Sentences with phrase «given little dialogue»

Wise, given little dialogue that would explain why anyone would be drawn to Ruskin, plays him as a pallid, frightened yet controlling man - child; Fanning, on whom the film focuses, is mostly a wide - eyed cipher.
What's worse is the Mayers are given little dialogue.

Not exact matches

As you hover over each listed app, you'll see two little icons pop up: a pencil and an X. Click the pencil, and it will show you a dialogue indicating what permissions you've given the app.
Given the latest medical data concerning the distinct characteristics of the fetus and its ability to survive outside the womb at a startlingly early age, it is little wonder that in the past few years several of the denominations that once took a more open position on abortion have retreated somewhat: the Presbyterian Church (U.S.A.) is now studying the issue; in a 1980 statement on social principles, the UMC moved to a more qualified position; the Episcopal Church and the recently formed Evangelical Lutheran Church in America seem to be in the process of toning down their earlier positions (or those of a predecessor body) The Lutherans defeated a resolution in their 1989 Assembly which would have been consistent with the liberal position of the LCA predecessor body, and a 1988 Lutheran - Episcopal dialogue report refers to the fetus as «embryonic humanity» with claims on society.
I can generally reign it in somewhat as long as I have hope that genuine on topic dialogue can be achieved with someone but once I lose that hope I lose my reason for not giving in and having a little fun.
We need musicians who write music not just to give voice to the religious, but to give music to the voiceless — those who have limited ways of dialoguing with God, who have never been to church, who are not a part of our little worlds but are a part of the world that God's Son gave His life for.
Hannah was given too little to do in the first film, and she does her very best to make Tarantino's samey, show - off, adolescent dialogue feel as though it could have come from her character's mouth.
A fast - paced, dialogue - driven, well - constructed little film about the immorality of our times, specifically playboy Roger (Campbell Scott) and how he decides to give his 16 - year old nephew (Jesse Eisenberg) in town a crash course in how to get laid after his nephew asks for his help.
People will despise this movie for its quirky dialogue and its over-exposed lead, but given a chance, Jennifer's Body is entertaining, a little bit different, and deserves better than it's gotten, despite some obvious flaws.
In part a historical recreation, The Witch's reverent dialogue (lifted from journals of actual period appropriate settlers) gives it an otherworldly feel that's amplified by the religious fundamentalism at the core of Roger Egger's dingy little feature.
Here's the thing: every time a character is introduced, every time a seemingly throwaway line of dialogue is given that little extra emphasis, every time the classic three - act structure requires a very particular plot development... you know exactly what's coming next.
He might have a little too much swearing to wade through, but every now and again, he is given the perfect line, the kind of dialogue you just want handed to the actor, so he can light up the movie.
Although I found the dialogues are little bit dry, I got to admit that they give to the characters a depth greater than we think.
As his wife, Charity, who gives up a life of ease to bet on his dreams, Michelle Williams has little to do in dialogue or song but beam and promise to follow him «into the great unknown» — the kind of role Emma Thompson neatly filleted as «Please don't go and do that brave thing.»
Personally, we'd like to thank the trio of Gary A. Rizzo, Gregg Landaker, and Mark Weingarten for doing all they could within their power to drown out the Nolan brothers» pompous dialogue in favor of Hans Zimmer's IMAX - sized music cues, but even we'd draw the line at giving them the actual trophy, and there's little doubt that the Academy's sizeable ear trumpet - hoisting constituency will too.
Because its plot is that simple, it gives director Robert Eggers room to play with the film's atmosphere, and sow fear in ways that require little dialogue.
I found the first hour or so of dialogue and gameplay to be rather dull and a little bit of a downer for the series, but once you give the game time to get started, the story begins to evolve and you will be reminded of all the great MGS experiences.
BEST SCENE: The flashbacks that start off the movie are a charming way of giving our characters a little history without overwhelming us with dialogue.
There's little dialogue in the film, and what's there can't even define the people we see, let alone give them names outside of the credits.
«Mixing Demo», a cool little feature that gave the viewer a virtual mixing board and the chance to play around with a dialogue segment, has also been cut.
«Given the environment right now socially, you'd think [academy voters] would be more conscious,» said Gil Robertson IV of Los Angeles» African American Film Critics Assn. «There seems to be little thought or consideration on how «Selma» in particular really does provide an opportunity for people to have some real dialogue about race relations.
The cast, who improvises the dialogue based on a plot outline by Guest and Eugene Levy, has some funny bits as they give us the not - so - sordid details of the inner workings of the folk business, but it's surprising how very little of them are memorable.
Jarmusch gave the actors little dialogue to work with, and much of what he did give was recitation of poetry.
It can be no mistake that Edith balks at her publisher's suggestion she add a love story to her manuscript — Crimson Peak is the first time del Toro has tackled romance face on, and the result is stilted, hampered by hammy dialogue and a sped - up timeline that gives the relationship little room to breathe.
Most of that knowledge comes from the actors, who imbue what little dialogue they're given with wisdom and show us the rest in the quiet moments.
Her performance is particularly remarkable given that there is little dialogue in the film.
The audience wants to know more because they are given so little, so it becomes a dialogue with the film.
But it's hard to imagine that given the very little dialogue while on - screen.
Secondly, the deposed leader Joanna craves power, and Walter manipulates her by giving her little pieces of power by seemingly let her win arguments — these dialogue scenes from writer Paul Rudnick are nicely done.
That's impressive because The Last Day of June doesn't contain any form of dialogue, rather its small cast of strangely eyeless characters communicate solely through sighs, moans, giggles and other little sounds that work with the wonderful animations to give them more personality than most games with massive runtimes, budgets and voice actors ever manage.
We know so little about the Batgirl and Robin of Rocksteady's universe that it seems like a massive shame to have a piece of DLC featuring them that gives them so little dialogue and that tells almost nothing about who they are.
Square Enix also gave a little bit detail about Final Fantasy XV dialogue choices.
Each of the game's many, many quests features a little flavor text or some dialogue to give it some sense of purpose, but it all ultimately boils down to kill this monster or collect so many of that item.
I especially appreciate — as someone unfamiliar with the Battletech universe — that there will be little highlighted terms in dialogue that will give you more information on that topic.
You also get to interact with these characters as they give you a snapshot into their lives and sometimes this dialogue can be a little stagnant at times.
The dialogue is filled with one - liners and the attempt to give most characters their own chapter feels a little forced.
There is very little that is compelling about being given fifty side quests that all feel exactly the same, with not even varying dialogue to disguise repetition.
Ico and Shadow of the Colossus are famous for having so little dialogue, but in The Last Guardian a narrator — who seems to be an older version of the player character, judging by how he uses the first person — will gives you «hints» at what you must do next, which is nice, but having the deathly silence interrupted by an unintelligible language is a bit distracting, to say the least.
Blake Gopnik wrote something about that a little while ago, how if we don't have brick - and - mortar galleries to give us these shows then we don't have a true dialogue where we're collectively deciding what is and what's not important to preserve.
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