Not exact matches
The
actor and
human rights campaigner criticised Trump and his supporters for taking aim at Meryl Streep after she
gave a speech condemning the president earlier this year.
I believe that
human actors who fail to
give pride of place to moral boundaries that must never be crossed, such as the direct killing of the innocent, and who instead are ready to see their obligations in terms of moving beyond them in favor of «good results,» will be harder put «to take seriously the role that divine authority plays in morality»; for they will to that extent lose a sense of the moral limits that remind us of our finitude and anticipate consideration of a law of our being that is not one of our making.
The key to making the Transformer characters interact well with the
human actors and the sets was
giving these mammoth machines a sense of weight and a fluidity of motion.
So while working on the set of The X-Files guarding the honey wagons (while this can be interpreted as some sort of honey filled cart and while a search for this will
give you a suction-esque type of machinery that literally sucks up
human excrement but instead in reality is just a simple nice way of saying a trailer for
actors and actresses) he was fired for following his dreams; writing out scripts in hopes that one day he would be able to put that film degree to good use.
Given the vast scale the Russos are working on, resorting to your typical collect - the - gems plot game seems disappointingly basic, but there's a thornier problem with Thanos in general: he's a huge hulk of a being, twice
human size, but the effects job on Brolin thwarts his usual authority as an
actor.
[Note: In the same year, Planet of the Apes (1968) was
given a Special Honorary Oscar for John Chambers» outstanding, convincing makeup (there was no Best Makeup category until 1981)- the Academy members presumably didn't realize the superior, too - believable makeup in the opening scenes of 2001 that included both
human actors with life - like masks and infant chimpanzees.]
Mike White — «Year of the Dog» Maybe one of the purest expressions of «screenwriter - turned - director» (though he's also an
actor given to appearing in character roles in some of his films) Mike White had, in years leading to 2007, carved out quite a distinctive place for himself as an indie screenwriter dealing more in low - key
human dramedy than some of the more bombastic Shane Black - types, or more mainstream Steve Zaillian - types on our list.
There may be a day when computer graphics completely supersede the need to have celebrities in the middle of films, but
given the costs of production today for animation, as well as the lack of the movie star draw to fill in the seats, Final Fantasy is a reminder that the day of the
human actor will be with us for a long time to come.
Certainly, it is difficult to convey a story with non-
human actors with no dialogue, but Marshall makes the decision to
give the dogs almost
human - like qualities in their actions, to the detriment of the story's believability.
An
actor who wears her vulnerability in her every expression, she
gives great depth to this character on the precipice of adulthood, learning, as she must, that to prosper in her world you need to rid yourself of
human emotions and replace them with acceptably false facsimiles.
Perhaps that the routine and bland presentation of the spy work is the point,
given that the focus is on the Muir / Bishop relationship — and, later, Bishop's relationship with Beirut - based relief worker Elizabeth Hadley (Catherine McCormack)-- but it's not like this «
human» element is developed to much satisfaction
given the dearth of chemistry between the three
actors.
Better are the references to his ageing appearance; explained with the idea that a Terminators flesh ages just like a
humans, it
gives this T - 800 (and its
actor) a creaky look.
Using hours of never - before - seen footage along with accounts of real soldiers, told by the soldiers themselves in combination with a cast of famous Hollywood
actors, Vietnam in HD succeeds in not only
giving a nice history lesson, but also puts a rarely seen
human face on the war.
Cassavetes
gave his
actors the option to do nothing, and reassured them that the consequence of their inaction wouldn't be held against them, and would be accepted by him, and by the film, with gratitude for their naturalness, «Anyone can sit down and have a drink in a natural way if you don't force them to do things they don't really feel... what is needed between
actor and director is a mutual understanding of
human problems.»
In his essay, Cameron argues that while the Council of Europe standards in this domain may be too vague to provide meaningful safeguards,
given the number of
actors operating within a fragmented and often out - dated regulatory framework, stemming from the Council of Europe and the EU, the instruments adopted by the Council of Europe and the case law of the European Court of
Human Rights still play a fundamental role in this domain.