Not exact matches
I mean, taking what the rich have accumulated and
giving back to the
original owners every 50 years seems like an actual example of wealth redistribution — and it was sanctioned
by God.
By the dawn of the 20th century, many of these estate
owners had
given way to rum shops that produced their own blends based on the
original recipes.
By entering, each entrant warrants and represents the following with respect to their Submission: (a) entrant is the sole and exclusive
owner of the Submission; (b) the Submission is entrant's own creation and is 100 %
original; (c) the Submission will not infringe on any rights of any third parties; and (d) any third party whose person or property appears in the Submission has
given entrant appropriate written consent (which shall be provided to Sponsor upon request thereof) for such person or property to be filmed and used as permitted herein.
(«According to the Wall Street Journal, it «hung in the headquarters of an undisclosed local company since 1968, when heirs of the painting's
original owner gave it to the corporation during a merger»...») The Journal notes that it's rare when a new painting
by the artist actually becomes available for purchase.
They dove in head first with their
original Dutch, Kū, a very intense and driven dog who had been
given a poor foundation
by his previous
owner.
Please note: refunds will not be
given in the event the dog is redeemed
by its
original owner.
Lézard Palace is an
original and very comfortable three bedroom three bathroom villa that was designed
by its
owner / architect to
give an open feeling.
Enter EA's Project 10 Dollar, designed to artificially deflate the worth of your goods
by only
giving the
original purchaser access to the full game and any subsequent second - hand
owner having to cough up ten dollars for the same.
While the game may not be anything near the visual showcase that the
original game was for the PS4 itself, Driveclub VR is one game that
gives a glimpse at the potential of VR racing and needs to at least be tried
by any PSVR
owner.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption
by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious
originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an
owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on
giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems
by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
A used device sold directly
by the
original owner to another
owner comes with no guarantees of any kind, and any assurances
given by the seller that the device works great and has been well taken care of have to be taken with a grain of salt - after all, who's going to be able to sell you a gadget after telling you that it's basically been rode hard and put away wet?
The assignment contract he signed with wholesaler # 1 along with the
original purchase and sale contract (
given to him
by the 1st wholesaler and signed
by the 1st wholesaler and actual
owner) is evidence of «equitable interest».
The
owner kept the
original staircase in the hallway, but
gave it a touch - up
by painting the banister black.