Sentences with phrase «giving him a scene here»

It's no longer watching him — from Prince's perspective — but giving him a scene here or there, just to keep him present.

Not exact matches

The sense of the awesome and the mysterious in the earlier scene gives way here to theological assurance and eloquence.

It's given us here at Shots an excuse to revisit the classic Baby Ruth in the pool scene from the 1980 movie «Caddyshack.»

We have been giving some sneak peaks here and there of upcoming blog posts on our Instagram stories, so follow along if you want to see some behind the scenes!

Boseman certainly holds his own, but there are quite a few charismatic supporting players here keen to steal every scene they can — and they do, notably the physically imposing Jordan, the radiant Nyong» o and especially Wright, who gives her every scene extra punch and humor.

It also has one of the best scenes in all of the Star Trek films when Lily and Picard argue over blowing up the Enterprise and he gives his fantastic we draw the line here speech.

Pearce has also written a well - carpentered screenplay; there are some very big scenes and big moments here — sometimes too big — but he gives us a carefully crafted dramatic setup, an intriguingly curated selection of suspects for the crime and all of it building to a fascinating, finely balanced ambiguity in the movie's climactic stages.

There are some nicely written one - on - one scenes that show evolving personal relationships between characters, but Brewer attempts too much here, giving us too many scenes that tell us the same thing.

Redeemed here and given a part with some personality, not to mention a crazy look and even a fight scene with her resentful, judgmental sister played by Cheryl Hinds.

Danny Trejo fans expecting him to feature prominently here given his cover placement will be disappointed to learn that the Machete star appears in a single scene, amounting to little more than a cameo, which perhaps explains why the same picture of him is used on the front and back of the case.

It's equally depressing to see Cloris Leachman here, particularly given her big scene, which involves her getting a sponge bath from perennial «Scary Movie» lead Anna Faris... except that — ho, ho!

Her best scenes are the ones in which Susie talks candidly about her former life as an «escort,» and while she's given valuable assistance by Jeff Bridges (one of the best silent listeners in the business), it's remarkable how she can make a lengthy, here's - my - psyche - in - a-nutshell monologue and sound natural and impromptu, while still coming across as delectably movie - star glamorous.

At the same time, Rivers» second solo feature is the closest to «conventional» that his work as ever come — the term being used very loosely here, given that The Sky Trembles opens as a somewhat absurd behind - the - scenes documentary before following Spanish filmmaker Oliver Laxe off into the unknown.

Just to give you an example of the type of film you are dealing with here, there is a scene where Whitey is doing his civic duty washing out some outhouses when he is locked inside one and rolled down a snow - covered hill.

Here is a franchise revival done right: with wisdom, grace, and passion — all of those qualities especially evident in its final scene, a rehash of Rocky's famous run up the Philadelphia Museum of Art steps, but given a poignant autumnal twist.

Notably, there are a few out - of - place scenes here that might give parents a momentary hesitation about seeing this.

What's especially interesting here is that, due to the extremely tight schedule, Yates decided to use even the scenes with Mitchum's less - than - perfect deliveries, which ultimately gave the film an obvious rawness and imperfection that accentuated the desired feel of authenticity and gritty, unpolished documentary - style filmmaking that Yates and the crew were going for.

James Rhodes / War Machine (Don Cheadle) has a smaller, but meaningful role to play in the proceedings here by comparison, while Clint Barton / Hawkeye (Jeremy Renner) and Scott Lang / Ant - Man (Paul Rudd) are the established MCU players who get the least onscreen development - but Civil War makes up for that by giving these characters some of the best action scenes in the movie.

Following Castile, Prince of the Foxes was the second novel by Samuel Shellabarger the studio flipped into a film, and while less epic in scope (no globe - trotting here), the story still gave audiences solid moments of superbly crafted action in some stirring combat and battle scenes, and a nasty villain named Cesare Borgia (played with dribbling glee by Orson Welles).

He looks old here, made up with a gray beard and wizard robes, aside from his introductory scenes, he doesn't really get time or space to develop his Taoist Gandalf character, nor does he have much opportunity to show off his fighting skills, given the supernatural nature of the action (Lam Ching - ying gets such a chance in a too - small cameo role as «The Purple Taoist»).

2:45 am (26th)-- Roma Fellini returns to nostalgic auto - biography here, giving a series of impressionistic and over-the-top scenes of Rome through the eyes of a returning filmmaker who grew up there.

Charlotte Rampling is particularly stunning here, all the way up to the film's final shot — she has gone through so much internal struggle that you almost want her to explode, but for the actress» better judgment, she gives the scene so much more complexity when the cracks begin to show.

I chose to give him the benefit of the doubt and chalk his demeanor up to his character, as he does display some actual genuine emotion in a turning point scene with his father (the always brilliant former Oscar nominee Richard Jenkins, whose slightly autistic coin collecting father is really the stand - out here in a film supposedly about two youngsters in love), and he certainly looks the part.

Carell, who also co-wrote the screenplay, makes a smash starring appearance here after giving us scene - stealing performances in previous efforts like Bruce Almighty and Anchorman.

