Not exact matches
Lara Pulver, though, is increasingly what
gives Cooper's 007 caricature
depth; about to be married off to Esmond, the unavailable woman's last moments with Ian are surprisingly engaging — one sad
sequence involving fireworks is beautifully shot by Mat Whitecross, accompanied by the dulcet tones of Tom Whitecross» jazz singer.
Fleischer was able to put his stamp on the movie by
giving it a terrific opening credit
sequence and some top notch scenes marrying both humor and a great
depth of characterization.
Mission: Impossible III is certainly stronger than its predecessor — the characters are
given slightly more
depth, there is the usual intrigue and concern about the possibility of a «mole» in IMF, and the action
sequences regain some of their lost excitement.