Maybe so, but the taking is less significant than what each painter did to
give color a sense of proportion, scale, and form.
Not exact matches
The group wrote in an email to Nextdoor earlier this week that the changes
gave them «a
sense of encouragement that you are committed to checking the negative impacts of your platform» but «we are doubtful that these changes alone will reduce racial profiling on Nextdoor or impact the incessant harm inflicted on peoples of
color.»
There is a secondary
sense in which we must speak of art also as craftsmanship, the work of a skilled artisan, to satisfy a desire for that harmonious blending of line and
color and texture that makes a commercial product attractive, or
gives one pride in the ability to construct something.
I do not think now that the religious and ideological heritage that I was
given as a child and as an adolescent was an entirely authentic version of the American tradition, but the subjective
sense of continuity with the past is an indelible experience that undoubtedly
colors even my present perceptions.
We are often exhorted by scientists and philosophers alike to accept the material
given to us by
sense perception as though it is the rock - bottom foundation of our knowledge of the physical world, Simultaneously we are told to refrain from
coloring neutral
sense data over with our subjective wishes and teleological desires.
In his letter of December 10, 1934 Brightman shares Hartshorne's worry, «that other selves are merely inferred but never
given,» and goes on to present his own empiricist
colors «I'd like to be able to make
sense out of the idea of a literal participation in other selves... whenever I try, I find myself landed in contradiction, in epistemological chaos, and in unfaithfulness to experience...» Brightman's argument is that any «intuition» (for him a synonym for «experience»), «is exclusively a member of me,» but the object of that intuition is «always problematic and distinct from the conscious experience which refers to it.»
Coloring books have been known to destress adults and
give them a
sense of accomplishment.
As we shall see in the following chapters, Shereshevskii possessed a very strong synesthesia — an involuntary link between different
senses, like associating numbers with
colors — that
gave his memories a much richer content and thus made them easier to recollect.
It's the
color of the sky and ocean and therefore
gives a
sense of vastness, as in «the wide blue yonder.»
I like Golden Milk's bright
color, and seeing that vibrancy and smelling the herbs
gives me a nice quieting and calming
sense.
The different shades of
colors that are used like lemon green, white, off white etc
giving the collection a
sense divine royalty and glamour that suits many ages with style and elegance.
The scarf not only adds a pop of
color but it also
gives me a
sense of pride.
Though some offices allow women to wear printed pumps and even
colored ones, resorting to black will
give you a
sense of professionalism while keeping it versatile to match any of your outfit, even off - duties look.
The
colors are so rich and vivid and the warmth of them
gives such a comforting and inviting
sense.
It particularly functions in balancing the classy pastel blue
color of the shorts because tribal print
gives off a
sense of humility.
... And yes, that
gives me comfort only in the
sense that what viewers will see in the opening episodes is such a perversely wonderful hallucinogenic experience — dance numbers, shape - shifting, the creepy sound of frozen people and their chattering teeth, explorations of
color, astral plane hijinks and multiple WTF moments — that there's comfort in knowing it's not all just cinematic showboating, a Pollock / Rothko virtual reality with no meaning.
Radek Ladczuk's vivid cinematography
gives scenes a properly macabre
sense, the exaggerated
colors, sizes, angles, and shadows evoking the living terror of a child's imagination.
Smeared with a wide array of vibrant
colors, the model boasts an impressive size that
gives a
sense of how epic the location will appear on screen.
Winstead is
given a lot to work with in the role of Alex, as the material requires her to explore myriad
colors of emotion as a mother overwhelmed by a
sense of abandonment, isolation, a scattered home life, and a hefty workload.
The group makes it over the wall, but not before two of the series» prominent characters of
color — played by Mekhi Phifer and Maggie Q, who are each
given virtually no dialogue as a parting gift — are gunned down, likely to make room for the new influx of white actors we're about to meet (Daniel Dae Kim shows up for a second too, another minority bit - part designed to create a false
sense of diversity).
The latter can be taken in a literal
sense — Soderbergh, under the pseudonym «Peter Andrews» (his father's name), shot the film himself, and he
gave each part of the film its own distinct look: grainy, washed - out yellow for Mexico; a solemn blue sheen for Cincinnati; sun - drenched full
color for San Diego.
The
color palate Kaminski uses here which contrasts between subdued
colors and harsh shadows
gives the viewer the imminent
sense of danger our country was in at that time.
Activities included in this packet include: ➜ differentiated ABC brainstorming templates, ➜ three sets of «Act It Out» cards, ➜ four activity cards with optional student response sheets, ➜ differentiated anticipation guides, ➜ five exit cards, ➜ 5
senses book in
color and in black and white, ➜
give one, get one activity ➜ two sets of hot seat questions, ➜ various journal prompt templates, ➜
senses picture sort, ➜ two minute talk cards, ➜ four Venn Diagram templates, ➜ a vocabulary match game, and ➜ two differentiated vocabulary worksheets.
