Sentences with phrase «giving it a mass audience»

Not exact matches

Twitter gives companies the opportunity to gain access to a global, and in some instances, mass niche audience, something that television broadcasts can not do.
In a pattern familiar to all kinds of media, the era of huge mass - market tentpoles has given way to a seemingly limitless number of outlets — some well known, others almost secret - society - like in their nicheness — in which performers can reach audiences directly.
Yet the film didn't draw a mass audience in the States, or win over Oscar nominators, who've given it a crack at Best Cinematography and Best Achievement in Sound Editing only.
It almost dares you to dislike it that you might stand out from the critical mass and, given the minimal number of non-cinephile audience members this screens to, that is a dare likely to be left undone.
I suppose when you spend $ 300 million, give or take a hundred mill or so, you have to make compromises that ensure you don't alienate the mass audience needed to recoup the investment.
«Although modern coolness emerged out of jazz and spread through popular music, the movies brought cool to the masses by giving audiences unparalleled access to it.
If they give him a show stealing scene akin to what Quicksilver had in X-Men: Days of Future Past, especially with Channing Tatum in the role, it'll leave the audiences wanting more, and giving his solo film mass awareness.
New technologies are shifting the way people work: Microlearning gives just enough information to compel the right action for the moment; mobile learning makes it possible to treat your learners like customers and deliver them what they need, when they need it; and personalization allows to make your audience feel like their learning is custom - fit, not a mass - produced, one - size - fits - all training.
This is often the case for paperback covers but it gives us the opportunity to provide a new package for a wider, mass audience.
Final Fantasy 15 launched on the consoles in 2016 after a ten year wait, finally giving the masses the chance to play the long - awaited game, but the PC audiences have had to wait a little longer.
Meanwhile Zoom Pavilion by Rafael Lozano - Hemmer and Krzysztof Wodiczko gave visitors a disorientating encounter with mass surveillance, with 12 robotic cameras capturing the audience, and rendering the footage on the gallery walls in real time.
Indeed, Zwirner gave a strict (if well - tempered) exhortation to gallerists on how best to support artists and develop their careers: «You shouldn't launch a new body of work at a fair: it's a limited audience who have to pay», suggesting the pressure of a fair, compared with the free, mass entry of a gallery show, was harmful to the proper appreciation of the art on show.
Four years, Groys gave a talk at SVA that outlined the idea that «social media and the internet is the new arena for the avant garde's production of «weak signs and low visibility»; the masses creating their own work for minuscule audiences in the 21st Century vs consuming the spectacles created by mass media in the 20th.»
In the last year, much attention has been given to startups bringing instruction to mass audiences — and for good reason: massive open online courses (MOOCs) have the potential to remake what it means to get a college education.
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