David Teboul has already
given us a standard biopic in Yves Saint Laurent: His Life and Times — as well as one of the strangest and most beautiful of all documentaries about creative production in Yves Saint Laurent 5 Avenue Marceau 75116 Paris.
Few things are more frustrating than when a transgressive figure is
given the standard biopic treatment.
Not exact matches
More significantly, not only does Stone not
give us the
standard music - star
biopic, but he doesn't even
give us a plot.
Unfortunately, a great life has not been
given a great life on screen as this is even well below typical
biopic standards and a chore to get through.
Nicholas Martin's screenplay could have been
given the
standard Hollywood
biopic treatment, but in the hands of Frears, cinematographer Danny Cohen, composer Alexandre Desplat, production designer Alan MacDonald, and costume designer Consolata Boyle, the film presents 1940s New York in all its flashy glory, a heightened world suited to serve as backdrop to such an extraordinary — and sometimes painfully funny — story.
Instead, it is all about mood while telling the rise - to - fame story through its sharp and unique editing style — the film's co-directors earlier work includes The Tree of Life, Moneyball and 28 Days Later, which should
give you a good idea how Jimi: All Is by My Side feels vitally different from your
standard musical
biopic.
The rest of the film plays like a
standard biopic,
giving the more important events in Nash's life.