's dazzling first - person shooter made audiences sick — and gave plenty of critics headaches over its nonstop violence and videogame aesthetic.

A Special Citation will be given to TURNER CLASSIC MOVIES for preserving historic cinema and bringing it to a wider audience via FilmStruck.

Not to say this summer didn't give cinema - goers plenty of nice alternatives, from rare summer studio fare that pleased audiences and some critics («The Conjuring,» «Star Trek Into Darkness,» «Iron Man 3») to a good dozen excellent arthouse films («Fruitvale Station,» «Blue Jasmine,» «Before Midnight,» and «Frances Ha,» to name a few).

In the meantime, the more adventurous of the filmgoing audience can greatly benefit from the valiant efforts of this festival, and Mediabank, the company that runs it, to give Korean cinema the higher profile it deserves in the US.

Insightful Screen Talks were given by celebrated directors, actors and industry professionals: Annette Bening, Guillermo Del Toro, Jake Gyllenhaal, Lucrecia Martel and Takashi Miike, offering festival audiences the opportunity to learn more about these leaders of contemporary cinema.

Although its formalism is rigid, the film rises well above gimmickry to become a truly great, unique piece of cinema (and a very fine crime movie to boot), conjuring its own world, commenting on our own and giving the audience something that's palpably new.

Given the saturation of superhero cinema at the moment, it's a little surprising to see another origin story on the screen, particularly when audiences are generally at least a little familiar with who the Fantastic Four are.

The reality is that most of the characters from the comics lend themselves to a younger - skewing audience anyway, and given the cohesiveness of the continuity in the films, it makes sense that all of the stories should be accessible to cinema - goers of all ages.