Sentences with phrase «gives objects form»

Not exact matches

Platonic Form, Idea, Essence, Eternal Object; Potentiality and Givenness; Exclusiveness of the Given; Subject - Superject, Becoming and Being; Evaporation of Indetermination in Concrescence, Satisfaction Determinate and Exclusive; Concrescence Dipolar... (PR 57; emphasis mine)

6 In a conformal feeling, an eternal object already ingressed as characterizing the subjective form of an individual objectification given for a nascent occasion is reingressed as a character of the subjective form of the nascent subject's prehension of that objectification (PR 476, 364, 78).

Hartshorne is willing to begin with the metaphysical reality of God and other selves (not just as a postulate, but as concrete existences), and then to use inference and imagination to provide an account of their nature and relations — an account which can he more or less adequate to its object, given the limitations of our form of consciousness.

In connection with eternal objects my move is to play Aristotle to Whitehead's Plato by giving forms of definiteness their ontological grounding in the concrete world of flux.

Take, bless, break, give — the bread was taken and offered to God; thanksgiving was said over it — and here we need to recall that for the Jew, all blessings have always been in the form of a thanksgiving to God for the objects which are to be blessed; the bread was broken, as Christ had done at the Last Supper and as His physical body was broken on the Cross; the bread was given — distributed, so that the believer might partake of it and thereby, as the Church believed, partake of Christ Himself and become one with Him.

Whitehead gives as an example of an enduring object that which forms «the subject matter of the science of dynamics.»

Once the psychic act of distancing is performed, the subject is open to being formed by what is given in the object.

Kraus says that eternal objects «form the patterns structuring concrete fact» and «the forms structuring the togetherness of data into a datum of experience — eternal objects in Whitehead's language — are given for all times in ordered, intelligible, interrelated sets like mathematical systems» (ME 30).

The supervenience thesis gives an explicit form to the idea that physical properties are primary and basic, and the physical properties an object instantiates — that is, its physical nature — determines all of its properties, that is, its entire nature.

Giving orders, and obeying them — Describing the appearance of an object, or giving its measurements — Constructing an object from a description (a drawing)-- Reporting an event — Speculating about an event — Forming and resting a hypothesis — Presenting the results of an experiment in tables and diagrams — Making up a story; and reading it — Play - acting — Singing catches — Guessing riddles — Making a joke; telling it — Solving a problem in practical arithmetic — Translating from one language to another — Asking, thanking, cuGiving orders, and obeying them — Describing the appearance of an object, or giving its measurements — Constructing an object from a description (a drawing)-- Reporting an event — Speculating about an event — Forming and resting a hypothesis — Presenting the results of an experiment in tables and diagrams — Making up a story; and reading it — Play - acting — Singing catches — Guessing riddles — Making a joke; telling it — Solving a problem in practical arithmetic — Translating from one language to another — Asking, thanking, cugiving its measurements — Constructing an object from a description (a drawing)-- Reporting an event — Speculating about an event — Forming and resting a hypothesis — Presenting the results of an experiment in tables and diagrams — Making up a story; and reading it — Play - acting — Singing catches — Guessing riddles — Making a joke; telling it — Solving a problem in practical arithmetic — Translating from one language to another — Asking, thanking, cursing.

This gave me the idea of making letters with nature — using objects around us to form the letters.

Give your baby an object, such as a stuffed animal or blanket, that he can form an attachment to.

(3) And while the transitional object can take most any form, it has common features, according to Winnicott: «It must seem to the infant to give warmth, or to move, or to have texture, or to do something that seems to show it has a vitality or reality of its own.»

If they are right, the quasar may give valuable insights into how these prodigiously luminous objects form.

This question, often not given much thought, is a crucial one; once an object has been relegated to the rubbish heap, it requires many complex infrastructures and various forms of labor.

The Australian Square Kilometre Array Pathfinder (ASKAP) will give astronomers an unprecedented look at black holes, the gas clouds from which stars form, and «exotic objects that push the boundaries of our knowledge of the physical laws in the universe,» says astrophysicist Brian Boyle, of Australia's Commonwealth Scientific and Industrial Research Organisation.

Seeking to understand what these objects are made of, how they behave, and how they formed gives us a greater appreciation for the art that surrounds us.

Hubble's latest discovery of 250 faint galaxies — formed 600 million to 900 million years after the Big Bang — in the early universe using three galaxy clusters to magnify the light given off by these distant objects.

Subsequently, the light wave with that given frequency is absorbed by the object, never again to be released in the form of light.

They are separated while in their object forms, which gives the cursed staff an undertone of tragedy that the animation ignored altogether.

Subject Pronouns - We, You, They / Positive and Question Forms - We, You, They This, That / Objects in the classroom Negative statements with «to be» Possessive Adjectives - «my», «your», «his», «her» Alphabet - Spelling Skills Jobs vocabulary Question words «What» and «Who» Greetings - Review of spelling and object vocabulary Nationalities Numbers 1 - 100 Give Name & Personal Information Everyday objects There is, There are Basic adjectives Some, Any - Countable and Uncountable Question Word «How» - How Much, HoObjects in the classroom Negative statements with «to be» Possessive Adjectives - «my», «your», «his», «her» Alphabet - Spelling Skills Jobs vocabulary Question words «What» and «Who» Greetings - Review of spelling and object vocabulary Nationalities Numbers 1 - 100 Give Name & Personal Information Everyday objects There is, There are Basic adjectives Some, Any - Countable and Uncountable Question Word «How» - How Much, Hoobjects There is, There are Basic adjectives Some, Any - Countable and Uncountable Question Word «How» - How Much, How Many?

