Not exact matches
Twitter
gives companies the opportunity to gain access to a global, and in some instances,
mass niche
audience, something that television broadcasts can not do.
In a pattern familiar to all kinds of media, the era of huge
mass - market tentpoles has
given way to a seemingly limitless number of outlets — some well known, others almost secret - society - like in their nicheness — in which performers can reach
audiences directly.
Yet the film didn't draw a
mass audience in the States, or win over Oscar nominators, who've
given it a crack at Best Cinematography and Best Achievement in Sound Editing only.
It almost dares you to dislike it that you might stand out from the critical
mass and,
given the minimal number of non-cinephile
audience members this screens to, that is a dare likely to be left undone.
I suppose when you spend $ 300 million,
give or take a hundred mill or so, you have to make compromises that ensure you don't alienate the
mass audience needed to recoup the investment.
«Although modern coolness emerged out of jazz and spread through popular music, the movies brought cool to the
masses by
giving audiences unparalleled access to it.
If they
give him a show stealing scene akin to what Quicksilver had in X-Men: Days of Future Past, especially with Channing Tatum in the role, it'll leave the
audiences wanting more, and
giving his solo film
mass awareness.
New technologies are shifting the way people work: Microlearning
gives just enough information to compel the right action for the moment; mobile learning makes it possible to treat your learners like customers and deliver them what they need, when they need it; and personalization allows to make your
audience feel like their learning is custom - fit, not a
mass - produced, one - size - fits - all training.
This is often the case for paperback covers but it
gives us the opportunity to provide a new package for a wider,
mass audience.
Final Fantasy 15 launched on the consoles in 2016 after a ten year wait, finally
giving the
masses the chance to play the long - awaited game, but the PC
audiences have had to wait a little longer.
Meanwhile Zoom Pavilion by Rafael Lozano - Hemmer and Krzysztof Wodiczko
gave visitors a disorientating encounter with
mass surveillance, with 12 robotic cameras capturing the
audience, and rendering the footage on the gallery walls in real time.
Indeed, Zwirner
gave a strict (if well - tempered) exhortation to gallerists on how best to support artists and develop their careers: «You shouldn't launch a new body of work at a fair: it's a limited
audience who have to pay», suggesting the pressure of a fair, compared with the free,
mass entry of a gallery show, was harmful to the proper appreciation of the art on show.
Four years, Groys
gave a talk at SVA that outlined the idea that «social media and the internet is the new arena for the avant garde's production of «weak signs and low visibility»; the
masses creating their own work for minuscule
audiences in the 21st Century vs consuming the spectacles created by
mass media in the 20th.»
In the last year, much attention has been
given to startups bringing instruction to
mass audiences — and for good reason: massive open online courses (MOOCs) have the potential to remake what it means to get a college education.