Sentences with phrase «gives its scenes where»

Not exact matches

Schilowitz gave me a tour of the studios, pointing to where scenes from Spider - Man had been filmed.

You're little scene you gave me is patently false because I don't imemdiately jump to the conclusion of materilization, but I guess since this is how you learn, lets go: Chad and Chuckles are walking in the woods Me: Hey cool, a watch, I wonder where it came from Chad: stupid question, it came from god, but I guess if you want to get more specific, someone probably dropped it Me: you're right, lets check to see if someone is missing a watch - Chad and Chuckles head to town, post signs and after no success for many weeks, decide that the person who dropped it probably isn't around.

While the whole film is excellent, I return time and again to one scene - an unlikely Hollywood moment where we get to seeDanny Devito give us a lesson in evangelism.

Douthat and Salam's youth» they're among the brightest lights in the next generation of conservative writers» gives them a new perspective on the contemporary political scene, allowing them to step out beyond traditional conservative fixations on tax cutting and limited government» where the supposed Reagan solution is always the correct solution» and to offer incisive criticisms of how the Grand Old Party's ideology frequently serves as a blinder to effective policies for the working class.

There was a little throw - in scene where Bellerin wasn't given the ball by our own fans and the chant was «you're not fit to wear the shirt».

Personally, I do nt share the trust you have in Gibbs defensively, whilst I must say he is way better than Clichy going forward I think he often looks unsure of himself without the ball and isnt sure he is where he should be and this may be down to the fact that he was never a defender coming up, he was a winger and Wenger only moved him back since his arrival on the scene in the CC, so, for me, Traore is the safer option for now with Gibbs been suited to games where we may be less exposed and given more time to learn what the positons all about.

Connections in the undercurrents (or Behind the Scenes) A recent day started out with electrical cords lying across the floor of our bedroom like snakes, ready to jump up and give me a whopper of a bite who - knows - where.

She was given CPR at the scene and taken to Albany Medical Center, where she was pronounced dead.

Also, the S.A. is usually first on the scene during disasters, giving aid where needed.

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Bob told us scams, such as pay - per - letter, where agencies handle correspondence, have given the online Russian dating scene a bad name.

The North American dating industry has radically changed, where paid dating locales once commanded the internet scene to now Canadian and American free online websites on dating superseding and giving paid online administrations a keep running for their cash.

I'd been online dating since it basically hit the scene, and my experience had been so bad for the past 12 years, that 3 years ago, I just decided to quit, and I was either going to «run into» my soulmate in person, or remain single... no lie, this is where I was mentally!And now I can say that I'm actually pretty confident about giving it another go!

The film's two major scenes of military conflict — the battle of Gaugamela, where Alexander's force of 40,000 bested the Persian King Dariussd III's 250,000 - strong army, and a third - act forest routing in India — are given short shrift and photographed in that jittery «you are there» un-StediCam-style that renders the action impenetrable.

The scene switches to a fort in New Mexico where Captain Joseph Blocker (Christian Bale), one of the staunchest anti-Native American fighters in the so - called «Indian Wars», is given the unenviable assignment of escorting the cancer - stricken Cheyenne war chief Yellow Hawk (Wes Studi) back to his home territory in Montana to die.

John Lithgow is excellent... it's a tribute to both his acting and the writing (as sharp and tight as ever) that many of his scenes have only three or four lines of dialogue, but resonate deeply and give you the creeps (especially a scene where Lithgow picks a fight behind a bar).

«If there's one place where we can come together in these divided times, surely it's to appreciate a show that gives us opening scenes like the one this week...»

Those who criticized Portman in GARDEN STATE will likely have a field day with Hudson's similarly saintly character, although Hudson's able to give her a bit of an edge, and has easily the movie's best scene where she comforts and confronts Patinkin's miserly dad, who earlier puts her down for only being half - Jewish, and encouraging her husband's idiotic dreams.

The second before the girl is given the lobotomy, the scene flips and now the girl is in a brothel where in five days she'll be sold off to the High Roller.

The single highlight of the entire film is a scene where Greta gives Clinton a much - needed makeover.

Proceed with caution, of course: When talking great scenes, spoilers are inevitable, though we did manage to highlight our consensus pick for the best of the bunch — a grand finale, just like our number one choice last year — without giving away where it goes (though those looking to preserve the surprise should skip the clip, or any of the other sporadic few YouTube videos we included).

Even in that corny scene where he gives her an orgasm just by trailing a flower up and down her body I was in into it.

Screenwriters Mark Mallouk and Jez Butterworth also give Nicholson one of the film's creepiest scenes, where Bulger seeks her out in her bedroom and commits a form of psychological rape merely by stroking her face (pictured below).

Copying some of the same inventive techniques used by Godard, Hazanavicius gives the film some visual pizzazz with invigorating tracking shots and trademark scenes where characters break the fourth wall.

The time period provides a wealth of nostalgic name drops (the awesome grunge - era band The Breeders feature heavily in two fantastic scenes) and gives us a pre-cell phone, pre-social media age where the vulnerability of teen interaction was face to face.

Every Manchester scene gives you a sense of the kind of place where everyone knows everyone, where it's bitter cold but nobody makes too much of it, where the past stays with you whether you want it to or not.