In its base form, the Tacoma is really just a vehicle that provides reasonable transportation while giving you the ability to move large objects in a pinch.

Much of the gameplay has you exploring the environment and the insides of buildings, looking for objects that can help someone, and they will in turn give you the next piece you need to progress through the quest (be it information, an object, or some other form of assistance).

The warped landscape of Limbo gave Ninja Theory plenty of opportunities for some platforming antics with the two grappling hooks forming the core of it all: the Demonic hook lets you yank objects and pieces of scenery toward you, while the Angelic is used to pull you toward things.

And aside from them, there were only two other forms of antagonist: overactive inanimate objects trying to give you a flying bearhug, and flocks of temperamental birds that were more annoying than frightening.

Such as in Sarah Braman's work, where medium gives rise to form as plexi and steel are combined with mundane objects to make new constructions that feel counterintuitive, yet remain translucent and light.

This is, after all, a world in which artists continue to give form to the bigger questions — to life and death — and to create objects that are as beautiful as they are poignant.

His artistic process involves collecting the forms of fragments of the city today and the found objects that create the assemblage of what is currently giving Athens its character or what has at times defined or altered it.

They resemble architectural forms or ritualized objects; given Nonas's early years as an anthropologist, they just might be inspired by them, too.

Reflecting the L'art pour l'art ideology, his goal was to give irrefutable proof that art form is different than what we find in all other objects.

In Nepomuceno's work linear time gives way to a more cyclical sense of connectedness, while notions of subject and object, form and function, cause and effect are made deliberately ambiguous.

Having worked with the finest period pieces of furniture from the Regency to Art Deco has given me an eye for proportion and classical form, so important in designing objects with integrity and stature, even though often not having any direct visual connection.

These objects communicate her vision through their abstract forms, positions, colors, textures, and the ability to give a sense of the natural scenery which inspired them.

Their functional and decorative ceramic objects are all handmade, and considerable attention is given to the individual stages of production: the handling of the clay, and the choice of form, colour palette and glazing.

Cumulus Studios was formed in 2008 to give artists an opportunity to create functional outdoor objects for a landscape typically adorned with the bland and the uninspired.

In his sculpture, he gives anthropomorphic forms to AK47s, rocket launchers, pistols and other objects of destruction.

Plated in gold, the reflective and monumental object gives shape to the complexities of memory and brings form to the structures in which narratives are created, transmitted, challenged and remade.

Van de Moortel transfigures objects — stripping them of their original function and meaning — to give rise to new forms.

Her poetic objects, photographs and drawings testify to how she gives form to the intangible, or literally gives it a face, familiarising herself with the world in this way.

For, in addition to referencing objects from her studio environment, she animates the paint stick forms by giving them beady eyes and, in some cases, gaping mouths and limbs.

These he made material and metaphorical in objects, events and drawings, giving form to the imponderables of space and time.

Rebeca Bollinger combines ceramic, glass, bronze and aluminum sculptures with photography, video, writing and drawing to give visual form and language to invisible realms, memory impressions, imprints, stains, fictions, objects and instabilities.

The cutout — essentially a figure liberated from a painting and given new life as a stand - alone object — is a signature form for Mr. Katz, dating back to the early 1960s.

It is as though he has made an object derived at an intermediate moment — after exposure and before development — only to then be given a icturesque form.

Among the artists favourite materials are glass, stainless steel, granite, marble and sandstone, which help to give a timeless feel to simple forms of recognisable objects such as lamps, bricks, boxes, keyholes and tins.

Photographic subjects of the figure, objects and landscape are combined with minimally rendered drawings, where luminous dots, circles, arcs, arrows and waves give tangible form to imagined flows and concentrations of Qi.

Whether specific in geographic, economic or social reference, or more immediate and improvised in outcome and form, the project - based works refer to the situational nature of objects and spaces with regards to the given conditions of production and display.

Given the opportunity to browse another archive, the Metropolitan Museum of Art's collection of more than 450,000 objects, Bowers said she was inspired by the work of Howardena Pindell (b. 1943), an African American artist who essentially created her own form of painting by using a hole punch to deconstruct painted surfaces and make collaged, layered works by reconstituting the circular cut outs.

They require so little from contemporary art, or so it seems to me, that they are prepared to help over the admittedly modest stile to victory one artist who produces lame conceptual objects, another whose installation is like a solemn sixth - form project, a third whose composition for six opera singers has startling characteristics purely as a piece of music, and a collective of 15 architects, all highly gifted but themselves bemused by the shortlisting, given the existence of (just for instance) the Stirling prize.

Steinbach presents objects, ranging from the natural to the ordinary, the artistic to the ethnographic, giving form to art works that underscore their identity and inherent meanings.