Bright
colors also
give a
sense of presence to the car, as does a wide - body silhouette.
The light -
colored headliner
gives a
sense of spaciousness despite a rather small windshield and backlight.
Her deceptively simple art may seem cartoonish, but it is grounded in a firm
sense of style and washed in warm
colors to
give the story an open, welcoming feel.
Although this won't show the final
colors or paper, it will
give you a clear
sense of how it looks printed to size.
Given that we'll be adding technologies like flexible screens and
color eInk screens (hopefully sometime this century), it makes
sense to go to 7 ″ and perhaps even 8 ″ Kindles.
We know that rooted Nook
Colors are able to access services like Netflix already, so it would only make
sense to cash in on it
given how easily root - able these devices have proven to be.
These also stay under 10 feet, and there is something about their pattern that is almost an optical illusion; their
coloring is shaded in such a way as to
give their skin an extraordinary
sense of depth.
We know that everything in the universe is connected through energy, so it makes
sense that during a
given season a certain emotion, organ, physical body part and even
color are connected to each element.
The rooms all have high ceilings with ceiling moldings and chandeliers and are painted in light
colors giving our visitors a nice
sense of space and light.
This tour
gives visitors a
sense of where that dizzying array of
colors comes from, with a look at Peru's artistic and gastronomic culture.
With the penciling done by Steve Penfold and
coloring by Ivanna Matilla their scruffy style
gives the book a powerful
sense of energy.
From a fuchsia - soaked chopper raid to the cold blues of an airport lounge to the lush greens of the jungle, the use of
color to convey both a
sense of place and mood is masterfully executed; it grounds even the most shocking supernatural elements,
giving that much more emotional impact.
The
colors aren't as sharp as the arcade's either, which makes no
sense given the Game Gear's expansive palette and the arcade game's advanced age.
That doesn't make any
sense to them up front, so instead, I had to
give them detailed instructions, like «I want you to
color this like this here,» and spent a lot of time working on it with the art director.
Everything from the music, the setting and the vibrant
colors give off the most purest
sense of a fantasy adventure.
A strong
sense of
color led Oks to mix his own vibrant paint
colors, which in turn
give his paintings added dramatic effect.
These «rings» of
color «
give to his pictures not just a
sense of the shiver of light in a particular place but also the
sense that the scene has the interior life and unnatural emphases of something recalled from memory» (Gopnik, 79).
Recognized for her photographic works including «A Prime» (1997 --RRB-, «
Color of the Planet» (2004), «In the Desert» (2007 --RRB- that convey a unique
sense of distance to the subject and appears to freshly recapture the
given world replete with convention, Noguchi's gaze that is expressed through her practice is critically described as «the stranger's eyes» at work.
Indeed her works, which would be characterized abstract art rather than abstract painting, share some common ground, such as the spectacular use of
colors, contrasts and shadows, the playful use of diagonals that creates a solid
sense of perspective while different levels construct both volume and composition, but also the smooth way she moves from one texture to another,
giving her paintings a rough surface by using
colors impasto or with a palette knife or simply by incorporating different materials.
His
color choice, and the quick application of paint,
gives his sketches, such as this one of the Flower Market, a
sense of a bursting energy and of life.
Her Study for Unexecuted Wall Hanging (Bauhaus), from 1984 is a Mondrian - like pattern for a weaving in which different
colors alternately recede and advance into the foreground,
giving the image a
sense of complexity and uncanny depth.
In own
sense of abstracted cartography, Rugg redistributes traditional map
colors (or eliminates them entirely) in order to nullify the social preeminence
given to constructed territories, and highlight the idea that our attention is manipulated to focus on the powerful few instead of the physical many.
With his creations Otero says he wishes to «
give a
sense of abundance, unbalance, ambition, courage, and persistence within form,
color and texture in every painting.»
Although his early works were made in many various
colors, in 1957 he developed his blue pigment, which he painted in a special resin suspension that
gave his canvases a
sense of great visual depth, for which they are renowned.
Given a second, sustained encounter, Kahn's canvases come off as abstract, only in the
sense that they are not purely landscapes, so much as concentrated studies in
color and its capacity to illuminate and conceal.
Typically, each square within the grid is filled with roughly executed regions of
color (usually consisting of painted rings on a contrasting background) which
give the cell a perceived «average» hue which makes
sense from a distance.
The film's overspill of
color onto the floor and surrounding walls
gave the moving image a
sense of physical presence,