Sentences with phrase «give the painting movement»

Not exact matches

Jen Hoy who spurred the movement to paint Fargo's Pedestrian Bridge over I - 94 gives her reaction to the paint job and it's new color to B...

His photos of the day - to - day life of gangs in the Bronx and the radical black liberation movement the Black Panthers are much more than a documentary illustration of a given period in time: they represent an insider's view, one which paints the portrait of the contrasts in American society.

In 1949, just as the Abstract Expressionist movement was establishing itself as the up - and - coming force in New York, Pepi went to Rome for two years to study at the American Academy and immerse himself in the art historical tradition to which he pointedly related his painting, giving rise to later critical accounts of his work as «academic» at heart.

The Automatiste movement gave way in the mid-1950s to a rigorous form of hard - edge abstraction first marked in the work of Leduc and the Plasticiens, a group that was formed in 1954 by the critic Rodolphe de Repentigny (who painted under the pseudonym Jauran) and 3 other painters; it first exhibited in 1955.

The Walking drawings gave him an idea and freedom to use movement as the energy for the paintings.

The gesture of painting involved in working like this gives the works greater visual fluidity, rhythm and movement,» said Alberto.

The artists» newest series of paintings entitled Hirari Hirari, which translates from Japanese as the sound or movement of a petal, leaf or feather slowly falling, is inspired by kimonos given to Kawasaki by her mother and draws from natural motifs such as flowers, birds, and flowing lines found in wind and water.

This abstract painting foregrounds a large form in cadmium with umber stain that gives focus and movement to this piece.

The following extract from «The World Backwards» gives some impression of the inter-connectedness of culture at the time: «David Burliuk's knowledge of modern art movements must have been extremely up - to - date, for the second Knave of Diamonds exhibition, held in January 1912 (in Moscow) included not only paintings sent from Munich, but some members of the German Die Brücke group, while from Paris came work by Robert Delaunay, Henri Matisse and Fernand Léger, as well as Picasso.

In Mountain Music, Under the Lemon Tree, and Wilderness, to name a few, floating, cloud - like clusters of thick paint give visual form and movement to the landscapes imagined in Pan's sensual abstractions.

Considered one of the greatest and most famous American painters, Jackson Pollock was a performer of sorts, an artist who dripped and smeared his paint onto the laying canvas through a series of movements and gestures, thus giving life to Action Painting.

These combinations give the paintings a sense of movement and a dynamic ambiguity.

Richter's rhythm of painting gives way to an inherent movement in the picture, one that suggests a gentle undulation of the watery surface.

Richard Tuttle has been pursuing a poetics of unassuming beauty since the late 1960s, contributing crucially to the language of painting while eschewing its conventional trappings; Julian Schnabel is represented by a recent work in which a rain - stained lampshade becomes the occasion for meditation on accident and intention, seeking, as Elizabeth Taylor once said, to «give the maximum emotional effect with the minimum of visual movement.»

Influenced by Paul Gauguin, Fauvism was an important movement in the history of expressionist painting, which advocated brilliant colours and wild brushwork - hence their nickname Les Fauves (wild beasts), given them by the critic Louis Vauxcelles after their first showing at the Salon d'Automne in Paris in 1905.

Especially as the competition between national schools of abstract painting escalated, breaking out in arguments and even punches in the case of Kline and the French painter Jean Fautrier, it would follow that the internal competition within these national schools also intensified.27 This was certainly true on the French side at the Venice Biennale: in a very unusual move, two artists — Fautrier and Hans Hartung — were awarded Grand Prizes in painting, whereas normally only one was given, because the jury could not decide between the two contenders.28 Within the context of the politics internal to the movement of abstract expressionism, Meryon could thus be seen as a reassertion of Kline's original, breakthrough style as his own and thus a defence of his personal artistic identity, after Kline himself had turned to colour, around 1955, and left it up for grabs.

Clear, agile rhythm — itself a moving, breathing structure with «bones» and «sinews» — gives the movement in my paintings its momentum.»

For example, his 1844 painting Rain, Steam, and Speed - The Great Western Railway offers little detail of the landscape, its dramatic viewpoint manages to both create an atmosphere and give an impression of rapid movement.

Presenting about 150 paintings, drawings, sketchbooks and documentary photographs, it features works by most of the underground movement's stars, including Daze (given name Chris Ellis), Dondi (Donald White), Futura 2000 (Leonard McGurr) and Lady Pink (Sandra Fabara).

It was his painting Impression, Sunrise (1872) which in 1874 gave its name to the movement, and his later works - such as the «Series» paintings of railway stations - see Gare Sainte - Lazare (1877)- haystacks and water lilies, where he painted the same subject dozens, if not hundreds of times - reflect his lifelong fascination with the portrayal of light.

The overall effect they give is of a layered beehive - like structure; all three paintings have a rigid format but, according to the particular character of the deformation effected by compression or stretching, different kinds of movement are suggested.

Curated by Juan Camilo Sierra, the fifty - plus - work show gives Colombian audiences the opportunity to confront firsthand the work of paradigmatic figures like Mikhail Larionov, Vladimir Tatlin, Alexander Rodchenko, and Liuvov Popova, as it explores the influence of Russian Constructivism as manifested in a host of Latin American movements, including Mexican mural painting.

Rail: Given the background of the war in Vietnam, the Civil Rights movements the Women's Rights movement, could you describe how you mediated your way through painting in the mid to late»60s, especially right after graduate school?

Many of these movements encouraged the idea of unconscious painting, which was all about the artist allowing his artistic expression to flow freely from within without really giving it (conscious) thought.

neoexpressionism, term given to an international art movement, mainly in painting, that began in the 1960s and 1970s, was a dominant mode in the 1980s, and has continued into the 1990s.

There's seemingly no other way to tell it: painting was there from the movement's get - go, and its immediacy and materiality gave painters like Miró, Masson, Picasso and Picabia what they needed to make art that was, per Andre Breton in the movement's manifesto, «dictated by thought, in the absence of... reason, exempt from any aesthetic or moral concern.»

The movement gave painting a new breath of life.

These forces conspired in a movement to make paintbrushes superfluous and to give color, the essence of painting, even more primacy.