Director Corin Hardy and cinematographer Martijn Van Broekhuizen give the movie a dark, ominous look, particularly in the scenes set outdoors, where the woods seem to loom maliciously.

I don't typically cry at movies, but I really lost it during one scene where Alice has to give a speech at an Alzheimer's conference.

The Wasp tag scene, where Evangeline Lilly's Hope Van Dyne is finally given the new Wasp costume by Hank Pym, was originally before the credits.

Giving credit where credit is due, Final Destination does maintain a watchability due to some nifty direction by Wong (The One, Final Destination 3), who keeps the pace brisk enough for you to almost keep laughter in check at all of the mindless nonsense that appears in scene after scene.

Or Dixon's partner, Sgt. Klein (Bert Freed), who has a heartbreaking scene where he talks his wife into giving her jewels up for collateral, so as to get a loan to give Dixon money.

And the more I talked about that, the more I felt like I have this movie more or less in my head and I know how I would shoot these scenes and how the camera should move or if I were to direct it this is what I would do... Saying that enough times sort of gave me the confidence where I felt like maybe, just maybe, given the right chance, I could take a crack at it.»

One of the first big breaks for him and his brother was as co-writers on the infamous Seinfeld episode «The Virgin,» which introduced the Marla character played by Jane Leeves and gave audience the scene where Elaine discusses her diaphragm.

The shoot - out in the climax does take some unexpected turns, so I will give the filmmakers credit for having the guts to go where it goes, but the deadly seriousness of it does jar with the light and comic tone of nearly every scene preceding it.

Given that this film starts right away on a note that combines the macabre with the impish, in a scene where Ed Gein — the inspiration for Norman Bates — kills his brother while Hitchcock (who was not present at the actual crime scene) looks on, it is clear that the filmmaker is out to give us a good ride rather than to actually probe the depths of the great director's psyche.

Loach's political angle is somewhat sidelined, his socialist views only really given voice in a scene where fans discuss the commercialisation of football.

You ever do that, where you just give out one quote, then someone else feels compelled to come up with a better quote from the same movie, and soon enough you've re-enacted the entire film, scene - by - scene for your own amusement?

Anyone who's read those interviews in which Jody Hill gives props to «Taxi Driver» knows that he thinks he was trying to challenge heroic - vigilante movie stereotypes, and anyone who's actually seen the thing knows that either Hill's execution wasn't up to his concept or that he chickened out in the key violent scenes, where the movie seems to be implicit in the celebration of Rogan's homicidal viciousness.

Just to give you an example of the type of film you are dealing with here, there is a scene where Whitey is doing his civic duty washing out some outhouses when he is locked inside one and rolled down a snow - covered hill.

There's a great scene later in the film where writer Robert Lowell gives Eddie a long non-sequitur while speaking with federal agents and their reaction is one of utter confusion.

It's hard to tell the difference between scenes where we're supposed to see Bethany persevering in the face of insurmountable odds versus scenes where she should give up and accept that life is different now.

Vegas plays such a key role in the story, and the scene where ad man Albert Brooks tries to convince the casino owner (Garry Marshall) that it would be good for PR to give him back his wife's gambling losses is just priceless.

between Jim, Maggie, and Don (and Lisa); the goosebump - raising way that the show used on - screen text to reveal the BP spill and the Giffords shooting; the structural flourishes of the 2010 election episode and the season finale; that great scene where Don gives a master class in covering trashy news; the way you can see Olivia Munn finding her bearings as an actress, and how that parallels her character becoming a confident on - air personality; the brashness of Jane Fonda, the patience of David Krumholtz, the deliciousness with which Emily Mortimer says the word «douchebag,» the way Jeff Daniels tosses off his throwaway lines, and the way he answered that «sorority girl»'s question the second time.

He makes his interconnecting story work with some great character choices, and at the same time gives us a few scenes where we enjoy some honestly fun moments.

In the opening scene, where Poe is in the bar trying to grab a drink, he's given the opportunity to steal the show and make the scene, but McTeigue sends him into an almost cringe - worthy rant.

Greengrass» Bourne films just took it too far where even the non action scenes gave me motion sickness.

Author and screenwriter Marguerite Duras is also given a special section, where actress Laylage Courie reads original character and scene notes in English, enhanced by ten selected scenes from the film.

Without giving much consideration to the context that breed such an environment, bar a couple of fleeting scenes where one of the Day's gang attempts to find work as a farm hand, it begs the question as to what the film is trying to accomplish by focusing on the gang; especially when the film's ephemeral style distances the action from reality, laying blame on the gangs for Day's downward spiral into a life of crime and not the faulty idealism behind the myth of American opportunity.

Though most behind - the - scenes features showcase the production process once filming is underway, The Player gives us a glimpse of what goes on behind the scenes of the behind - the - scenes process, where the only dreams that come true are for the people up top — the people who feel that anyone can make a story that will entertain millions, while the lowly creators that nurtured the initial ideas are seen as little more then expendable goods hardly worth receiving input from once the studio handlers squeeze their foots in the door, symbolically getting away with murder — the figurative death of the writer in the Hollywood production process.

One scene where her father tries to give her an aid to help her hearing, a vain hope that she can no longer put up with, is outstandingly powerful, as both Krasinski and Simmonds act their socks out without a single word.