However, Stone's not the only woman giving an excellent performance here, with Patricia Clarkson and Amanda Bynes blowing up the screen in their scenes as well.

After debuting some concept art which appeared to give us our first look at the sentient AI Ship earlier in the week [see here], Bryan Singer has once again taken to social media to tease next year's mutant sequel X-Men: Apocalypse with a behind - the - scenes shot that offers up a glimpse of Xavier and Cerebro... SEE -LSB-...]

Yesterday Bryan Singer posted the first of what we can assume is going to be many behind - the - scenes images from the set of next year's X-Men: Apocalypse [see here], and the director has been at it again tonight, giving us a look at the 1980s version of Cerebro under construction... X-Men: Apocalypse is set for release -LSB-...]

Unless you're squeamish about frank sex scenes, there's no risk here — Sleeping With Other People gives its much - maligned genre a good name.

Mamet does get to do the rousing fight scene here and it might be, given the importance in the story and for the protagonist, the best fight scene ever in a film.

Here, Assayas has given Stewart another opportunity and this time the actress is in every scene.

Indeed, Patriots Day finds Berg working in his preferred aesthetic mode of handheld commotion — in which the twitchy camera itself often seems to be in search of the focal point of any given scene (an approach enabled here by cinematographer Tobias A. Schliessler, a frequent Berg collaborator).

There's little subtlety here, and Meyers gives us some overly familiar scenes.

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

As I said above, those many hours of deleted scenes aren't on here — and quite frankly, I've given up all hope that we'll one day see them.

Coming hot on the heels of the behind - the - scenes images [see here], the Star Wars: The Last Jedi panel from Star Wars Celebration 2017 is giving us our very first look at December's massively - anticipated sequel with some official images.

The period setting is sketched in broad strokes (fittingly, the only real - life filmmaker name - checked here is Norman Taurog, director of Elvis vehicles and Dean Martin and Jerry Lewis movies), giving the Coens a chance to play with dated and outmoded film techniques: wipes, bird's - eye - view matte paintings, painted backdrops, unconvincing model submarines, and, in the movie's most perverse act of homage, a very long driving scene of questionable urgency.

The news was accompanied by a first teaser [watch it here], and now director Bryan Singer has shared a behind - the - scenes shot on his Instagram page, which gives -LSB-...]

For a while she has been a talented actress playing second banana roles in a number of Judd Apatow comedies (minus last year's abysmal «I Give It A Year «-RRB- and odd genre affairs, always stealing a scene here and there but never warping the entire movie around her greatness.

Director Breck Eisner (son of Disney chief Michael Eisner) helms his first major film here (and honestly, given who he is, I wasn't expecting much) and fills the movie with some very nicely composed shots and gives the action scenes a very exciting edge.

Malaysian artist Ahmad Safwan, who was kind enough to give me permission to post his work here, envisioned a scene where Loki is challenged at last for that Best Villain throne.

Always influenced by where he lives, the 100 recipes Lebovitz gives us here celebrate the exciting food scene in today's Paris: Green Olive, Basil and Almond Tapenade; a no - muss - no - fuss Counterfeit Duck Confit; Baked Eggs with Kale and Smoked Salmon; a savory Butternut Squash Crumble; and a Salted Butter Caramel - Chocolate Mousse that will leave you speechless with delight.

Here, Alexander gives us a glimpse behind the scenes of the research required for Dangerous, making us even more jealous of the life of an author!

Here at Ween on the Scene, we know we give off the impression of being sophisticated urbanites.

We just kicked off our Second Son behind closed door presentations for our media friends here at gamescom, and we wanted to give you all a glimpse at what we're talking about behind the scenes.

The game gives the player some interactivity here and there with story scenes & choices and the player does get into a couple of fun early boss fights, but it takes too long before the player gets to the first real dungeon & can start actively engaging in the social sim element of the game.

Given an absolute standout, load times are near non-existent here, with only a flicker of black screening between scenes, an impressive feat given Arms is locked in at 60 frames per second in 1080p in Docked Given an absolute standout, load times are near non-existent here, with only a flicker of black screening between scenes, an impressive feat given Arms is locked in at 60 frames per second in 1080p in Docked given Arms is locked in at 60 frames per second in 1080p in Docked mode.

Here, Column Five cofounder Josh Ritchie gives us a behind - the - scenes look at their most recent gift: A beautiful poster featuring some of Ben Franklin's most powerful words.

From nascent art scenes to the rise of rightwing populism, the past 12 months have given us a lot to think about; here's a selection of some of our deepest dives from 2016.

«We can divide the main gallery into eight spaces and give a reasonable size for everyone to work in... we want it to be part of an ongoing process which means we want them to get to know each other, show in each other's spaces, in the future develop contacts, and really build a much, much bigger integration of the art scenes here and in Berlin.

While the YBAs kind of cleared the slate and gave life to new galleries, a lot of painters working in this country, who had no international career but were strong in the scene here, lost venues and their chance to develop disappeared.